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                <title>The Bijou Annual, 1828</title>
                <author>Fraser, William (1796-1854), compiler</author>
                <sponsor>Miami University</sponsor>
                <sponsor>The Poetess Archive</sponsor>
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                    <resp>General Editor, </resp>
                    <name>Laura Mandell</name>
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                    <resp>Optically scanned by </resp>
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                        <title level="m" type="main">The Bijou; </title>
                        <title level="m" type="subordinate">or Annual of Literature and the Arts</title>
                        <editor><name reg="Fraser, William" date="1796-1854" place="UK">William Fraser</name></editor>
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                            <pubPlace>London</pubPlace>
                            <publisher><name reg="Pickering, William" date="1796-1854" place="UK">William Pickering</name></publisher>
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        <front>
            <titlePage>
                <docTitle>
                    <titlePart type="main">The Bijou; </titlePart>
                    <titlePart type="subordinate">or Annual of Literature and the Arts</titlePart>
                </docTitle>
                <docAuthor>compiled by <name reg="Fraser, William"  date="1796-1854" place="UK">William Fraser</name>
                </docAuthor>
                <docImprint>
                    <publisher>William Pickering</publisher>
                    <pubPlace>London</pubPlace>
                </docImprint>
                <docDate>1828</docDate>
            </titlePage>
            <div type="frontispiece" id="FP">
                <p rend="center">
                    <xref doc="child">
                        <figure entity="smfrontisp">
                            <head>Frontispiece and Figure 1</head>
                        </figure>
                    </xref>
                </p>
            </div>
                <div type="titlepage" id="TP">
                    <p rend="center">
                        <xref doc="image1">
                            <figure entity="smtitlep">
                                <head>Title Page</head>
                            </figure>
                        </xref>
                    </p>
                </div>
                            <div type="contents" id="toc">
                    <head>Contents</head>
                    <p>[<xref doc="PF" >Preface</xref> .......................................................................
                        {v} <lb/>
                        <xref doc="embellishments" >LIST OF EMBELLISHMENTS</xref>....................................
                        xii</p>
                    <p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
                        PAGE<lb/>
                        <xref doc="P1">The Child and Flowers</xref>.&nbsp; By Mrs. Hemans
                        ........................  1 <lb/>
                        <xref doc="P2">Ballad from the Norman French</xref>.&nbsp; By
                        J.G. Lockhart, Esq... 4 <lb/>
                        <xref doc="P3" >Sonnets</xref>.&nbsp; By
                        Sir Egerton Brydges, Bart. ......................... 11<lb/>
                        <xref doc="P4">The City of the Dead</xref>.&nbsp; By L. 
                        E. L. ..................................13 <lb/>
                        <xref doc="P5" >Night and Death</xref>.&nbsp; By the Rev. Joseph Blanco
                        White ........16 <lb/>
                        <xref doc="S1" >The Wanderings of Cain</xref>.&nbsp; By S. T.
                        Coleridge, Esq. ......... 17 <lb/>
                        <xref doc="P6" >Verses for an Album</xref>.&nbsp; By Charles 
                        Lamb, Esq. ................ 24 <lb/>
                        <xref doc="P7" >Lines written in the Vale of Zoar</xref> .....................................
                        25 <lb/>
                        <xref doc="P8" >An aged Widow&apos;s own Words</xref> &nbsp; By James Hogg,
                        the <lb/>
                        &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ettrick Shepherd....................................................
                        26 <lb/>
                        <xref doc="P9" >From the Italian</xref> ..............................................................
                        27 <lb/>
                        <xref doc="P10" >Work without Hope</xref>.&nbsp; By
                        S. T. Coleridge, Esq. ............... 28 <lb/>
                        <xref doc="P11" >The Poet-Warrior</xref>.&nbsp; By Allan Cunningham
                        ....................... 29 <lb/>
                        <xref doc="P12" >The Rose</xref>.&nbsp; By Sir Thomas E. Croft, Bart.
                        ....................... 31 <lb/>
                        <xref doc="P13" >To my Child</xref>.&nbsp; By B. C. ..................................................
                        32 <lb/>
                        <xref doc="L1" >Letter from Sir Walter Scott, Bart.</xref> .................................
                        33 <lb/>
                        <xref doc="D1" >The Night before the Battle of Montiel</xref>.&nbsp; From
                        the <lb/>
                        &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Spanish of Don Juan Algalaba
                        ............................... 39 <lb/>
                        <xref doc="S3" >Jessy of Kibe&apos;s Farm</xref>.&nbsp; By Miss M. R. Mitford
                        ............... 65 <lb/>
                        <xref doc="P14" >Song</xref>.&nbsp; By T. K. Hervey, Esq. ........................................
                        76 <lb/>
                        <xref doc="P15" >Sans Souci</xref>.&nbsp; By. L. E. 
                        L. ............................................... 77 <lb/>
                        <xref doc="P16" >A Lament for the Decline of Chivalry</xref>.&nbsp; By
                        T. Hood, <lb/>
                        &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Esq. Author of &quot;Whims and Oddities&quot; ....................
                        75 <lb/>
                        <xref doc="P17" >The Purple Evening</xref>.&nbsp; By the author of
                        &apos;Stray Leaves&apos; ...... 80 <lb/>
                        <xref doc="P18" >Scotland</xref>.&nbsp; By Robert Southey, Esq. Poet
                        Laureat .......... 81 <lb/>
                        <xref doc="P19" >To a Friend</xref>.&nbsp; By Lady Caroline Lambe
                        .......................... 89 <lb/>
                        <xref doc="P20" >On his Majesty&apos;s Return to Windsor Castle</xref>.&nbsp; By
                        the <lb/>
                        &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Rev. W. Lisle Bowles ............................................
                        91 <lb/>
                        <xref doc="P21">The Hellweathers</xref>.&nbsp; By N. T. Carrington,
                        Esq. Author <lb/>
                        &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; of &quot;Dartmoor&quot; .......................................................
                        92 <lb/>
                        <xref doc="P22" >Imitation from the Persian</xref>.&nbsp; By Dr. Southey
                        ................... 98 <lb/>
                        <xref doc="S4" >The Suitors Rejected</xref>.&nbsp; By Miss Emma
                        Roberts, Author <lb/>
                        &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; of &quot;Memoirs of the Houses 
                        of York and Lancaster.&quot; 99 <lb/>
                        <xref doc="P23" >Ane Waefu&apos; Scots Pastoral</xref>.&nbsp; By James Hogg,
                        the <lb/>
                        &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ettrick Shepherd .................................................
                        108 </p>
                    <p>xiv&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
                        CONTENTS. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;PAGE 
                        <lb/>
                        <xref doc="P24" >Anacreontic</xref>. By T. K. Hervey, Esq............................... 
                        112<lb/>
                        <xref doc="S5" >The Ritter Von Reichenstein</xref> ......................................... 
                        114<lb/>
                        <xref doc="P25">A familiar Epistle to Sir Thomas Lawrence</xref>. 
                        By Barry<lb/>
                        &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Cornwall .............................................................. 
                        139<lb/>
                        <xref doc="P26">Youth and Age</xref>. By S. T. Coleridge, Esq........................144<lb/>
                        <xref doc="P27">A Day Dream</xref>. By S. T. Coleridge, Esq........................ 
                        .146<lb/>
                        <xref doc="S6">Marie&apos;s Grave</xref>. By the Author of &quot;The Subaltern&quot;............148<lb/>
                        <xref doc="P28">The National Norwegian Song</xref>. By W. H. Leeds, 
                        Esq.....173<lb/>
                        <xref doc="P29">An Address to the Lost Wig of John Bell, Esq</xref>. 
                        By a<lb/>
                        &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Tyro......................................................................176<lb/>
                        <xref doc="P30">A Simile, on a Lady&apos;s Portrait</xref>. By James Montgo-<lb/>
                        &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;mery, Esq..............................................................181<lb/>
                        <xref doc="S7">The Epistle of Servius Sulpicius to Marcus Tullius</xref><lb/>
                        &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<xref doc="S7">Cicero</xref>. 
                        Translated by his Majesty..........................183<lb/>
                        <xref doc="S8">The Epistle of Marcus Tullius Cicero to Servius 
                            Sul-</xref><lb/>
                        &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<xref doc="S8">picius</xref>. 
                        Translated by his late Royal Highness<lb/>
                        &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;the Duke of York ..................................................188<lb/>
                        <xref doc="P31">The Lover&apos;s Invocation</xref>. By Miss Mitford....................... 
                        191<lb/>
                        <xref doc="P32">Inscription for a Grotto</xref>. By Horace Smith, 
                        Esq...............193<lb/>
                        <xref doc="P33">The Infant Shakespeare</xref>..................................................195<lb/>
                        <xref doc="P34">On a Little Girl</xref>. By W. Fraser........................................ 
                        198<lb/>
                        <xref doc="P35">Canzonet</xref>. By John Bird, Esq..........................................200<lb/>
                        <xref doc="P36">The Two Founts</xref>. By S. T. Coleridge, Esq.......................202<lb/>
                        <xref doc="S9">Halloran the Pedlar</xref>. By the writer of the 
                        &quot;Diary<lb/>
                        &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;of an Ennuye&quot; 
                        ......................................................205<lb/>
                        <xref doc="P37">Morning</xref>. By D. L. Richardson, Esq................................240<lb/>
                        <xref doc="P38">The Oriental Love-Letter</xref>. By Mrs. 
                        Pickersgill, Author<lb/>
                        &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;of the &quot;Tales of 
                        the Harem&quot; ....................................241<lb/>
                        <xref doc="D2">Mount Carmel</xref>. By H. Neele, Esq.................................. 
                        234<lb/>
                        <xref doc="S10">Sketch from Life</xref> ............................................................242<lb/>
                        <xref doc="S11">Beau Leverton</xref> ...............................................................261<lb/>
                        <xref doc="S12">Essex and the Maid of Honour</xref>. By Horace Smith, 
                        Esq... 285<lb/>
                        <xref doc="P39">Humble Love</xref>. By William Fraser....................................312<lb/>
                        <xref doc="P40">Haddon Hall</xref>. By H. B....................................................315<lb/>
                        <xref doc="P41">My Native Land</xref>. By Delta, 
                        of Blackwood&apos;s Magazine....319<lb/>
                        <xref doc="I1">
                            [Index of Embellishments]</xref><lb/>
                        <xref doc="I2">[Index of Authors]</xref>
                    <xref doc="notes1">[Notes]</xref></p>
                </div>
                <div type="illustrations" id="illus">
                    <head> List of Embellishments</head>                    
                    <p>I.&nbsp; <xref doc="F1">THE 
                        CHILD AND FLOWERS.</xref>&nbsp; 
                        -- By Sir Thomas Lawrence, <lb/>
                        &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        P.R.A.&nbsp;&nbsp; Engraved by Mr. W. Humphreys.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        <xref doc="image1">Frontisp</xref>.
                    </p><p>II.&nbsp; <xref doc="F2">SIR 
                        WALTER SCOTT AND 
                        FAMILY.</xref>&nbsp; --&nbsp;&nbsp; By David Wilkie,
                        <lb/>
                        &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        Esq. R.A.&nbsp;&nbsp; Engraved by Mr. W.H. Worthington.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        <xref doc="image2">33</xref>
                    </p>
                    <p>III.&nbsp; <xref doc="F4">THE 
                        WARRIORS.</xref>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; (Head Piece)&nbsp;&nbsp;&nbsp;&nbsp; 
                        Painted by Thomas <lb/>
                        &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        Stothard, Esq. R. A.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        Engraved by Mr. Augustus
                        <lb/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        Fox.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        <xref doc="image3">75</xref>
                    </p>
                    
                    <p>IV.&nbsp; <xref doc="F3">SANS 
                        SOUCI.</xref>&nbsp;&nbsp;&nbsp;&nbsp; --&nbsp;&nbsp;&nbsp;&nbsp; 
                        Painted by T. Stothard, Esq.&nbsp; R. A. <lb/>
                        &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        Engraved by Mr. Brandard.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        <xref doc="image4">77</xref>
                    </p><p>V.&nbsp;<xref doc="F5">SUITORS 
                        REJECTED.</xref> --&nbsp; Painted by Mr. W. H. Worthing- 
                        <lb/>
                        &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        ton.&nbsp; Engraved by Mr. A. Wright.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        <xref doc="image5">99</xref>
                    </p><p>VI.&nbsp; <xref doc="F6">THE 
                        BOY AND DOG.</xref>--Painted 
                        by Sir Thomas Lawrence, <lb/>
                        &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        P.R.A.--Engraved by Mr. W. Humphreys.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        <xref doc="image6">139</xref>
                    </p><p>VII.&nbsp; <xref doc="F7">A VILLAGE 
                        FESTIVAL.--(Head Piece)</xref>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
                        Painted by <lb/>
                        &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        T. Stothard, Esq.&nbsp; R.A.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        Engraved by Mr. Augustus
                        <lb/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        Fox.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        <xref doc="image7">148</xref>
                    </p><p>VIII.&nbsp; <xref doc="F8">A PORTRAIT 
                        OF A LADY.</xref>&nbsp;&nbsp; 
                        --&nbsp;&nbsp; Painted by Sir Thomas <lb/>
                        &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        Lawrence, P.R.A.&nbsp;&nbsp; --&nbsp;&nbsp;&nbsp; Engraved by Mr. W.H.
                        Worth-
                        <lb/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        ington.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        <xref doc="image8">181</xref>
                    </p><p>IX.&nbsp;<xref doc="F9">THE 
                        POET&apos;S INVOCATION.--(Head 
                        Piece)</xref>&nbsp;&nbsp;&nbsp;&nbsp; Painted by <lb/>
                        &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        T. Stothard, Esq.&nbsp; R.A.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Engraved
                        by Mr. Augustus
                        <lb/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        Fox.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        <xref doc="image9">193</xref>
                    </p><p>X.&nbsp; <xref doc="F10">THE 
                        DREAMS OF THE 
                        INFANT SHAKESPEARE.</xref>-- Painted
                        <lb/>
                        &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        by Richard Westall, Esq.&nbsp; R.A.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        Engraved by Mr.
                        <lb/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        Augustus Fox.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        <xref doc="image10">195</xref>
                        <lb/>
                        &nbsp;
                    </p><p>xii&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        LIST OF EMBELLISHMENTS.
                    </p><p>XI.&nbsp; <xref doc="F11">THE 
                        ORIENTAL LOVE-LETTER.</xref>&nbsp; 
                        --&nbsp; Painted&nbsp;&nbsp; by&nbsp;&nbsp; H. W. <lb/>
                        &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        Pickersgill, Esq.&nbsp; R.A.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        Engraved by Mr. Edward
                        <lb/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        Finden.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        <xref doc="image11">241</xref>
                    </p><p>XII.&nbsp; <xref doc="F12">QUEEN&nbsp;&nbsp; 
                        ELIZABETH,&nbsp; ESSEX,&nbsp; AND&nbsp; 
                        SHAKESPEARE.</xref>-- <lb/>
                        &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        Painted&nbsp; by&nbsp; Thomas&nbsp; Stothard, Esq. R.A.&nbsp; Engraved
                        by
                        <lb/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        Mr. W. Ensom.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        <xref doc="image12">285</xref>
                    </p><p>XIII.&nbsp; <xref doc="F13">THE 
                        HUMBLE LOVERS.--(Head Piece)</xref>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
                        Painted by <lb/>
                        &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        Thomas&nbsp;&nbsp; Stothard,&nbsp;&nbsp; Esq.&nbsp;&nbsp;&nbsp; R.A.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        Engraved by Mr.
                        <lb/>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        Augustus Fox.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        <xref doc="image13">312</xref>
                    </p><p>XIV.&nbsp; <xref doc="F14">HADDON 
                        HALL.</xref>--Painted&nbsp;&nbsp; by&nbsp;&nbsp; R.&nbsp; 
                        R.&nbsp;&nbsp; Reinagle,&nbsp; Esq. <lb/>
                        &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        R.A.&nbsp;&nbsp; Engraved by Mr. R. Wallis.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        <xref doc="image14">315</xref>
                    </p><p>XV.&nbsp; <xref doc="FP">THE 
                        VIGNETTE TITLE.--Cupid in 
                        a Wreath,</xref> by Thomas<lb/>
                        &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        Stothard, Esq.&nbsp;&nbsp;&nbsp; R. A.&nbsp;&nbsp;&nbsp; Engraved&nbsp;
                        by&nbsp; Mr.&nbsp; W.&nbsp; Hum-
                        <lb/>
                        &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        phreys.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<xref doc="image1">Frontispiece</xref>
                        <lb/>
                        &nbsp;
                    </p><p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
                        _______
                        <lb/></p>
                </div>
            <div type="prefacepageimage">
                <p rend="center">
                    <xref doc="pageimagei">
                        <figure entity="pageimage"/>
                    </xref>
                </p>
                </div>
            <div type="preface" id="PF">
                <pb n="v"/>
                <head rend="hi">
                    <title>Preface</title>
                </head>
                <head>[by <name reg="Fraser, William" date="1796-1854" place="UK"> William Frasier</name>]</head>
                <p>The few observations which are necessary to be prefixed to this volume, will
                    contain little more than acknowledgements to the distinguished literary
                    characters, and eminent artists whose respective productions adorn its pages; as
                    it is on those productions the Publisher rests his hopes that it will be deemed
                    entitled to an elevated station among the Annual publications, not of this
                    country only, but of Europe.  Far from wishing, however, to institute invidious
                    comparisons, he only assets for it an equal claim to the notice and patronage of
                    the public; for whether with respect to its graphic illustrations, or its
                    literary merits, he feels assured that it will not be found inferior to any,
                    even if it does not excel most, of its contemporaries.</p>
                <p>To describe the Editor&apos;s obligations to this various friends in adequate terms
                    would require space infinitely beyond that to which a preface is necessarily
                    limited; but in briefly expressing his gratitude to the celebrated characters
                    who have cheerfully afforded him the assistance of their talents, he will not
                    only perform a grateful duty, but at the same time tacitly urge the pretensions
                    which he considers &quot;THE BIJOU&quot; to possess to public favor.</p>
                <pb n="vi"/>
                <p>To sir Walter Scott the proprietors and himself are indebted for the interesting
                    letter explanatory of the picture of his family, with an engraving of which,
                    through the liberality of its possessor Sir Adam Ferguson, and the painter Mr.
                    Wilkie, they have been able to enrich the Work.  Nor is it too much to expect
                    that if every other recommendation were wanting, that plate, and still more the
                    description by which it is accompanied would prove irresistable attractions to
                    the world; for who can be indifferent to so pleasing a memorial of a writer to
                    whose merits England, Europe, nay, the whole civilized world, has offered its
                    homage and its praise.  Conspicuous as that letter is among the literary
                    beauties of these sheets,--and to it may be attributed an interest as unfading
                    as the reputation of its writer—almost all the popular authors of the day have
                    contributed one or more scintillations of their genius; and it is with feelings
                    of pride, admiration, and gratitude, that the Editor and Proprietors offer their
                    warmest acknowledgements to John Gibson Lockhart, Esq.,<note n="1" place="foot"
                        resp="Bijou Editor, William Fraser">[Note to Preface:] A few stanzas of the
                        Ballad by Mr. Lockhart were printed in the “Janus” for 1826. It is so
                        considerably improved and enlarged, the translation being now complete, as
                        to assume a new character. [Bijou Editor, William Fraser.] <ref target="N1"
                            >BACK.</ref>
                    </note>
                    <anchor id="N1"/>Mrs. Hemans, Sir Egerton Brydges, Bart.; Sir Thomas Elmsley
                    Croft, Bart.; the Rev. Blanco White; Barry Cornwall; <pb n="vii"/>L. E. L.; Miss Mitford; 
                    Mrs. Pickersgill; Miss Roberts; the writer of the “Diary of an Ennuyée;” R. P.
                    Gillies, Esq.;<note n="2" place="foot" resp="Bijou Editor, William Fraser">[Note
                        to Preface:] Mr. Gillies beautiful Poem called “The seventh Day,” is, for
                        want of space, reserved for the next volume. [Bijou Editor, William Fraser.]
                            <ref target="N2">BACK</ref>
                    </note>
                    <anchor id="N2"/>J. Montgomery, Esq.; the Rev. W. Lisle Bowles; the author of
                    “The Subaltern;” Delta; Horace Smith, Esq.; Charles Lamb, Esq.; the Ettrick
                    Shepherd; Allan Cunningham, Esq.; N. T. Carrington,Esq [<emph>sic</emph>]; and
                    to the other contributors.</p>
                <p>In expressing the Editor&apos;s thanks in a separate paragraph to S. T. Coleridge,
                    Esq.&apos; It must not be supposed that his obligations are the less  important to
                    those whose names have just been mentioned; but where a favor has been conferred
                    in a peculiar manner, it at least demands that it should be peculiarly
                    acknowledged.  Mr. Coleridge, in the most liberal manner, permitted the Editor
                    to select what he pleased from all his unpublished MSS., and it will be seen
                    from the “Wanderings of Cain,” though unfinished, and the other pieces bearing
                    that Gentleman&apos;s name, that whenever he may favour the world with a perfect
                    collection of his writings he will adduce new and powerful claims upon its
                    respect.</p>
                <p>In another, but no less important department of talent, the Proprietors have yet
                    to pay their debt of gratitude.  From the invaluable favours he has conferred
                    upon the work, the first among those claimants is he, who is the first in
                    professional reputation, in liberality, and in all which characterises a
                    Gentle-<pb n="viii"/>man, Sir Thomas Lawrence, the President of the Royal Academy, who has
                    bestowed on it three of his unrivalled productions; and which, it is needless to
                    say, are of themselves sufficient to place &quot;THE BIJOU&quot; in the
                    foremost rank of the embellished publications of Europe.</p>
                <p>To H. W. Pickersgill, Esq. R. A. the Proprietors are deeply indebted for the
                    gratuitous use of his beautiful picture “The Oriental Love-Letter,” in the
                    Council Room of the Royal Academy; and which derives considerable interest from
                    the elegant illustration by which it is accompanied from the pen of his
                    accomplished wife.  To Mr. W. H. Worthington the Proprietors are grateful for
                    the loan of his painting &quot;The Suitors Rejected.&quot;</p>
                <p>In consequence of a resemblance between the principal incident in the Tale of
                    HALLORAN THE PEDLAR and the catastrophe described in a recent publication of
                    deserved popularity, both evidently referring to the same historical fact, it is
                    necessary, in order to prevent the suspicion of plagiarism, to state that the
                    Tale of Halloran was written, and in the hands of the publisher, long previously
                    to the appearance of the Novel where a similar circumstance is related.  Many
                    most valuable papers, nearly sufficient to form another volume, remain in the
                    Editor&apos;s possession; for the obvious reason of superabundance of matter, it was
                    impossible to insert them in the present work.</p>
                <p>Amidst other literary curiosities, two will be found which derive their chief
                    attraction from the illustrious rank and eminent virtues of their authors: 
                    these are, a translation of the celebrated Epistle of Servius Sulpicius to M. T.
                    Cicero, by his present Majesty; and of Cicero&apos;s Epistle to Servius Sulpicius, by
                    the lamented Duke of York, both written as exercises at a very early age.</p>
                <p>The selection of Graphic Illustrations was made by Mr. Robert Balmanno, Secretary
                    of the Artists&apos; Fund, and the Publisher.</p>
                <p>Whether THE BIJOU be worthy of its name, and how far the proprietors have
                    redeemed the claim pledged in their prospectus, must be left to the public to
                    determine.  It has been their unceasing endeavour to concentrate specimens of
                    the varied talent, both in literature and art, for which this country is
                    renowned; to allow the powers of the pencil, and the connotations of the mind,
                    mutually to relieve and and adorn each other, where</p>
                <lg>
                    <l rend="indent5">&quot;Each lends to each a double charm,</l>
                    <l rend="indent5">Like pearls upon an Ethiop&apos;s arm;&quot;</l>
                </lg>
                <p>And as no trouble has been considered too laborious, no expense too great to
                    accomplish this object, they submit the result of their exertions with
                    confidence unalloyed by presumption, but not unmixed with hope.</p>
                <p rend="alignr"><bibl><author><name reg="Fraser, William" date="1796-1854" place="UK"> W. F.</name></author></bibl></p>
            </div>
        </front>
        <body>
            <div type="picture" id="F1" refid="P1">
                <head>Figure 1: The Child and Flowers</head>
                <p rend="center">
                        <figure entity="smfrontisp" n="1">
                            <head><bibl><author type="painter">painted by <name reg="Lawrence, Thomas" date="1769-1830" place="UK">Sir Thomas Lawrence</name></author>, <author type="engraver">engraved by <name reg="Humphrys, William" date="1794-1865" place="UK">W. Humphreys</name></author></bibl></head>
                        </figure>
                </p>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage1">
                        <figure entity="pageimage"/>
                    </xref>
                </p>
                </div>
            <div type="poem" id="P1" refid="F1">
                <pb n="1"/>
                <head rend="hi">
                    <title>The Child and Flowers</title>
                </head>
                <head>
                    <name reg="Hemans, Felicia Dorothea Browne" date="1793-1835" place="Wales, UK">By Mrs. Hemans</name>
                </head>
                <epigraph>
                    <l rend="indent">All good and guiltless thou art.</l>
                    <l rend="indent">Some transient griefs will touch thy heart,</l>
                    <l rend="indent">Griefs that along thy altered face</l>
                    <l rend="indent">Will breathe a more subduing grace,</l>
                    <l rend="indent">Than even those looks of joy that lie</l>
                    <l rend="indent">On the soft cheek of infancy.</l>
                    <bibl>
                        <name reg="Wilson, John">WILSON</name> 
                        <title>To a Sleeping Child</title>
                    </bibl>
                </epigraph>
                <lg type="stanza">
                    <l rend="indent1">HAST thou been in the woods with the honey-bee?</l>
                    <l rend="indent1">Hast thou been with the lamb in the pastures free?</l>
                    <l rend="indent1">With the hare through to copses and the dingles wild?</l>
                    <l rend="indent1">With the butterfly over the heath, fair child?</l>
                    <l rend="indent1">Yes: the light fall of thy bounding feet</l>
                    <l rend="indent1">Hath not startled the wren from her mossy seat;</l>
                    <l rend="indent1">Yet hast thou ranged the green forest-dells, </l>
                    <l rend="indent1">And brought back a treasure of buds and bells.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">Thou know&apos;st not the sweetness, by antique song</l>
                    <l rend="indent1">Breathed o&apos;er the names of that flowery throng;</l>
                    <l rend="indent1">The woodbine, the primrose, the violet dim,</l>
                    <l rend="indent1">The lily that gleams by the fountain&apos;s brim:</l>
                    <pb n="2"/>
                    <l rend="indent1">These are old words, that have made each grove</l>
                    <l rend="indent1">A dreary haunt for romance and love;</l>
                    <l rend="indent1">Each sunny bank, where faint odours lie</l>
                    <l rend="indent1">A place for the gushings of Poesy.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">Thou know&apos;st not the light wherewith fairy lore</l>
                    <l rend="indent1">Sprinkles the turf and the daisies o&apos;er;</l>
                    <l rend="indent1">Enough for thee are the dews that sleep</l>
                    <l rend="indent1">Like hidden gems in the flower-urns deep;</l>
                    <l rend="indent1">Enough the rich crimson spots that dwell</l>
                    <l rend="indent1">Midst the gold of the cowslip&apos;s perfumed cell;</l>
                    <l rend="indent1">And the by the blossoming sweet-briars shed,</l>
                    <l rend="indent1">And the beauty that bows the wood-hyacinth&apos;s
                    head.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">Oh! Happy child in thy fawn-like glee!</l>
                    <l rend="indent1">What is remembrance or thought to thee?</l>
                    <l rend="indent1">Fill thy bright locks with those gifts of spring,</l>
                    <l rend="indent1">O&apos;er thy green pathway their colours fling;</l>
                    <l rend="indent1">Bind them in chaplet and wild festoon--</l>
                    <l rend="indent1">What if to droop and to perish soon?</l>
                    <l rend="indent1">Nature hath mines of such wealth--and thou</l>
                    <l rend="indent1">Never wilt prize its delights as now!</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">For a day is coming to quell the tone</l>
                    <l rend="indent1">That rings in thy laughter, thou joyous one!</l>
                    <l rend="indent1">And to dim thy brow with a touch of care.</l>
                    <l rend="indent1">Under the gloss of its clustering hair;</l>
                    <pb n="3"/>
                    <l rend="indent1">And to tame the flash of thy cloudless eyes</l>
                    <l rend="indent1">Into the stillness of autumn skies;</l>
                    <l rend="indent1">And to teach thee that grief hath her needful part,</l>
                    <l rend="indent1">Midst the hidden things of each human heart!</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">Yet shall we mourn, gentle child! for this?</l>
                    <l rend="indent1">Life hath enough of yet holier bliss!</l>
                    <l rend="indent1">Such be thy portion!--the bliss to look</l>
                    <l rend="indent1">With a reverent spirit, through nature&apos;s book;</l>
                    <l rend="indent1">By fount, by forest, by river&apos;s line,</l>
                    <l rend="indent1">To track the paths of a love divine;</l>
                    <l rend="indent1">To read its deep meanings--to see and hear</l>
                    <l rend="indent1">God in earth&apos;s garden--and not to fear.</l>
                </lg>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage4">
                        <figure entity="pageimage"/>
                    </xref>
                </p>
            </div>
            <div type="poem" id="P2">
                <pb n="4"/>
                <head rend="hi">
                    <title>Ballad from the Norman French</title>
                </head>
                <head>
                    <name reg="Lockhart, J.G. (John Gibson)" date="1794-1854" place="UK">By J.G. Lockhart Esq.</name>
                </head>
                <epigraph>
                    <l rend="indent">Here beginneth a song which made in the Wood of Bel-Regard by a
                        Good Companion,</l>
                    <l rend="indent">who put himself there to eschew the horrible Creature of
                        Justices Trail-Baston.</l>
                </epigraph>
                <lg type="stanza">
                    <l rend="indent1">IN rhyme I clothe derision, my fancy takes thereto</l>
                    <l rend="indent1">So scorn I this provision, provided here of new;</l>
                    <l rend="indent1">The thing whereof my geste I frame I wish &apos;twere yet
                        to do,</l>
                    <l rend="indent1">An guard not God and Holy Dame, &apos;tis war that must
                        ensue.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">I mean the articles abhorred of this their Trail-baston;</l>
                    <l rend="indent1">Except the king himself our lord, God send his malison</l>
                    <l rend="indent1">On the devisers of the same: cursed be they everyone,</l>
                    <l rend="indent1">For full they be of sinful blame, and reason have they
                    none.</l>
                </lg>
                <lb/>
                <pb n="5"/>
                <lg type="stanza">
                    <l rend="indent1">Sir, if my boy offended me now, and I my hand but lift</l>
                    <l rend="indent1">To teach him by a cuff or two what&apos;s governance and
                        thrift:</l>
                    <l rend="indent1">This rascal vile his bill doth file, attaches me of wrong;</l>
                    <l rend="indent1">Forsooth, find bail, or lie in gaol, and rot the rogues
                    among.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">&apos;Tis forty pennies that they ask, a ransom fine for
                        me;</l>
                    <l rend="indent1">And twenty more (&apos;tis but a score) for my Lord
                        Sheriff&apos;s fee:</l>
                    <l rend="indent1">Else of his deepest dungeon the darkness I must dree;</l>
                    <l rend="indent1">Is this of justice, masters?-- Behold my case and see.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">Away, then, to the greenwood! to the pleasant shade away!</l>
                    <l rend="indent1">There evil none of law doth wonne, nor harmful perjury.</l>
                    <l rend="indent1">I&apos;ll to the wood of Bel-regard, where freely flies
                        the jay,</l>
                    <l rend="indent1">And without fail the nightingale is chaunting of her lay.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">But for that cursed dozen,God [sic] shew them small pitie!</l>
                    <l rend="indent1">Among their lying voices, they have indicted me</l>
                    <l rend="indent1">Of wicked thefts and robberies and other felonie,</l>
                    <l rend="indent1">That I dare no more, as heretofore, among my friends to
                    be.</l>
                </lg>
                <lb/>
                <pb n="6"/>
                <lg type="stanza">
                    <l rend="indent1">In peace and war my service my lord the king hath
                        ta&apos;en,</l>
                    <l rend="indent1">In Flanders, and in Scotland, and in Gascoyne his domain;</l>
                    <l rend="indent1">But now I&apos;ll never, while I wis, be mounted man
                        again,</l>
                    <l rend="indent1">To pleasure such a man as this I&apos;ve spent much time
                        in vain.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">But if these cursed jurors do not amend them so</l>
                    <l rend="indent1">That I to my own country may freely ride and go,</l>
                    <l rend="indent1">The head that I can come at shall jump when I&apos;ve my
                        blow;</l>
                    <l rend="indent1">Their menacings, and all such things, them to the winds I
                        throw.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">The Martin and the Neville are worthy folk indeed;</l>
                    <l rend="indent1">Their prayers are sure, albeit we&apos;re poor-- salvation be their
                        meed!</l>
                    <l rend="indent1">But for Belflour and Spigurnel, they are a cruel seed;</l>
                    <l rend="indent1">God send them in my keeping-- ha! They should not soon be
                        freed!</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">I&apos;d teach them well this noble game of Trail-baston
                        to know;</l>
                    <l rend="indent1">On every chine I&apos;d stamp the same, and every nape
                        also;</l>
                    <pb n="7"/>
                    <l rend="indent1">O&apos;er every inch in all their frame I&apos;d make
                        my cudgel go;</l>
                    <l rend="indent1">To lop their tongues I&apos;d think no shame, nor yet
                        their lips to sew.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">The man that did begin it first, without redemption</l>
                    <l rend="indent1">He is for evermore accurst-- he never can atone:</l>
                    <l rend="indent1">Great sin is his, I tell ye true, for many an honest man</l>
                    <l rend="indent1">For fear hath joined the outlaw&apos;s crew, since these
                        new laws began.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">There&apos;s many a wildwood thief this hour was peaceful
                        man whil&apos;ere,</l>
                    <l rend="indent1">The fear of prison hath such power even guiltless breast to
                        scare:</l>
                    <l rend="indent1">&apos;Tis this which maketh many a one to sleep beneath
                        the tree;</l>
                    <l rend="indent1">And he that these new laws begun, the curse of God take
                    he!</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">Ye merchants and ye wandering freres, ye may well curse with
                        me,</l>
                    <l rend="indent1">For ye are painful travellers, while laws like this shall be;</l>
                    <l rend="indent1">The king&apos;s broad letter in your hand but little can
                        bestead,</l>
                    <l rend="indent1">For he perforce must bid men stand, that hath nor home nor
                        bread.</l>
                </lg>
                <lb/>
                <pb n="8"/>
                <lg type="stanza">
                    <l rend="indent1">All ye who are indicted! I pray you come to me</l>
                    <l rend="indent1">To the greenwood, the pleasant wood, where&apos;s niether
                        suit nor plea,</l>
                    <l rend="indent1">But only the wild creatures and many a spreading tree</l>
                    <l rend="indent1">For there&apos;s little in common law but doubt and
                        misery.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">If at your need you&apos;ve skill to read, you&apos;re
                        summon&apos;d ne&apos;er the less</l>
                    <l rend="indent1">To shew your lore the Bench before, and great is your redress;</l>
                    <l rend="indent1">Clerk the most clerkly though you be, expect the same penance:</l>
                    <l rend="indent1">&apos;Tis true a Bishop turns the key: God grant
                        deliverance.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">In honesty I speak--for me, I&apos;d rather sleep beneath</l>
                    <l rend="indent1">The canopy of the green tree, yea, on the naked heath,</l>
                    <l rend="indent1">Than lie even in a Bishop&apos;s vault for many a weary
                        day;</l>
                    <l rend="indent1">And he that &apos;twixt such choice would halt, he is a
                        fool I say.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">I had a name that none could blame, but that is lost and gone,</l>
                    <l rend="indent1">For lawyer-tricks have made me mix with people that have none.</l>
                    <pb n="9"/>
                    <l rend="indent1">I dare not shew my face no mo among my friends and kin:</l>
                    <l rend="indent1">The poor man now is sold I trow, whate&apos;er the rich,
                        may win.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">To risk I cannot fancy much, what, lost, is ne&apos;er
                        repaid</l>
                    <l rend="indent1">To put my life within their clutch in truth I&apos;m sore afraid;</l>
                    <l rend="indent1">This is no question about gold that might be won again,</l>
                    <l rend="indent1">If once they had me in their hold &apos;tis death
                        they&apos;d make my pain.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">Some one perchance my friend will be, such hope not yet I
                        lack;</l>
                    <l rend="indent1">The men that speak this ill of me, they speak behind my back;</l>
                    <l rend="indent1">I know it would their hearts delight, if they my blood could
                        spill,</l>
                    <l rend="indent1">But God, in all the devil&apos;s spite, can save me if he
                        will.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">There&apos;s one can save me life and limb, the blessed
                        Mary&apos;s child,</l>
                    <l rend="indent1">And I can broadly pray to him; my soul is undefiled:</l>
                    <l rend="indent1">The innocent he&apos;ll not despise, by envious tongues
                        undone.</l>
                    <l rend="indent1">God curse the smiling enemies that I have leaned upon!</l>
                </lg>
                <lb/>
                <pb n="10"/>
                <lg type="stanza">
                    <l rend="indent1">If meeting a companion I shew my archerie,</l>
                    <l rend="indent1">My neighbour will be saying, &quot;He&apos;s of some
                        companie,</l>
                    <l rend="indent1">He goes to cage him in the wood, and worke his old
                        foleye,&quot;</l>
                    <l rend="indent1">Thus men do hunt me like the boar, and life&apos;s no life
                        for me.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">But if I seem more cunning about the law than they,</l>
                    <l rend="indent1">&quot;Ha! ha! Some old conspirator well trained in
                        tricks,&quot; they&apos;ll say;</l>
                    <l rend="indent1">O wheresoe&apos;er doth ride the Eyre, I must keep well
                        away:--</l>
                    <l rend="indent1">Such neighbourhood I hold not good; shame fall on such I
                    pray.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">I pray you, all good people, to say for me a prayer,</l>
                    <l rend="indent1">That I in peace may once again to mine own land repair:</l>
                    <l rend="indent1">I never was a homicide--not within my will--I swear,</l>
                    <l rend="indent1">Nor robber, christian folk to spoil, that on their way did
                        fare.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">This rhyme was made within the wood, beneath a broad bay tree;</l>
                    <l rend="indent1">There singeth merle and nightingale, and falcon hovers free:</l>
                    <l rend="indent1">I wrote this skin, because within was much more sore memory,</l>
                    <l rend="indent1">And here I lay it by the way--that found my rhyme may be.</l>
                </lg>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage11">
                        <figure entity="pageimage"/>
                    </xref>
                </p>
            </div>
            <div type="poem" id="P3">
                <pb n="11"/>
                <head rend="hi">
                    <title>Sonnets</title>
                </head>
                <head>
                    <name reg="Brydges, Egerton" date="1762-1837" place="UK">By Sir Egerton Brydges, Bart</name>
                </head>
                <lg type="stanza">
                    <l rend="indent1">I.</l>
                    <l rend="indent1">WHEN dead is all the vigour of the frame,</l>
                    <l rend="indent1"> And the dull heart beats languid, notes of praise</l>
                    <l rend="indent1"> May issue the desponding sprite to raise:</l>
                    <l rend="indent1">But weekly strikes the voice of slow-sent fame;</l>
                    <l rend="indent1">Empty we deem the echo of a name:</l>
                    <l rend="indent1"> Inward we turn; we list no fairy lays;</l>
                    <l rend="indent1"> Nor seek on golden palaces to gaze;</l>
                    <l rend="indent1"> Nor wreaths from groups of smiling fair to claim!</l>
                    <l rend="indent1">Thus strange is fate:-- we meet the hollow cheer,</l>
                    <l rend="indent1">When struck by age the cold insensate ear</l>
                    <l rend="indent1">No more with trembling extasy can hear,</l>
                    <l rend="indent1">But yet one thought a lasting a joy can give</l>
                    <l rend="indent1">That we, as not for self alone we live,</l>
                    <l rend="indent1">To others bore the boon, we would from them receive!</l>
                </lg>
                <lb/>
                <pb n="12"/>
                <lg type="stanza">
                    <l rend="indent1">II.</l>
                    <l rend="indent1">TEXTURE of the mightiest splendor, force and art,</l>
                    <l rend="indent1"> Wove in the fine loom of the subtlest brain,</l>
                    <l rend="indent1"> The brilliance of thy colours shines in vain,</l>
                    <l rend="indent1">If steeped not in the fountains of the heart!</l>
                    <l rend="indent1">If those pure waves no added strength impart,</l>
                    <l rend="indent1"> If thence the web no new attraction gain,</l>
                    <l rend="indent1"> Sure is the test, no genuine muse would deign</l>
                    <l rend="indent1">Her inspiration on the work to dart!</l>
                    <l rend="indent1">High intellect, magnific though thou be,</l>
                    <l rend="indent1"> Yet if thou hast not power to raise the glow</l>
                    <l rend="indent1">Of grand and deep emotions, which to thee</l>
                    <l rend="indent1"> Backward its own o&apos;ershadowing hues may throw;</l>
                    <l rend="indent1">Vapid thy fruits are; barren is thy ray;</l>
                    <l rend="indent1">And worthless shall thy splendour die away!</l>
                </lg>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage13">
                        <figure entity="pageimage"/>
                    </xref>
                </p>
            </div>
            <div type="poem" id="P4">
                <pb n="13"/>
                <head rend="hi">
                    <title>The City of the Dead</title>
                </head>
                <head>
                    <name reg="L. E. L. (Letitia Elizabeth Landon)" date="1802-1838" place="UK">By L.E.L.</name>
                </head>
                <lg type="stanza">
                    <l rend="indent1">&apos;Twas dark with cypresses and yews which cast</l>
                    <l rend="indent1">Drear shadows on the fairer trees and flowers--</l>
                    <l rend="indent1">Affections latest signs. * * *</l>
                    <l rend="indent1">Dark portal of another world-- the grave--</l>
                    <l rend="indent1">I do not fear thy shadow; and methinks,</l>
                    <l rend="indent1">If I may make my own heart oracle,--</l>
                    <l rend="indent1">The many long to enter thee, for thou</l>
                    <l rend="indent1">Alone canst reunite the loved and lost</l>
                    <l rend="indent1">With those who pine for them. I fear thee not;</l>
                    <l rend="indent1">I only fear mine own unworthiness,</l>
                    <l rend="indent1">Lest it prove barrier to my hope, and make</l>
                    <l rend="indent1">Another parting in another world.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1"
                        >*************************************************************************</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">1.</l>
                    <l rend="indent1">LAUREL! Oh fling thy green boughs on air,</l>
                    <l rend="indent1">There is dew on thy branches, what doth it do there?</l>
                    <l rend="indent1">Thou art worn on the conquerors shield,</l>
                    <l rend="indent1">When his country receives him from glory&apos;s red field;</l>
                    <l rend="indent1">Thou that art wreathed round the lyre of the bard,</l>
                    <l rend="indent1">When the song of its sweetness has won its reward.</l>
                    <l rend="indent1">Earth&apos;s changeless and sacred-- thou proud laurel
                        tree!</l>
                    <l rend="indent1">The ears of the midnight, why hang they on thee?</l>
                </lg>
                <lb/>
                <pb n="14"/>
                <lg type="stanza">
                    <l rend="indent1">2.</l>
                    <l rend="indent1">Rose of the morning, the blushing and bright,</l>
                    <l rend="indent1">Thou whose whole life is noe breath of delight;</l>
                    <l rend="indent1">Beloved of the maiden, the chosen to bind</l>
                    <l rend="indent1">Her dark tresses&apos; wealth from the wild summer wind.</l>
                    <l rend="indent1">Fair tablet, still vowed to the thoughts of the lover,</l>
                    <l rend="indent1">Whose rich leaves with sweet secrets are written all over;</l>
                    <l rend="indent1">Fragrant as blooming-- thou lovely rose tree!</l>
                    <l rend="indent1">The tears of the midnight, why hang they on thee?</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">3.</l>
                    <l rend="indent1">Dark cypress I see thee-- thou art my reply,</l>
                    <l rend="indent1">Why the tears of the night on thy comrade trees lie;</l>
                    <l rend="indent1">That laurel it wreathed the red brow of the brave,</l>
                    <l rend="indent1">Yet thy shadow lies black on the warriors grave.</l>
                    <l rend="indent1">That rose was less bright than the lip which it prest,</l>
                    <l rend="indent1">Yet thy sad branches sweep o&apos;er the maiden&apos;s
                        last rest:</l>
                    <l rend="indent1">The brave and the lovely alike they are sleeping,</l>
                    <l rend="indent1">I marvel no more rose and laurel are weeping.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">4.</l>
                    <l rend="indent1">Yet sunbeam of heaven thou fall&apos;st on the tomb--</l>
                    <l rend="indent1">Why pausest thou by such dwelling of doom?</l>
                    <l rend="indent1">Before thee the grove and the garden are spread;</l>
                    <l rend="indent1">Why lingerest thou round the place of the dead?</l>
                    <pb n="15"/>
                    <l rend="indent1">Thou art from another, a lovelier sphere,</l>
                    <l rend="indent1">Unknown to the sorrows that darken us here.</l>
                    <l rend="indent1">Thou art as a herald of hope from above:--</l>
                    <l rend="indent1">Weep mourner no more o&apos;er thy grief and thy love;</l>
                    <l rend="indent1">Still thy heart in its beating, be glad of such rest,</l>
                    <l rend="indent1">Though it call from thy bosom its dearest and best.</l>
                    <l rend="indent1">Weep no more that affection thus loosens its tie, </l>
                    <l rend="indent1">Weep no more the the loved and the loving must die</l>
                    <l rend="indent1">Weep no more o&apos;er the cold dust that lies at your
                        feet,</l>
                    <l rend="indent1">But gaze on yon starry world-- there ye shall meet.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">5.</l>
                    <l rend="indent1">O heart of mine! Is there not One dwelling there</l>
                    <l rend="indent1">To whom thy love clings in its hope and its prayer?</l>
                    <l rend="indent1">For whose sake thou numberest each hour of the day,</l>
                    <l rend="indent1">As a link in the fetters that keep me away;</l>
                    <l rend="indent1">When I think of the glad and the beautiful home,</l>
                    <l rend="indent1">Which oft in my dreams to my spirit hath come;</l>
                    <l rend="indent1">That when our last sleep on my eyelids hath prest;</l>
                    <l rend="indent1">That I may be with thee at home and at rest:</l>
                    <l rend="indent1">When wanderer no longer on life&apos;s weary shore,</l>
                    <l rend="indent1">I may kneel at thy feet, and part from thee no more;</l>
                    <l rend="indent1">While death holds such hope forth to soothe and to save,</l>
                    <l rend="indent1">Oh sumbeam of heaven thou mayest will light the grave.</l>
                </lg>
            </div>
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                <p rend="center">
                    <xref doc="pageimage16">
                        <figure entity="pageimage"/>
                    </xref>
                </p>
            </div>
            <div type="poem" id="P5">
                <pb n="16"/>
                <head rend="hi">
                    <title>Night and Death</title>
                </head>
                <head>
                    <name reg="White, Joseph Blanco" date="1775-1841" place="UK">By the Rev. Joseph Blanco White</name>
                </head>
                <epigraph>
                    <l rend="indent">Dedicated to S.T. Coleridge, Esq. By his sincere friend, Joseph
                        Blanco White.</l>
                </epigraph>
                <lg type="stanza">
                    <l rend="indent2">MYSTERIOUS night, when the first man but knew</l>
                    <l rend="indent1">Thee by report, unseen, and heard they name,</l>
                    <l rend="indent1">Did he not tremble for this lovely frame,</l>
                    <l rend="indent1">This glorious canopy of light and blue?</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent2">Yet &apos;neath a curtain of translucent dew</l>
                    <l rend="indent1">Bathed in the rays of the great setting flame,</l>
                    <l rend="indent1">Hesperus, with the host of heaven, came,</l>
                    <l rend="indent1">And lo! creation widened on his view!</l>
                </lg>
                <lg type="stanza">
                    <l rend="indent2">Who could have thought what darkness lay concealed</l>
                    <l rend="indent1">Within thy beams, oh Sun? Or who could find,</l>
                </lg>
                <lg type="stanza">
                    <l rend="indent2">Whil&apos;st fly, and leaf, and insect stood revealed,</l>
                    <l rend="indent1">That to such endless orbs thou mad&apos;st us blind?</l>
                    <l rend="indent1">Weak man! Why to shun death, this anxious strife?</l>
                    <l rend="indent1">If <emph>light</emph> can thus deceive, wherefore not
                            <emph>life</emph>?</l>
                </lg>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage17">
                        <figure entity="pageimage"/>
                    </xref>
                </p>
            </div>
            <div type="story" id="S1">
                <pb n="17"/>
                <head rend="hi">
                    <title>The Wanderings of Cain: A Fragment.</title>
                </head>
                <head>
                    <name reg="Coleridge, Samuel Taylor" date="1772-1834" place="UK">By S.T. Coleridge, Esq.</name>
                </head>
                <p>&quot;A LITTLE further, O my father, yet a little farther, and we shall come
                    into the open moonlight!&quot; Their road was through a forest of fir-
                    trees; at its entrance the trees stood at distances from each other, and the
                    path was broad, and the moonlight, and the moonlight shadows reposed upon it,
                    and appeared quietly to inhabit that solitude. But soon the path winded and
                    became narrow; the sun at high noon sometimes speckled, but never illumined it,
                    and now it was dark as a cavern.</p>
                <p>&quot;It is dark, O my father!&quot; said Enos, &quot;but the path
                    under our feet is mooth and soft, and we shall soon come out into the open
                    moonlight. Ah, why dost thou groan so deeply?&quot;</p>
                <p>&quot;Lead on my child,&quot; said Cain, &quot;guide me, little
                    child.&quot; And the innocent little child clasped a finger of the hand
                    which had murdered the righteous Abel, and he guided his father. &quot;The
                    fir branches drip upon thee my son.&quot; -- &quot;Yea, pleasantly,
                    father, for I ran fast and eagerly to bring thee the pitcher and the  <pb n="18"/>cake, and
                    my body is not yet cool. How happy the squirrels are that feed on these fir
                    trees! they leap from bough to bough, and the old squirrels play round their
                    young ones in the nest. I clomb a tree yesterday at noon, O my father, that I
                    might play with them, but they leapt away from the branches, even to the slender
                    twigs did they leap, and in amoment I beheld them on antoher tree. Why, O my
                    fahter, would they not play with me? Is it because we are not so happy as they?
                    Is it because I groan sometimes even as thou groanest?&quot; Then Cain
                    stopped and stifling his groans, he sank to the earth, and the child Enos stood
                    in the darkness beside him; and Cain lifted up his voice, and cried bitterly,
                    and said, &quot;The Mighty One that persecuteth me is on this side and on
                    that; he pursueth my soul like the wind, like the sand- blast he passeth through
                    me; he is around me even as the air, O that I might be utterly no more! I desire
                    to die -- yea, the things that never had life, neither move they upon the earth
                    -- behold they seem precious to mine eyes. O that a man might live without the
                    breath of his nostrils, so I might abide in darkness and blackness, and an empty
                    space! Yea, I would lie down, I would not rise, neither would I stir my limbs
                    till I became as the rock in the den of the lion, on which the young lion
                    resteth his head whilst he sleepeth. For the torrent that roareth far off hath a
                    voice; and the clouds in heaven look terribly on me; the mighty one who is
                    against me speaketh in  <pb n="19"/>the wind of the cedar grove; and in silence I am dried
                    up.&quot; Then Enos spake to his father, &quot;Arise my father, arise,
                    we are but a little way from the place where I found the cake and the
                    pitcher;&quot; and Cain said, &quot;How knowest thou?&quot; and the
                    child answered -- &quot;Behold, the bare rocks are a few of they strides
                    distant from the forest; and while even now thou wert lifting up thy voice, I
                    heard the echo.&quot; Then the child took hold of his father, as if he would
                    raise him, and Cain being faint and feeble rose slowly on his knees and pressed
                    himself against the trunk of a fir, and stood upright and followed the child.
                    The path was dark till within three strides&apos; length of its termination
                    when it turned suddenly; the thick black trees formed a low arch, and the
                    moonlight appeared for a moment like a dazzling portal. Enos ran before and
                    stood in the open air; and when Cain, his father, emerged from the darkness the
                    child was affrighted, for the mighty limbs of Cain were wasted as by fire; his
                    hair was black, and matted into loathly curls, and his countenance was dark and
                    wild, and told in a strange and terrible language of agonies that had been, and
                    were, and were still to continue to be.</p>
                <p>The scene around was desolate; as far as the eye could reach, it was desolate;
                    the bare rocks faced each other, and left a long and wide interval of their
                    white sand. You might wander on and look round and round, and peep into the
                    crevices of the rocks, and discover nothing that acknowledged the in- <pb n="20"/>fluence of
                    the seasons. There was no spring, no summer, no autumn, and the
                    winter&apos;s snow that would have been lovely, fell not on these hot rocks
                    and scorching sands. Never morning lark had poised himself over this desert; but
                    the huge serpent often hissed there beneath the talons of the vulture, and the
                    vulture screamed, his wings imprisoned within the coilds of the serpent. The
                    pointed and shattered summits of the ridges of the rocks made a rude mimicry of
                    human concerns, and seemed to prophecy mutely of things that then were not;
                    steeples, and battlements, and ships with naked masts. As far from the wood as a
                    boy might sling a pebble of the brook, there was one rock by itself at a small
                    distance from the main ridge. It had been precipitated there perhaps by the
                    terrible groan the earth gave when our first father fell. Before you approached,
                    it appeared to lie flat on the ground, but its base slanted from its point, and
                    between its points and the sands a tall man might stand upright. It was here
                    that Enos had found the pitcher and cake, and to this place he led his father.
                    But ere they arrived there they beheld a human shape; his back was towards them,
                    and they were coming up unperceived when they heard him smite his breast and cry
                    aloud, &quot;Wo, is me! wo, is me! I must never die again, and yet I am
                    perishing with thirst and hunger.&quot;</p>
                <p>The face of Cain turned pale; but Enos said, &quot;Ere yet I could speak, I
                    am sure, O my father, that  <pb n="21"/>I heard that voice. Have not I often said that I
                    remembered a sweet voice. O my father! this is it;&quot; and Cain trembled
                    exceedingly. The voice was sweet indeed, but it was thin and querulous like that
                    of a feeble slave in misery, who despairs altogether, yet can not refrain
                    himself from weeping and lamentation. Enos crept softly round the base of the
                    rock, and stood before the stranger, and looked up into his face. And the Shape
                    shrieked, and turned round, and Cain beheld him, that his limbs and his face
                    were those of his brother Abel whom he had killed; and Cain stood like one who
                    struggles in his sleep because of the exceeding terribleness of a dream; and ere
                    he had recovered himself from the tumult of his agitation, the Shape fell at
                    this feet, and embraced his knees, and cried out with a bitter outcry,
                    &quot;Thou eldest born of Adam, whom Eve, my mother, brought forth, cease to
                    torment me! I was feeding my flocks in green pastures by the side of quiet
                    rivers, and thou killedst me; and now I am in misery.&quot; Then Cain closed
                    his eyes, and hid them with his hands -- and again he opened his eyes, and
                    looked around him, and said to Enos &quot;What beholdest thou? Didst thou
                    hear a voice, my son?&quot; &quot;Yes, my father, I beheld a man in
                    unclean garments, and he uttered a sweet voice, full of lamentation.&quot;
                    Then Cain raised up the shape that was like Abel, and said, &quot;The
                    creator of our father, who had  <pb n="22"/>respect unto thee, and unto thy offering,
                    wherefore hath he forsaken thee?&quot; Then the Shape shrieked a second
                    time, and rent his garment, and his naked skin was like the white sands beneath
                    their feet; and he shrieked yet a third time, and threw himself on his face upon
                    the sand that was black with the shadow of the rock, and Cain and Enos sate
                    beside him; the child by his right hand, and Cain by his left. They were all
                    three under the rock, and within the shadow. The Shape that was like Abel raised
                    himself up, and spake to the child; &quot;I know where the cold , waters
                    are, but I may not drink, wherefore didst thou then take away my
                    pitcher?&quot; but Cain said, &quot;Didst thou not find favour in the
                    sight of the Lord thy god?&quot; The Shape answered, &quot;The Lord is
                    God of the living only, the dead have another god.&quot; Then the child Enos
                    lifted up his eyes and prayed; but Cain rejoiced secretly in his heart.
                    &quot;Wretched shall they be all the days of their mortal life,&quot;
                    exclaimed the Shape, &quot;who sacrifice worthy and acceptable sacrifices to
                    the God of the dead; but after death their toil ceaseth. Woe is me, for I was
                    well beloved by the God of the living, and cruel wert thou, O my brother, who
                    didst snatch me away from his power and his dominion.&quot; Having uttered
                    these words, he rose suddenly, and fled over the sands, and Cain said in his
                    heart, &quot;The curse of the lords is on me -- but who is the God of the
                    dead?&quot; and he ran after the shape, and the Shape fled  <pb n="23"/>shrieking over
                    the sands, and the sands rose like white mists behind the steps of Cain, but the
                    feet of him that was not like Abel disturbed not the sands. He greatly outrun
                    Cain, and turning short, he wheeled round, and came again to the rock where they
                    had been sitting, and where Enos still stood; and the child caught hold of his
                    garment as he passed by, and that theman had fallen upon the ground; and Cain
                    stopped, and beholding him not, said, &quot;he has passed into the dark
                    woods,&quot; and walked slowly back to the rocks, and when he reached it the
                    child told him that he had caught hold of his garment as he passed by, and that
                    the man had fallen upon the ground; and Cain once more sat beside him, and said
                    -- &quot;Abel, my brother, I would lament for thee, but that the spirit
                    within me is withered, and burnt up with extreme agony. Now, I pray thee, by thy
                    flocks and by thy pastures, and by the quiet rivers which thou lovest, that thou
                    tell me all that thou knowest. Who is the God of the dead? where doth he make
                    his dwelling? what sacrifices are acceptable unto him? for I have offered, but
                    have not been received; I have prayed, and have not been heard; and how can I be
                    afflicted more than I already am?&quot; The Shape arose and answered --
                    &quot;O that thou hadst had pity on me as I will have pity on thee. Follow
                    me, son of Adam! and bring thy child with thee:&quot; and they three passed
                    over the white sands between the rocks, silent as their shadows.</p>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage24">
                        <figure entity="pageimage"/>
                    </xref>
                </p>
            </div>
            <div type="poem" id="P6">
                <pb n="24"/>
                <head rend="hi">
                    <title>Verses for an Album</title>
                </head>
                <head>
                    <name reg="Lamb, Charles" date="1775-1834" place="UK">By Charles Lamb, Esq.</name>
                </head>
                <lg type="stanza">
                    <l rend="indent1">FRESH clad from heaven in robes of white,</l>
                    <l rend="indent1">A young probationer of light,</l>
                    <l rend="indent1">Thou wert, my soul, an Album bright.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">A spotless leaf; but thought, and care -- </l>
                    <l rend="indent1">And friends and foes, in foul or fair,</l>
                    <l rend="indent1">Have &quot;written strange defeature&quot; there.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">And time, with heaviest hand of all,</l>
                    <l rend="indent1">Like that fierce writing on the wall,</l>
                    <l rend="indent1">Hath stamp&apos;d sad dates -- he can&apos;t
                    recall.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">And error, gilding worst designs -- </l>
                    <l rend="indent1">Like speckled snake that strays and shines -- </l>
                    <l rend="indent1">Betrays his path by crooked lines.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">And vice hath left his ugly blot -- </l>
                    <l rend="indent1">And good resolves, a moment hot,</l>
                    <l rend="indent1">Fairly began -- but finished not.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">A fruitless late remorse doth trace -- </l>
                    <l rend="indent1">Like Hebrew lore, a backward pace -- </l>
                    <l rend="indent1">Her irrecoverable race.</l>
                </lg>
                <lb/>
                <pb n="25"/>
                <lg type="stanza">
                    <l rend="indent1">Disjointed numbers -- sense unknit -- </l>
                    <l rend="indent1">Huge reams of folly -- shreds of wit -- </l>
                    <l rend="indent1">Compose the mingled mass of it.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">My scalded eyes no longer brook,</l>
                    <l rend="indent1">Upon this ink- blurr&apos;d thing to look.</l>
                    <l rend="indent1">Go -- shut the leaves -- and clasp the book! -- </l>
                </lg>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage25">
                        <figure entity="pageimage"/>
                    </xref>
                </p>
            </div>
            <div type="poem" id="P7">
                <pb n="25"/>
                <head rend="hi">
                    <title>Lines Written in the Vale of Zoar, Coast of Arabia</title>
                </head>
                <head>
                    <name reg="Lamb, Charles" date="1775-1834" place="UK">By Charles Lamb, Esq.</name>
                </head>
                <lg type="stanza">
                    <l rend="indent1">A SCENE of Araby! -- but not the blest; -- </l>
                    <l rend="indent1">Behold a multitude of mountains wild</l>
                    <l rend="indent1">And bare and cloudless to the skies up- piled</l>
                    <l rend="indent1">In forky peaks, and shapes uncouth, possest</l>
                    <l rend="indent1">Of grandeur stern indeed, but beauty none;</l>
                    <l rend="indent1">Their sterile sides, by herb, or blade undrest,</l>
                    <l rend="indent1">Burning and whitening in the ardent sun.</l>
                    <l rend="indent1">Amid the crags -- her undisputed reign -- </l>
                    <l rend="indent1">Pale Desolation sits, and sadly smiles,</l>
                    <l rend="indent1">And half the horror of her state beguiles,</l>
                    <l rend="indent1">To see her empire spreading to the plain;</l>
                    <l rend="indent1">For there even wandering Arabs seldom stray,</l>
                    <l rend="indent1">Or, coming, do but eye the drear domain,</l>
                    <l rend="indent1">And haste, as from the vale of Death, away!</l>
                </lg>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage26">
                        <figure entity="pageimage"/>
                    </xref>
                </p>
            </div>
            <div type="poem" id="P8">
                <pb n="26"/>
                <head rend="hi">
                    <title>An Aged Widow&apos;s Own Words</title>
                </head>
                <head>
                    <name reg="Hogg, James" date="1770-1835" place="Scotland, UK">By James Hogg, the Ettrick Shepherd</name>
                </head>
                <lg type="stanza">
                    <l rend="indent1">O IS he gane my good auld man?</l>
                    <l rend="indent1">And am I left forlorn?</l>
                    <l rend="indent1">And is that manly heart at rest,,</l>
                    <l rend="indent1">The kindest e&apos;ver was born?</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">We&apos;ve sojourned here through hope and fear</l>
                    <l rend="indent1">For fifty years and three,</l>
                    <l rend="indent1">And ne&apos;er in all that happy time,</l>
                    <l rend="indent1">Said he harsh word to me.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">And mony a braw and boardly son</l>
                    <l rend="indent1">And daughters in their prime,</l>
                    <l rend="indent1">His tremling hand laid in the grave;</l>
                    <l rend="indent1">Lang, lang afore the time.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">I dinna greet the day to see</l>
                    <l rend="indent1">That he to them has gane,</l>
                    <l rend="indent1">But O &apos;tis feafu&apos; thus to be</l>
                    <l rend="indent1">Left in a world alane.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">Wi&apos; a poor worn and broken heart,</l>
                    <l rend="indent1">Whose race of joy is run,.</l>
                    <l rend="indent1">And scarce has little opening left,</l>
                    <l rend="indent1">For aught aneath the sun.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">My life nor death I winna crave,</l>
                    <l rend="indent1">Nor fret for yet despond,</l>
                    <l rend="indent1">But a&apos; my hope is in the grave</l>
                    <l rend="indent1">And the dear hame beyond.</l>
                </lg>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage27">
                        <figure entity="pageimage"/>
                    </xref>
                </p>
            </div>
            <div type="poem" id="P9">
                <pb n="27"/>
                <head rend="hi">
                    <title>From the Italian</title>
                </head>
                <head>
                    <name reg="[anon.]" date="0000-0000" place="">By Unknown</name>
                </head>
                <lg type="stanza">
                    <l rend="indent1">MY LILLA gave me yester morn</l>
                    <l rend="indent1">A rose methinks in Eden born,</l>
                    <l rend="indent1">And as she gave it, little elf,</l>
                    <l rend="indent1">Blushed like another rose herself</l>
                    <l rend="indent1">Then said I, full of tenderness,</l>
                    <l rend="indent1">&quot;Since this sweet rose I owe to you,</l>
                    <l rend="indent1">&quot;Dear girl, why may I not possess</l>
                    <l rend="indent1">&quot;The lovelier rose that gave it too?&quot;</l>
                </lg>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage28">
                        <figure entity="pageimage"/>
                    </xref>
                </p>
            </div>
            <div type="poem" id="P10">
                <pb n="28"/>
                <head rend="hi">
                    <title>Work Without Hope.  Lines Composed on a Day in February</title>
                </head>
                <head><name reg="Coleridge, Samuel Taylor" date="1772-1834" place="UK">By S.T. Coleridge, Esq.</name>
                </head>
                <lg type="stanza">
                    <l rend="indent1">ALL Nature seems at work. Slugs leave their lair -- </l>
                    <l rend="indent1">The bees are stirring -- birds are on the wing -- </l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">And WINTER slumbering in the open air,</l>
                    <l rend="indent1">Wears on his smiling face a dream of Spring!</l>
                    <l rend="indent1">And I, the while, the sole unbusy thing,</l>
                    <l rend="indent1">Nor honey make, nor pair, nor build, nor sing.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">Yet well I ken the banks where Amaranths blow,</l>
                    <l rend="indent1">Have traced the forest whence streams of nectar flow.</l>
                    <l rend="indent1">Bloom, O ye Amaranths! Bloom for whom ye may -- </l>
                    <l rend="indent1">For me ye bloom not! Glide, rich streams, away!</l>
                    <l rend="indent1">With lips unbrightened, wreathless brow, I stroll:</l>
                    <l rend="indent1">And would you learn the spells that drowse my soul?</l>
                    <l rend="indent1">WORK WITHOUT HOPE draws nectar in a sieve,</l>
                    <l rend="indent1">And HOPE without an OBJECT cannot live.</l>
                </lg>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage29">
                        <figure entity="pageimage"/>
                    </xref>
                </p>
            </div>
            <div type="poem" id="P11">
                <pb n="29"/>
                <head rend="hi">
                    <title>The Poet Warrior</title>
                </head>
                <head>
                    <name reg="Cunningham, Allan" date="1784-1842" place="UK">By Allan Cunningham</name>
                </head>
                <lg type="stanza">
                    <l rend="indent1">1.</l>
                    <l rend="indent1">STAYED is the war- horse in his strength,</l>
                    <l rend="indent1"> Broke is the barbed arrow,</l>
                    <l rend="indent1">The spell has conquered on Nithside,</l>
                    <l rend="indent1"> Which won of yore on Yarrow.</l>
                    <l rend="indent1">O did he bear a charmed sword</l>
                    <l rend="indent1"> That for no mail would tarry,</l>
                    <l rend="indent1">And on his youthful head a helm</l>
                    <l rend="indent1"> Was forged in land of fairy.</l>
                    <l rend="indent1">Did Saxon shaft and war axe dint</l>
                    <l rend="indent1">Fall on charm&apos;s mail and elfin flint?</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">2.</l>
                    <l rend="indent1">His spell was valour, and he came</l>
                    <l rend="indent1"> When warrior&apos;s hearts were coldest,</l>
                    <l rend="indent1">And poured his fire through peasant&apos;s souls,</l>
                    <l rend="indent1"> And led and ruled the boldest.</l>
                    <l rend="indent1">He with flushed brow, and flashing eyes,</l>
                    <l rend="indent1"> And right arm bare and gory,</l>
                    <pb n="30"/>
                    <l rend="indent1">Rushed reeking o&apos;er the lives of men,</l>
                    <l rend="indent1"> And turned our shame to glory.</l>
                    <l rend="indent1">A hero&apos;s soul was his, and higher</l>
                    <l rend="indent1">The minstrel&apos;s love, and poet&apos;s fire.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">3.</l>
                    <l rend="indent1">Seek for a dark and down cast eye,</l>
                    <l rend="indent1">A glance &apos;mongst men the mildest,</l>
                    <l rend="indent1">Seek for a bearing haught and high</l>
                    <l rend="indent1">Can daunt and awe the wildest.</l>
                    <l rend="indent1">Seek one whose soul is tenderness</l>
                    <l rend="indent1">Is steeped -- who to the lyre</l>
                    <l rend="indent1">Can pour out song as fast and bright</l>
                    <l rend="indent1">As heaven can pour its fire.</l>
                    <l rend="indent1">Seek him, and when thou find&apos;st him, kneel,</l>
                    <l rend="indent1">Though thou hadst gold spurs on thy heel.</l>
                </lg>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage31">
                        <figure entity="pageimage"/>
                    </xref>
                </p>
            </div>
            <div type="poem" id="P12">
                <pb n="31"/>
                <head rend="hi">
                    <title>The Rose</title>
                </head>
                <head>
                    <name reg="Croft, Thomas Elmsely, Sir, Bart." date="1798-1835" place="UK">By Sir Thomas E. Croft, Bart.</name>
                </head>
                <lg type="stanza">
                    <l rend="indent1">La rose que ta main chérie</l>
                    <l rend="indent1"> Hier a sauvé de la mort,</l>
                    <l rend="indent1">Est aujourd&apos;hui pâle et flétrie; -- </l>
                    <l rend="indent1"> Tel est des fleurs le triste sort.</l>
                    <l rend="indent1">Reconnaissante de ta peine,</l>
                    <l rend="indent1"> En mourant cette aimable fleur,</l>
                    <l rend="indent1"> Légue a tes joues sa rougeur,</l>
                    <l rend="indent1">Son doux parfum à ton haleine.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">The rose, alas! Thy guardian hand</l>
                    <l rend="indent1"> Sav&apos;d yesterday from dying,</l>
                    <l rend="indent1">Pale, wan, and wither&apos;d from its stem,</l>
                    <l rend="indent1"> Is now in ruins lying:</l>
                    <l rend="indent1">But the fond flower, to shew she still</l>
                    <l rend="indent1"> Was grateful, e&apos;en in death,</l>
                    <l rend="indent1">Her blushes to thy cheek bequeathed,</l>
                    <l rend="indent1"> Her perfume to thy breath.</l>
                </lg>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage32">
                        <figure entity="pageimage"/>
                    </xref>
                </p>
            </div>
            <div type="poem" id="P13">
                <pb n="32"/>
                <head rend="hi">
                    <title>To My Child</title>
                </head>
                <head>
                    <name reg="Cornwall, Barry" date="1787–1874" place="UK">By B.C. [pseud. for Bryan Walker Procter]</name>
                </head>
                <lg type="stanza">
                    <l rend="indent1">CHILD of my heart! My sweet, belov&apos;d first-b&#x00F3;rn!</l>
                    <l rend="indent1">Thou dove, who tidings bring&apos;st of calmer hours!</l>
                    <l rend="indent1">Thou rainbow, who dost come when all the showers</l>
                    <l rend="indent1"> Are past, -- or passing! Rose which hath no thorn, -- </l>
                    <l rend="indent1">No pain, no blemish, -- pure and unforlorn,</l>
                    <l rend="indent1">Untouched -- untainted -- O, my flower of flowers!</l>
                    <l rend="indent1"> More welcome than to bees are summer bowers, --</l>
                    <l rend="indent1">To seamen stranded life-assuring morn.</l>
                    <l rend="indent1">Welcome! a thousand welcomes! Care, who clings</l>
                    <l rend="indent1">Round all, seems loosening now her snake-like fold!</l>
                    <l rend="indent1">New hope springs upwards, and the bright world seems</l>
                    <l rend="indent1"> Cast back into her youth of endless springs! -- </l>
                    <l rend="indent1">-- Sweet mother, <emph>is</emph> it so? -- or grow I old,</l>
                    <l rend="indent1"> Bewildered in divine Elysian dreams?</l>
                </lg>
            </div>
            <div type="picture" id="F2" refid="L1">
                <head>Figure 2: Sir Walter Scott and Family</head>
                <p rend="center">
                        <figure entity="smscott" n="2">
                            <head><bibl><author type="painter">painted by <name reg="Wilkie, David" date="1785–1841" place="UK">David Wilkie, Esq.</name></author>, <author type="engraver">engraved by 
                                <name reg="Worthington, William Henry" date="1795-1839" place="UK">W.  H. Worthington</name></author></bibl></head>
                        </figure>
                </p>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage33">
                        <figure entity="pageimage"/>
                    </xref>
                </p></div>
            <div type="letter" id="L1" refid="F2">
                <pb n="33"/>
                <head rend="hi">
                    <title>Letter from Sir Walter Scott, Bart.</title>
                </head>
                <head>
                    <name reg="Scott, Walter" date="1771-1832" place="Scotland, UK">By Sir Walter Scott, Bart.</name>
                </head>
                <p>LETTER FROM SIR WALTER SCOTT TO SIR ADAM FERGUSON, DESCRIPTIVE OF A PICTURE
                    PAINTED AT ABBOTSFORD BY DAVID WILKIE, ESQ. R. A., AND EXHIBITED AT THE ROYAL
                    ACADEMY IN 1818.</p>
                <lb/>
                <p>MY DEAR ADAM -- The picture you mention has something in it of rather a domestic
                    character, as the personages are represented in a sort of masquerade, such being
                    the pleasure of the accomplished painter. Nevertheless, if you, the proprietor,
                    incline to have it engraved, I do not see that I am entitled to make any
                    objection.</p>
                <p>But Mr. * * * mentions besides, a desire to have anecdotes of my private and
                    domestic life, or, as he expresses himslef, a portrait of the author in his
                    nightgown and slippers; -- and this form you, who, I dare say, could furnish
                    some anecdotes of our younger days which might now seem ludicrous enough. Even
                    as to my night gown and slippers, I believe the time has been when the articles
                    of my wardrobe were as familiar to your memory as Poins&apos;s  <pb n="34"/>to Prince
                    Henry, but that period has been for some years past, and I cannot think it would
                    be interesting to the public to learn that I had changed my old robe-de-chambre
                    for a handsome douillette, when I was last at Paris.</p>
                <p>The truth is, that a man of ordinary sense cannot be supposed delighted with the
                    species of gossip which, in the dearth of other news, recurs to such a quiet
                    individual as myself; and though, like a well-behaved lion of twenty years
                    standing, I am not inclined to vex myself about what I cannot help, I will not,
                    in any case in which I can prevent it, be acessary to these follies. There is no
                    man known at all in literature who may not have more to tell of his private life
                    than I have: I have surmounted no difficulties either of birth or education, nor
                    have I been favored by any particular advantages, and my life has been as void
                    of incidents of importance, as that of the &quot;weary
                    knife-grinder.&quot;</p>
                <p>&quot;Story! God bless you! I have none to tell, Sir.&quot;</p>
                <p>The follies of youth ought long since to have passed away; and if the prejudices
                    and absurdities of age have come in their place, I will keep them, as Beau Tibbs
                    did his prospect, for the amusement of my domestic friends. A mere enumeration
                    of the persons in the sketch is all which I can possible permit to be published
                    respecting myself and my  <pb n="35"/>family; and, as must be the lot of humanity when we
                    look back seven or eight years, even what follows cannot be drawn up without
                    some very painful recollections.</p>
                <p>The idea which our inimitable Wilkie adopted ws to represent our family group in
                    the garb of south-country peasants, supposed to be concerting a merry-making,
                    for which some of the preparations are seen. The place is the terrace near
                    Kayside, commanding an extensive view toward the Eildon-hills. 1. The sitting
                    figure, in the dress of a miller, I believe, represents Sir Walter Scott, author
                    of a few scores of volumes, and proprietor of Abbotsford, in the County of
                    Roxburgh. 2. In front, and presenting, we may suppose, a country wag somewhat
                    addicted to poaching, stands sir Adam Ferguson, Knight, Keeper of the Regalia of
                    Scotland. 3. In the background is a very handsome old man, upwards of
                    eighty-four years old at the time, painted in his own character of a shepherd.
                    He also belonged to numerous clan of Scott. He used to claim credit for three
                    things unusual among the southland shepherds: first, that he had never been fou
                    in the course of his life; secondly, that he never had struck a man in anger;
                    thirdly, that though entrusted with the the management of large sales of stock,
                    he had never lost a penny for his master by a bad debt. He died soon aterwards
                    at Abbotsford. 4, 5, 6. Of the three female figures  <pb n="36"/>the elder is the late
                    regretted mother of the family represented. 5. The young person most forward in
                    the group is Miss Sophia Charlotte Scott, now Mrs. John Gibson Lockhart; and 6,
                    her younger sister, Miss ann Scott. Both are represented as ewe-milkers, with
                    their leglins, or milk-pails. 7. On the left hand of the shepherd, the young man
                    holding a fowling-piece is the eldest son of Sir Walter, now Captain in
                    King&apos;s Hussars. 8. The boy is the youngest of the family, Charles
                    Scott, now of Brazen Nose College, Oxford. The two dogs were distinguished
                    favorites of the family; the large one was a stag-hound of the old Highland
                    breed, called Maida, and one of the hansomest dogs that could be found; it was a
                    present to me from the chief of Glengary, and was highly valued, both on account
                    of his beauty, his fidelity, and the great rarity of the breed. The other is
                    little Highland terrier, called <emph>Ourisk</emph> (goblin), of a particualr
                    kind, bred in Kintail. It was a present from the honorable Mrs. Stuart
                    Mackenzie, and is a valuable specimen of race which is now also scarce. Maida,
                    like Bran, Lerath, and other dogs of distinction, slumbers &quot;beneath his
                    stone,&quot; distinguished by an epitaph, which to the honour of Scottish
                    scholarship be it spoken, has only one false quantity in two lines.</p>
                <p>Maidae marmorea dormis sub imagine Maida</p>
                <p>Ad januam domini sit tibi terra levis.</p>
                <pb n="37"/>
                <p>Ourisk still survives, but like some other personages in the picture, with
                    talents and temper rather the worse for wear. She has become what Dr. Rutty, the
                    Quaker, records himself in his journal as having sometimes been -- sinfully
                    dogged and snappish.</p>
                <p>If it should suit Mr. * * *&apos;s purpose to adopt the above illustrations, he is
                    heartily welcome to them, but I make it my especial bargain that nothing more is
                    said upon such a meagre subject.</p>
                <p>It strikes me, however, that there is a story about old Thomas Scott, the
                    shepherd, which is characteristic, and which I will make your friend welcome to.
                    Tom was, both as a trusted servant, and as a rich fellow in his line, a person
                    of considerable importance among his class in the neighbourhood, and used to
                    stickle a good deal to keep his place in public opinion. Now, he suffered, in
                    his own idea at least, from the consequence assumed by a country neighbour, who,
                    though neither so well reputed for wealth or sagacity as Thomas Scott, had yet
                    an advantage over him, from having seen the late King, and used to take
                    precedence upon all occasions when they chanced to meet. Thomas suffered under
                    this superiority. But after this sketch was finished, and exhibited in London,
                    the newspapers made it known that his present majesty had condescended to take
                    some notice of it. Delighted with the circumstance, Thomas Scott set out on a
                    most oppressively hot day, to walk five miles to Bowden,  <pb n="38"/>where his rival
                    resided. He had no sooner entered the cottage when he called out in his broad
                    forest dialect -- &quot;Andro&apos;, man, did ye anes sey (see) the
                    King?&quot; &quot;In troth did I, Tam,&quot; answered
                    Andro&apos;; &quot;sit down, and I&apos;ll tell ye a&apos; about
                    it: -- ye sey I was at Lonon, in a place they ca&apos; the park, that is, no
                    like a hained hog-fence, or like the four-nooked parks in this country --
                    &quot; &quot;Hout awa,&quot; said Thomas, &quot;I have heard
                    a&apos; that before: I only came ower the know now to tell you, that, if you
                    have seen the king, the king has seen mey&quot; (me). And so he returned
                    with a jocund heart, assuring his friends &quot;it had done him muckle gude
                    to settle accounts with Andro&apos;.&quot;</p>
                <p>Jocere haec -- as the old Laird of Restalrig writes to the Earl of Gowrie --
                    farewell my old, tried, and dear friend of forty long years. Our enjoyments must
                    now be of a character less vivid than those we have shared together,</p>
                <p>But still at our lot it were vain to repine, Youth cannot return, or the days of
                    Lang Syne.</p>
                <p>Your&apos;s Affectionately,</p>
                <p>Walter Scott.</p>
                <p>Abbotsford, 2d August, 1827.</p>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage39">
                        <figure entity="pageimage"/>
                    </xref>
                </p>
            </div>
            <div type="drama" id="D1">
                <pb n="39"/>
                <head rend="hi">
                    <title type="main">The Night before the Battle of Montiel: </title>
                    <title type="subordinate">A Dramatic Sketch</title>
                </head>
                <head>
                    <name reg="Algalaba, Juan, Don" date="0000-0000" place="Spain">From the Spanish of Don Juan Algalaba</name>
                </head>
                <stage type="set">
                    <p>[The battle of Montiel was that which determined the fate of Pedro the Cruel.
                        Just ten years before it took place he and Edward the Black Prince had
                        utterly defeated at Nejara Henry (called of Transtamara) Pedro&apos;s natural
                        brother, the competitor for the throne of Castile: But in the interval
                        Pedro&apos;s cruelties had alienated the affection of his subjects, and the
                        murder of his wife Blanche of Bourbon, sister to the King of France, had
                        stirred up an enemy whom, being deserted by the English Prince, he had no
                        longer any sufficient means to resist.</p>
                    <p>Pedro&apos;s famous mistress, Maria de Padilla, was in the castle of Montiel when
                        the battle was fought, and after her lover was slain received the body and
                        was permitted to bury it.</p>
                    <p>The French army was commanded by the illustrous Bertrand du Guesclin -- in
                        whose memoirs the highly picturesque details of the conflict, the subsequent
                        meeting of the brothers, and the death of Pedro, may be found. Le Begue was
                        the French knight who stabbed Pedro.]</p>
                </stage>
                <div type="scene" n="1">
                    <head>SCENE I.</head>
                    <stage type="set">SCENE I -- The Camp of Henry.</stage>
                    <stage>ALAIN DE LA HOUSSAYE AND LE BEGUE.</stage>
                    <sp>
                        <speaker>HOUSSAYE.</speaker>
                        <lg>
                            <l> I do remember even on such a sky</l>
                            <l> Kind Pedro&apos;s banner flaunted, even so calm</l>
                            <l>And heavy hung yon selfsame royal blazon</l>
                            <l>Upon the air, as the slow sun went down</l>
                            <l>The night before Nejara.</l>
                        </lg>
                    </sp>
                    <pb n="40"/>
                    <sp>
                        <speaker>LE BEGUE.</speaker>
                        <lg>
                            <l rend="indent5">‘Twas in Paris,</l>
                            <l>I heard the tidings of that filed; -- I knew not</l>
                            <l>That my old friend rode in Prince Henry&apos;s host</l>
                            <l>Else had I not rejoiced.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>HOUSSAYE.</speaker>
                        <lg>
                            <l rend="indend5"> Rejoiced? </l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>LE BEGUE.</speaker>
                        <lg>
                            <l rend="indent3">Yes, Alain -- --</l>
                            <l>I had heard many things against Don Pedro,</l>
                            <l>Yet, truth to speak, it seemed to me foul scorn,</l>
                            <l>That one whose mother never had been married,</l>
                            <l>Should put his hand forth -- clutching at the crown.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>HOUSSAYE.</speaker>
                        <lg>
                            <l>I hope we&apos;ll have no thoughts like these to-morrow.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>LE BEGUE.</speaker>
                        <lg>
                            <l>Not I, the fleurdelys will be i&apos;the van.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>HOUSSAYE.</speaker>
                        <lg>
                            <l>My thoughts shall be upon the Lady Blanche.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>LE BEGUE.</speaker>
                        <lg>
                            <l rend="indent3"> Aye, well they may -- </l>
                            <l>That bloody Jewess -- is it known if she</l>
                            <l>Be still with Pedro? Follows she the camp?</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>HOUSSAYE.</speaker>
                        <lg>
                            <l>They say she doth -- but see! Lord Onis comes,</l>
                            <l>And he can tell us further.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>LE BEGUE.</speaker>
                        <lg>
                            <l rend="indent5">The old lord</l>
                            <l>Walks very solemnly methinks to-night,</l>
                            <l>His pace is sober as a hooded priest.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>HOUSSAYE.</speaker>
                        <lg>
                            <l>Aye, and I&apos;ll warrant ye his thoughts more sober,</l>
                            <l>Than oft lie hid beneath the gown and cowl.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>LE BEGUE.</speaker>
                        <lg>
                            <l rend="indent5"> In the hot hour</l>
                            <pb n="41"/>
                            <l>The chance is equal! be we French or Spaniard -- </l>
                            <l>But if the day go darkly, and Don Henry</l>
                            <l>Find on Montiel the fortune of Nejara, -- </l>
                            <l>No ransom for a traitor.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>HOUSSAYE.</speaker>
                        <lg>
                            <l rend="indent5"> Look upon him!</l>
                            <l>There sits no selfish fear on Onis&apos; brow;</l>
                            <l>He is a Spaniard, and we war in Spain.</l>
                            <l>The rival chiefs are brothers -- and the swords</l>
                            <l>That glow even now in many a strenuous hand</l>
                            <l>As they receive the polish and the point,</l>
                            <l>Must gleam ere long before the eyes of kindred.</l>
                            <l>Where&apos;er may fall the chance of victory,</l>
                            <l>Yon stream, amidst to-morrow&apos;s noontide brightness,</l>
                            <l>Will be more purple with Castilian blood,</l>
                            <l>Than now the broad sun sinking paints its face.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>LE BEGUE.</speaker>
                        <lg>
                            <l>He passes on -- he takes no note of us.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>HOUSSAYE.</speaker>
                        <lg>
                            <l>We greet you well, Lord Onis!</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>ONIS.</speaker>
                        <lg>
                            <l rend="indent5"> Ha! fair Sirs!</l>
                            <l>I crave your pardon. Whither be ye bound?</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>HOUSSAYE.</speaker>
                        <lg>
                            <l>Du Guesclin&apos;s trumpet hath not sounded yet?</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>ONIS.</speaker>
                        <lg>
                            <l>They are together in the royal tent.</l>
                            <l>Anon we shall be summoned.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>LE BEGUE.</speaker>
                        <lg>
                            <l rend="indent5"> Doth the prince,</l>
                            <l>(I crave your grace, the king) doth he to-morrow</l>
                            <l>Charge on the centre of his brother&apos;s battle?</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>ONIS.</speaker>
                        <lg>
                            <l>I would it were not so; but, if I know him,</l>
                            <l>It would be heavy tiding for his ear,</l>
                            <pb n="42"/>
                            <l>That any sword but his had found its sheath</l>
                            <l>Within the breast of Pedro.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>HOUSSAYE.</speaker>
                        <lg>
                            <l>Don Pedro&apos;s cuirass hath turned swords ere now --</l>
                            <l>And wielded by as ready hands as Henry&apos;s.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>ONIS.</speaker>
                        <lg>
                            <l>You speak the truth, Sir Alain de la Houssaye,</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>LE BEGUE.</speaker>
                        <lg>
                            <l>You look for stubborn work, my Lord of Onis.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>ONIS.</speaker>
                        <lg>
                            <l>Sir Alain Houssaye has seen Pedro&apos;s plume</l>
                            <l>Rising and falling like a falcon&apos;s wing,</l>
                            <l>As far i&apos;the front as e&apos;er Plantagenet</l>
                            <l>Shewed his black crest.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>LE BEGUE.</speaker>
                        <lg>
                            <l rend="indent5"> And yet the old adage</l>
                            <l>Hangs cruelty and cowardice together.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>ONIS.</speaker>
                        <lg>
                            <l>The man that coined the phrase had known no Pedro.</l>
                            <l>The old ancestral sense of dignity</l>
                            <l>Exalts our excellence if we be good,</l>
                            <l>And even if we be vicious, that high pride</l>
                            <l>Is not more inborn than inalienable;</l>
                            <l>At least ‘tis so with Pedro. ‘Twas the same</l>
                            <l>When Pedro stood no higher than his hilt,</l>
                            <l>A most imperious boy. God he defies,</l>
                            <l>And man he never feared.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>LE HOUSSAYE.</speaker>
                        <lg>
                            <l rend="indent5"> This nobleness</l>
                            <l>Of kingly nature props e&apos;en now a cause</l>
                            <l>That, had he been in aught a vulgar villain</l>
                            <pb n="43"/>
                            <l>Had been as bare of man&apos;s aid as of God&apos;s; --</l>
                            <l>But hark! The trumpet.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>LE BEGUE.</speaker>
                        <lg>
                            <l rend="indent5"> Let us to the tent.</l>
                        </lg>
                    </sp>
                    <stage type="exit">[Exeunt Houssaye and Le Begue.</stage>
                    <sp>
                        <speaker>ONIS.</speaker>
                        <lg>
                            <l>Beautiful Valley! What a golden light</l>
                            <l>Is on thy bosom. Ha! the bells are ringing</l>
                            <l>In the church towers along yon green hill side</l>
                            <l>The vesper chaunt! Alas! What dreary knells</l>
                            <l>Must shake, next sunset, their gray pinnacles!</l>
                        </lg>
                    </sp>
                    <stage type="exit">[Exit.</stage>
                </div>
                <div type="scene" n="2">
                    <head>SCENE II.</head>
                    <stage type="setting"> The Tent of Henry of Transtamara.</stage>
                    <stage>HENRY -- DU GUESCLIN -- BISHOP PEREZ -- ONIS -- HOUSSAYE -- LE BEGUE.</stage>
                    <sp>
                        <speaker>HENRY.</speaker>
                        <lg>
                            <l> Sit, gentlemen. Onis, we waited for thee.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>DU GUESCLIN.</speaker>
                        <lg>
                            <l>There is no need we should be long together;</l>
                            <l>We may do better service in our quarters:</l>
                            <l>My humble mind it was, most certainly,</l>
                            <l>That you, sir king, should take the right to-morrow,</l>
                            <l>Where, if our scouts bring true intelligence,</l>
                            <l>Don Pedro plants his Moors --- </l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>HENRY.</speaker>
                        <lg>
                            <l rend="indent5"> Noble Du Guesclin,</l>
                            <l>We fight on Spanish ground, and I have here</l>
                            <l>Three thousand true men of Castile and Leon</l>
                            <l>Who serve me as their king -- the which I am</l>
                            <pb n="44"/>
                            <l>By the free choice of nobility</l>
                            <l>In open Cortes, aiding right of blood,</l>
                            <l>My brother having forfeited all title</l>
                            <l>By bloody acts of murder and oppression</l>
                            <l>Not to be counted -- some of them ye know -- </l>
                            <l>The which dissolved all claim to our allegiance,</l>
                            <l>And left us free (I mean the Lords of Spain)</l>
                            <l>To choose another wearer for the crown</l>
                            <l>Of old Pelayo; -- of Pelayo&apos;s line</l>
                            <l>Am I, and justly now I wear that crown,</l>
                            <l>Though once there was a baton on my shield,</l>
                            <l>That stain being erased and nullified</l>
                            <l>By the decree I spake of --- Now their hearts</l>
                            <l>Would scarcely brook to see the post of honour</l>
                            <l>Filled by a stranger, howsoever noble</l>
                            <l>In blood, and whatsoever pennon rearing,</l>
                            <l>When I their king am present. Other reasons</l>
                            <l>I have already to your private ear</l>
                            <l>Sufficiently expounded. Is there need</l>
                            <l>That I recount them also?</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>DU GUESCLIN.</speaker>
                        <lg>
                            <l rend="indent5"> Since his highness</l>
                            <l>Is so resolved in this, my Lord of Onis,</l>
                            <l>I yield the matter -- for myself I speak:</l>
                            <l>What says La Houssaye?</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>HOUSSAYE.</speaker>
                        <lg>
                            <l rend="indent3"> May it please the king,</l>
                            <l>Although your courtesy, noble Du Guesclin,</l>
                            <l>Hath brought me to the council, I am here</l>
                            <l>Not to oppose my voice to voice of yours -- </l>
                            <pb n="45"/>
                            <l>But having learned your pleasure and my part,</l>
                            <l>To tender, if need be, humble suggestion</l>
                            <l>Touching what falls to me -- and crave your guidance --</l>
                            <l>Ride we then on the right?</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>DU GUESCLIN.</speaker>
                        <lg>
                            <l rend="indent3"> You and Le Begue,</l>
                            <l>Be there with Burgundy and Picardy,</l>
                            <l>Ye&apos;ll have the Moors to deal withal. Myself</l>
                            <l>Will set my light-limbed Bretons on the left;</l>
                            <l>Perchance, while that King Henry from our centre</l>
                            <l>Bears with his Spaniards on the bridge, the old ford</l>
                            <l>May serve our need as well. I think ‘tis certain,</l>
                            <l>Don Pedro, with his own Castilian spears,</l>
                            <l>Will bide your highness&apos; onset—Spain to Spain!</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>HENRY.</speaker>
                        <lg>
                            <l>Ay, and for Spain.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>BISHOP.</speaker>
                        <lg>
                            <l>Now God protect King Henry!</l>
                            <l>The Lord of Hosts will battle for the right.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>LE BEGUE.</speaker>
                        <lg>
                            <l>We all shall do our best, my good Lord Bishop.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>ONIS.</speaker>
                        <stage type="delivery">[Aside to La Houssaye.]</stage>
                        <lg>
                            <l>&apos;Twere vain you see for anyone to fight</l>
                            <l>Against the king&apos;s determination.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>HOUSSAYE.</speaker>
                        <lg>
                            <l>‘Tis a most wild one! Heaven defend the issue.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>HENRY.</speaker>
                        <lg>
                            <l>What says La Houssaye?</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>LE BEGUE.</speaker>
                        <lg>
                            <l>He prays heaven, my lord,</l>
                            <l>To send fair issue of to-morrow&apos;s field.</l>
                        </lg>
                    </sp>
                    <pb n="46"/>
                    <sp>
                        <speaker>HENRY.</speaker>
                        <lg>
                            <l>&apos;Tis well; and now brave gentlemen of France</l>
                            <l>Good e&apos;en be with you all. Let the dawn find us</l>
                            <l>Each at his post.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>DU GUESCLIN.</speaker>
                        <lg>
                            <l>My word shall be—QUEEN BLANCHE!</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>HENRY.</speaker>
                        <lg>
                            <l>And mine—KING HENRY!</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>DU GUESCLIN.</speaker>
                        <lg>
                            <l>They&apos;ll do well together.</l>
                        </lg>
                    </sp>
                    <stage type="business">[The lords rise from their seats; a Trumpet is heard.</stage>
                    <sp>
                        <speaker>HENRY.</speaker>
                        <lg>
                            <l>What means this trumpet? thrice, too?</l>
                        </lg>
                    </sp>
                    <stage type="entrance">[The Enter a Castilian Herald in his tabard, attended by
                        Officers &amp;c.</stage>
                    <sp>
                        <speaker>HERALD.</speaker>
                        <lg>
                            <l rend="indent5"> By my mouth</l>
                            <l>Thus to King Sancho&apos;s baseborn son, Don Henry</l>
                            <l>Of Transtamara, speaks his rightful liege</l>
                            <l>The King, Don Pedro of Castille. Bold bastard,</l>
                            <l>That darest, not remembering the black curse</l>
                            <l>Which lies upon the memory of Count Julian,</l>
                            <l>To ape his ancient treason, and become</l>
                            <l>The guide of foreign spears into the heart</l>
                            <l>Of the fair Spanish land -- I, born thy prince,</l>
                            <l>The lawful son and heir of thy dead father,</l>
                            <l>Whose erring love begot thee of a slave,</l>
                            <l>Bearded by thee within mine heritage,</l>
                            <l>Thee and the Bourbon&apos;s vassals whom thou guidest,</l>
                            <l>I full of scorn and wrath, as well I may be,</l>
                            <l>Have pity on all of those their fair allegiance</l>
                            <pb n="47"/>
                            <l>Due to the Majesty of France hath led</l>
                            <l>Thus far within my realm -- albeit their swords</l>
                            <l>Are girded on their thighs to serve the cause</l>
                            <l>Of my most sinful rebel; nor against</l>
                            <l>Even those, my own born liegemen, whom thy cunning</l>
                            <l>Hath led astray, so that forgetting oath</l>
                            <l>And fealty and solemn plight of homage,</l>
                            <l>They stand with thee against their sovereign&apos;s banner,</l>
                            <l>Am I entirely steeled. Therefore, in presence</l>
                            <l>Of brave Du Guesclin and his captains and</l>
                            <l>The Spaniards that are with them, I make offer</l>
                            <l>Of truce from this time till to-morrow&apos;s sunset,</l>
                            <l>Within which space -- at the cool dawn ‘twere best --</l>
                            <l>Let lists be set upon the open field</l>
                            <l>Between these camps; and let the Lord Du Guesclin,</l>
                            <l>Upon the part of Henry Transtamara,</l>
                            <l>And the most noble Castro upon mine,</l>
                            <l>Be umpires of the day -- and man to man,</l>
                            <l>And horse to horse -- with lance, sword, mace, and knife --</l>
                            <l>Let two, whose hostile banners bear one sign,</l>
                            <l>Appeal to the unseen eye of God for judgment</l>
                            <l>On their conflicting titles; let the winner</l>
                            <l>Be undisputed king; unfearing love</l>
                            <l>Rest between him, whoever he may be,</l>
                            <pb n="48"/>
                            <l>And all that are this day encamped here,</l>
                            <l>Moor, Frenchman, Spaniard; and let him who loses</l>
                            <l>Have death or exile; so shall knightly blood</l>
                            <l>Keep knightly veins, and wives&apos; and mothers&apos; eyes</l>
                            <l>On either side the rugged Pyrenees</l>
                            <l>Retain their tears unwept; so France in honour,</l>
                            <l>And Spain in peace, sweep from all memory</l>
                            <l>The traces of this tumult. I, the king,</l>
                            <l>Speak so: -- Don Henry, called of Transtamara,</l>
                        </lg>
                        <stage type="business">[Flings down his gauntlet.</stage>
                        <lg>
                            <l>Liftest thou King Pedro&apos;s glove?</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>ONIS.</speaker>
                        <lg>
                            <l rend="indent5"> Now heaven defend!-- </l>
                            <l>That voice! --</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>HENRY.</speaker>
                        <stage type="business">[Stepping forward.]</stage>
                        <lg>
                            <l>Right willingly ----</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>DU GUESCLIN.</speaker>
                        <stage type="business">[rising, and laying his own hand on Henry&apos;s arm.]</stage>
                        <lg>
                            <l>Forbear, rash king!</l>
                            <l>Herald! go back in safety as thou camest,</l>
                            <l>And tell thy master that the King Don Henry</l>
                            <l>Would willingly have lifted up the glove</l>
                            <l>Thy had flung down -- but that Du Guesclin stayed him.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>HENRY.</speaker>
                        <lg>
                            <l>French Lord, I do command thee, let me pass.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>DU GUESCLIN.</speaker>
                        <lg>
                            <l>Nay, nay King Henry -- thou art not my king.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>HENRY.</speaker>
                        <lg>
                            <l>Thou art the vassal of my brother of France,</l>
                            <pb n="49"/>
                            <l>And thou art here because my quarrel&apos;s his.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>DU GUESCLIN.</speaker>
                        <lg>
                            <l>Yes; but his quarrel is not thine, Lord King ----</l>
                            <l>Nor, when he kissed my baton at the Louvre</l>
                            <l>Did he command me to entrust the vengeance,</l>
                            <l>For which dead Blanche&apos;s blood doth cry to heaven</l>
                            <l>And him, the royal brother of her blood,</l>
                            <l>To any Spanish hand -- prince&apos;s or king&apos;s.</l>
                            <l>We, De la Houssaye, and Le Begue, and I,</l>
                            <l>And ten good score of noblemen besides,</l>
                            <l>With all the spears that love or chivalry</l>
                            <l>Has clustered at our backs -- must we stand by</l>
                            <l>And let the murderer of the Lady Blanche,</l>
                            <l>The sister of our king, conquer or fall,</l>
                            <l>According as one Spaniard or another</l>
                            <l>Couches his lance the firmest, in our sight --</l>
                            <l>Had Henry of Transtamara ne&apos;er been crowned --</l>
                            <l>Aye, had ne&apos;er been born, thinkest thou my king</l>
                            <l>Would have sat still upon his father&apos;s throne,</l>
                            <l>And bid his priests sing masses for the soul</l>
                            <l>Of unrevenged Blanche.</l>
                            <l rend="indent5"> I lift this glove;</l>
                            <l>I place it in the front of this my basnet,</l>
                            <l>Which here, for lack of worthier, represents</l>
                            <l>The coronetted helmet of King Philip.</l>
                            <l>Do as ye will, thou, and the Lord of Onis,</l>
                            <l>This bishop, and as many Spaniards more</l>
                            <l>As are encamped with us -- I speak for France,</l>
                            <pb n="50"/>
                            <l>And I will have a field, an open field,</l>
                            <l>A bloody field for Blanche!</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>HERALD.</speaker>
                        <lg>
                            <l rend="indent5"> A bloody field!</l>
                            <l>So be it—I shall know my glove again.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>DU GUESCLIN.</speaker>
                        <lg>
                            <l>Thy glove?</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>HERALD.</speaker>
                        <lg>
                            <l>King Pedro&apos;s glove. I speak for him.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>DU GUESCLIN.</speaker>
                        <lg>
                            <l>Thou speakest in safety whatsoe&apos;er thou speakest.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>HERALD.</speaker>
                        <stage type="business">[taking of his cap.]</stage>
                        <lg>
                            <l>I speak in safety since Du Guesclin says so,</l>
                            <l>I am King Pedro! Doth Henry know me? Kneel slave!</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>HENRY.</speaker>
                        <stage type="business">[starting back, and drawing his sword.]</stage>
                        <lg>
                            <l>Thou murderer! hast no sword?</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>DU GUESCLIN.</speaker>
                        <lg>
                            <l>If he had fifty none were drawn to-night.</l>
                            <l>This sacred garb which God and man respect,</l>
                            <l>And mine own words do save thee. Go in peace.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>PEDRO.</speaker>
                        <lg>
                            <l>I came not hither to make speeches, nor</l>
                            <l>See I fit judge to sit and hold the balance</l>
                            <l>Between my breath and thine. Therefore, Du Guesclin,</l>
                            <l>Farewell. We meet to-morrow. Ynigo Onis</l>
                            <l>Thou hadst a playmate once. Ha! Father Joseph,</l>
                            <l>Who drew that bare scalp from a monkery,</l>
                            <l>And clapped a mitre on&apos;t? Sweet lords, good night.</l>
                        </lg>
                    </sp>
                    <stage type="exit">[Exit Pedro.</stage>
                    <pb n="51"/>
                    <sp>
                        <speaker>DU GUESCLIN.</speaker>
                        <lg>
                            <l>Le Begue, attend the Herald to the barrier.</l>
                        </lg>
                        <stage type="exit">[Exit Le Begue.</stage>
                        <lg>
                            <l>Bold, dark, and haughty soul. I knew him not.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>ONIS.</speaker>
                        <lg>
                            <l>There was something in the voice -- and yet</l>
                            <l>I could not think but that I dreamed. ----</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>HENRY.</speaker>
                        <lg>
                            <l rend="indent5">Ten years</l>
                            <l>Have changed my brother much. His brow is wrinkled,</l>
                            <l>His hairs are grey.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>LA HOUSSAYE.</speaker>
                        <lg>
                            <l rend="indent 3">His fierce eye is the same.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>HENRY.</speaker>
                        <lg>
                            <l>Once more, kind gentlemen, farewell.</l>
                            <l>
                                <stage type="exit">[Exeunt Du Guesclin, &amp;c.]</stage>Lord
                                Bishop.</l>
                            <l>Do thou remain with some little space.</l>
                            <l>
                                <stage type="business">[Aside.]</stage>stage&gt;I&apos;ve seen my
                                brother -- something whispers me</l>
                            <l>That one more meeting, and no more shall be.</l>
                        </lg>
                    </sp>
                </div>
                <div type="scene" n="3">
                    <head>SCENE III.</head>
                    <stage type="setting"> The French Camp.</stage>
                    <stage type="entrance">[Enter Pedro, Le Begue, &amp; a crowd of soldiers.</stage>
                    <sp>
                        <speaker>FIRST SOLDIER.</speaker>
                        <lg>
                            <l>I warrant ye lie has worn both plate and mail,</l>
                            <l>His stuffed tabard sits like a shirt upon him.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>SECOND SOLDIER.</speaker>
                        <lg>
                            <l rend="indent5"> And fifty lances!</l>
                            <l>I never heard of herald so attended.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>FIRST SOLDIER.</speaker>
                        <lg>
                            <l>He is some noble gentleman, besure,</l>
                            <pb n="52"/>
                            <l>The Lord Le Begue, you see, is squiring him.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>THIRD SOLDIER.</speaker>
                        <lg>
                            <l>Faith! and I think he walks a-foot behind him.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>PEDRO.</speaker>
                        <lg>
                            <l>Le Begue de Villaines? Ha! a noble name!</l>
                            <l>A very noble race of Burgundy;</l>
                            <l>I&apos;ve heard of them ere now. My Lord Le Begue</l>
                            <l>You&apos;ve had a hasty march from Salamanca,</l>
                            <l>Some fifteen days, I think. I have been near you,</l>
                            <l>Almost as near as now within that time.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>LE BEGUE.</speaker>
                        <lg>
                            <l>An&apos; please your Highness, had we known thereof,</l>
                            <l>We should, as now, have tendered ye our escort.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>PEDRO.</speaker>
                        <lg>
                            <l>I doubt it not. You&apos;ve chosen your quarters shrewdly.</l>
                            <l>I know the spot of old. There is a well</l>
                            <l>Beside yon oak that ye may slake your thirst in,</l>
                            <l>If ye were thrice as many as I count ye.</l>
                            <l>A very pleasant fountain, --</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>LE BEGUE.</speaker>
                        <lg>
                            <l>I have not drunk thereof.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>PEDRO.</speaker>
                        <lg>
                            <l>A true Burgundian! -- Well, Sir, blood flows out</l>
                            <l>And wine flows in -- such is the soldier&apos;s course.</l>
                            <l>I wish I had ye in Montiel this night. --</l>
                            <l>Your lads, I see, have lips of the same savour,</l>
                            <l>By Jove they seem right merry underneath</l>
                            <l>These old trees -- there&apos;s no lack of skins among them.</l>
                            <l>Well, drink to-night. If some of these red lips</l>
                            <pb n="53"/>
                            <l>Be white enough, and dry withal ere long,</l>
                            <l>The blood ye might have kept, and the good wine</l>
                            <l>Ye might have drunk—I shall be blamed for neither.</l>
                            <l>Captain, are these your soldiers?</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>LE BEGUE.</speaker>
                        <lg>
                            <l rend="indent5"> Some of them?</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>PEDRO.</speaker>
                        <lg>
                            <l>Yon tall black fellow, leaning on his spear,</l>
                            <l>Is he not Spanish?</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>LE BEGUE.</speaker>
                        <lg>
                            <l rend="indent3"> Is his leathern doublet?</l>
                            <l>I know him not -- his face is new to me.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>PEDRO.</speaker>
                        <lg>
                            <l>But not to me -- Rodrigo Perez! Look ye</l>
                            <l>Sir knight, how the slave bends. His Spanish blood</l>
                            <l>Is not all washed from out his veins. --</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>LE BEGUE.</speaker>
                        <lg>
                            <l rend="indent5"> An&apos; please you, Sir,</l>
                            <l>I can permit no talk -- the barrier&apos;s near,</l>
                            <l>I&apos;ll see you safe among your followers.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>PEDRO.</speaker>
                        <lg>
                            <l>What? stop a Herald&apos;s mouth! well well, pass on,</l>
                        </lg>
                        <stage type="business">[throwing money to the soldiers.]</stage>
                        <lg>
                            <l>Drink all men&apos;s friend, the Herald, when he&apos;s gone.</l>
                        </lg>
                    </sp>
                    <stage type="exit">[Exit Pedro.]</stage>
                    <pb n="54"/>
                    <sp>
                        <speaker>FIRST SOLDIER.</speaker>
                        <lg>
                            <l>Thanks for the largess! Fill a cup to him.</l>
                        </lg>
                        <stage type="business">[drinks.]</stage>
                    </sp>
                    <sp>
                        <speaker>SECOND SOLDIER.</speaker>
                        <lg>
                            <l>Aye, sure; a noble generous gentleman.</l>
                        </lg>
                    </sp>
                    <stage type="business">[drinks.]</stage>
                    <sp>
                        <speaker>OLD SPEARMAN.</speaker>
                        <lg>
                            <l>Why do ye not pledge the toast?</l>
                            <l>He is your countryman. ----</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>RODRIGO PEREZ.</speaker>
                        <lg>
                            <l rend="indent5">If ye knew his face</l>
                            <l>As well as I, ye would not fill so cheerily.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>FIRST SOLDIER.</speaker>
                        <lg>
                            <l>You&apos;ve seen him heretofore? how runs his name?</l>
                            <l>A don I&apos;ll warrant ye, and then some dozen</l>
                            <l>Of fine high sounding long words after it.</l>
                            <l>You&apos;ve half an ell of names yourself, I&apos;ll swear.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>PEREZ.</speaker>
                        <lg>
                            <l>A short one serves him. --</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>FIRST SOLDIER.</speaker>
                        <lg>
                            <l>Speak it out.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>PEREZ.</speaker>
                        <lg>
                            <l>Your pardon -----</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>FIRST SOLDIER.</speaker>
                        <lg>
                            <l>Old man you stare as if this lordly Herald</l>
                            <l>Had been your father&apos;s ghost. Come, speak, who is he?</l>
                            <l>He spoke to you; he called you by your name.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>SECOND SOLDIER.</speaker>
                        <lg>
                            <l rend="indent5"> By our Lady,</l>
                            <l>It seems as if this Pedro&apos;s coat of arms</l>
                            <l>Painted upon a fool&apos;s coat, were enough</l>
                            <l>To frighten some that must expect to see</l>
                            <l>His floating banner and his dancing crest,</l>
                            <l>Ere long -- if, as they say, we fight to-morrow.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>PEREZ.</speaker>
                        <lg>
                            <l>Talk on, young men: to-morrow&apos;s not far off.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>THIRD SOLDIER.</speaker>
                        <lg>
                            <l>No, and for that cause my most sober comrade,</l>
                            <l>It is my mind that we should drink to-night,</l>
                            <l>To-morrow we&apos;ll have neither shade nor wine.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>PEREZ.</speaker>
                        <lg>
                            <l>Nor thirst it may be --</l>
                        </lg>
                    </sp>
                    <stage type="exit">[Exit.</stage>
                    <sp>
                        <speaker>FIRST SOLDIER.</speaker>
                        <stage type="business">[sings.]</stage>
                        <lg>
                            <l>To-morrow when the sun is high</l>
                            <pb n="55"/>
                            <l>Up in the glowing burning sky,</l>
                            <l>When trumpets sound, and pennons fly,</l>
                            <l rend="indent3">And lances gleam.</l>
                            <l>No resting on the spear</l>
                            <l>To drain the wine cup clear:</l>
                            <l>Of jollity and cheer</l>
                            <l rend="indent3">I shall not dream.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>SECOND SOLDIER.</speaker>
                        <lg>
                            <l>To-morrow when the sun is low,</l>
                            <l>For some a jovial cup may flow,</l>
                            <l>But who can tell, and who can know</l>
                            <l rend="indent3"> For me? -- for whom?</l>
                            <l>A cold earth bed perchance,</l>
                            <l>Beside a broken lance,</l>
                            <l>Far, far from merry France,</l>
                            <l rend="indent3"> May be my doom.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>THE TWO SOLDIERS.</speaker>
                        <lg>
                            <l>To-night yon sun goes down in gold,</l>
                            <l>His purple clouds around him rolled,</l>
                            <l>What eyes his next descent behold,</l>
                            <l rend="indent3"> May none reveal.</l>
                            <l>Fill, fill your goblets high,</l>
                            <l>Bright as yon glorious sky,</l>
                            <l>Wine will not make us die</l>
                            <l rend="indent3"> On hot Montiel.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>THIRD SOLDIER.</speaker>
                        <lg>
                            <l>Pass round the cup -- I think our dry old Spaniard</l>
                            <l>Has moved himself.</l>
                        </lg>
                    </sp>
                    <pb n="56"/>
                    <sp>
                        <speaker>FOURTH SOLDIER.</speaker>
                        <lg>
                            <l rend="indent3"> Now saw ye e&apos;er a man</l>
                            <l>Look wilder when yon Herald as he passed</l>
                            <l>Fixed his black eye, and named him?</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>FOURTH SOLDIER.</speaker>
                        <lg>
                            <l>Quite aghast!</l>
                        </lg>
                    </sp>
                </div>
                <div type="scene" n="4">
                    <head>SCENE IV.</head>
                    <stage type="setting"> Another part of the camp.</stage>
                    <sp>
                        <speaker>RODRIGO PEREZ.</speaker>
                        <stage type="business">[alone.]</stage>
                        <lg>
                            <l>It was but yesterday this King and Onis</l>
                            <l>Stood by while I was digging here i the ditch,</l>
                            <l>And looked upon me for some minutes&apos; space,</l>
                            <l>I did not work less lustitly because</l>
                            <l>There eyes were on me -- by my troth I watered</l>
                            <l>The clay with my best sweat -- but never a word --</l>
                            <l>&quot;Rodrigo Perez, hot work, old Rodrigo ----&quot;</l>
                            <l>To say so much had been no mighty matter,</l>
                            <l>&quot;The ditch will do.&quot; &quot;The barrier will be
                                good,&quot;</l>
                            <l>Good! good! good barrier! nothing of good soldier.</l>
                            <l>Well, ‘tis all one.</l>
                        </lg>
                    </sp>
                    <stage type="entrance">Enter GIL FRASSO.</stage>
                    <sp>
                        <speaker>GIL.</speaker>
                        <lg>
                            <l>Perez, comrade Perez,</l>
                            <l>Hast heard this story?</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>PEREZ.</speaker>
                        <lg>
                            <l>Story! I&apos;ve heard none --</l>
                            <l>What is&apos;t?</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>GIL.</speaker>
                        <lg>
                            <l rend="indent 3"> I scarcely can believe &apos;tis true --</l>
                            <l>The old king -- black Don Pedro, man, -- Yon Herald</l>
                            <l>Whose trumpet we all heard -- they say ‘twas he --</l>
                            <pb n="57"/>
                            <l>&apos;Twas he himself -- and that he came disguised</l>
                            <l>In those gay trappings to fling down his glove,</l>
                            <l>And challenge Henry face to face to the combat --</l>
                            <l>The single combat -- but Du Guesclin barred it.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>PEREZ.</speaker>
                        <lg>
                            <l rend="indent5"> Where hast thou heard this news?</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>GIL.</speaker>
                        <lg>
                            <l rend="indent5"> Why, but this moment</l>
                            <l>I left a knot of our companions gathered</l>
                            <l>Beneath the big oak, close beside the well,</l>
                            <l>And this was all their talk.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>PEREZ.</speaker>
                        <lg>
                            <l rend="indent5"> The single combat!</l>
                            <l>By Saint Iago, in my humble mind,</l>
                            <l>Du Guesclin did Don Henry a good turn.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>GIL.</speaker>
                        <lg>
                            <l>Hush! do not say so. Dost thou then believe it?</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>PEREZ.</speaker>
                        <lg>
                            <l>Why not, Gil Frasso? Pedro&apos;s worst of foes</l>
                            <l>Will scarce deny that give them equal chance</l>
                            <l>Of wind and sun, within a guarded ring,</l>
                            <l>The old King mounted as we all have seen him,</l>
                            <l>Might raise a clatter on the new King&apos;s helm</l>
                            <l>In spite of the fair coronet that girds it.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>GIL.</speaker>
                        <lg>
                            <l>Faith! Pedro always had a heavy hand.</l>
                            <l>But can ye credit it that he came here?</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>PEREZ.</speaker>
                        <lg>
                            <l>Why <emph>that</emph> I scarce can doubt. I saw him Frasso,</l>
                            <l>I saw him, man, with mine own eyes.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>GIL.</speaker>
                        <lg>
                            <l rend="indent5"> And knew him?</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>PEREZ.</speaker>
                        <lg>
                            <l> Aye, Gil—what&apos;s stranger, may be, he knew me.</l>
                        </lg>
                    </sp>
                    <pb n="58"/>
                    <sp>
                        <speaker>GIL.</speaker>
                        <lg>
                            <l>Nay, nay, old Perez, I can scarce go with you --</l>
                            <l>But come let&apos;s hear the story.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>PEREZ.</speaker>
                        <lg>
                            <l rend="indent5"> Look&apos;ye, Gil,</l>
                            <l>It was down yonder, where those gay French sparks</l>
                            <l>Are drinking and carousing in the shade;</l>
                            <l>I stood beside them leaning on my spear,</l>
                            <l>To see the Herald passing to the barrier;</l>
                            <l>Well, up he came, the Lord Le Begue came with him,</l>
                            <l>And as they passed us, suddenly the Herald</l>
                            <l>(We had ta&apos;en notice of his lordly step,)</l>
                            <l>Halted, and said &quot;are these your soldiers, Sir?&quot;</l>
                            <l>And then he pointed with his finger thus,</l>
                            <l>&quot;My Lord Le Begue,&quot; quoth he, &quot;there
                                stands a Spaniard,&quot;</l>
                            <l>And then he loooked more sternly yet, and waved</l>
                            <l>His hand, and named my name &quot;Rodrigo Perez.&quot;</l>
                            <l>These were his words -- they&apos;re ringing in my ears.</l>
                            <l>Rodrigo Perez! -- Well, say what they will,</l>
                            <l>It is no shame I think, even for a King,</l>
                            <l>To know an old man that has shed his blood</l>
                            <l>Beneath his banner. -- &apos;Twill be just ten years</l>
                            <l>Next Thursday (if we see it) since Nejara --</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>GIL.</speaker>
                        <lg>
                            <l>It was a noble day -- a glorious day!</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>RODRIGO.</speaker>
                        <lg>
                            <l>Say that within the hearing of Lord Onis --</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>GIL.</speaker>
                        <lg>
                            <l>No &apos;faith -- but yet it was a glorious field.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>RODRIGO.</speaker>
                        <lg>
                            <l>Aye, and the morrow after, I remember</l>
                            <pb n="59"/>
                            <l>I wakened stiff enough -- this arm was bandaged,</l>
                            <l>And this leg too -- I woke and sat upright,</l>
                            <l>And looked about me, in the crowded place</l>
                            <l>All full of comrades shattered like myself,</l>
                            <l>Some worse, some better, and there stood the King,</l>
                            <l>Aye there he stood himself among the leeches</l>
                            <l>And priests (they all were busy), and he said --</l>
                            <l>It seems as if all had passed but yestereven, --</l>
                            <l>&quot;Lie down good fellow, rest a day or two,</l>
                            <l>And ye&apos;ll be well again.&quot;</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>GIL.</speaker>
                        <lg>
                            <l>I would he had not slain the Lady Blanche.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>RODRIGO.</speaker>
                        <lg>
                            <l>She was a pretty lady -- so say all --</l>
                            <l>But French -- why seek they wives from France? -- I love not</l>
                            <l>The men -- no nor the women of that land.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>GIL.</speaker>
                        <lg>
                            <l>No more did Pedro. -- He should have not killed her</l>
                            <l>And for a Jewess too!</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>RODRIGO.</speaker>
                        <lg>
                            <l rend="indent3"> We hear black tales:</l>
                            <l>Who knows what may have been before she died?</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>GIL.</speaker>
                        <lg>
                            <l>In faith I know not, Perez.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>RODRIGO.</speaker>
                        <lg>
                            <l>So we had at Nejara: There Don Henry</l>
                            <l>Was beat -- aye, man, like chaff, before black Wales</l>
                            <pb n="60"/>
                            <l>And the old king. He wants those English spears,</l>
                            <l>None better ever thrust, but as men speak,</l>
                            <l>There are some thousands of the Moorish horse </l>
                            <l>Within Montiel to-night. Our gay French comrades</l>
                            <l>May find the scimitar&apos;s as good&apos;s the sword.</l>
                            <l>And old De Castro is with Pedro still.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>GIL.</speaker>
                        <lg>
                            <l>God knows the issue. Would the day were over.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>RODRIGO.</speaker>
                        <lg>
                            <l>Aye, would it were. If riding in the front</l>
                            <l>Among the Bishop&apos;s men it so fall out,</l>
                            <l>That we come near the king -- I mean King Pedro, --</l>
                            <l>And I behold him charging on the French --</l>
                            <l>I know not. --</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>GIL.</speaker>
                        <lg>
                            <l>Comrade. --</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>RODRIGO.</speaker>
                        <lg>
                            <l rend="indent5"> He&apos;s but a bastard,</l>
                            <l>We may get easily beyond the barrier --</l>
                            <l>Down yon Green Lane -- your hand: -- The true old king</l>
                            <l>Will let us in, I warrant him, right kindly.</l>
                            <l>Why, Gil, I think it would have chilled our bloods,</l>
                            <l>And made our arms like withs, if we had seen</l>
                            <l>King Pedro&apos;s plume at work, and heard his voice</l>
                            <l>High above all the meacute;leacute;e as of yore,</l>
                            <l>And we old followers, Nejara-men,</l>
                            <l>Been there against him.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>GIL.</speaker>
                        <lg>
                            <l rend="indent5"> That oath to the bishop</l>
                            <l>Sticks in my gizzard.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>RODRIGO.</speaker>
                        <lg>
                            <l rend="indent5"> So, man, gulp it down</l>
                            <pb n="61"/>
                            <l>While yet he was but plain old Father Joseph --</l>
                            <l>And Henry -- my Lord Bastard ---</l>
                            <l>I had ta&apos;en oaths enough to serve Don Pedro.</l>
                            <l>Hark to yon Frenchmen how they boose and sing.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>GIL.</speaker>
                        <lg>
                            <l>Come -- we&apos;ll have cups of welcome from the king.</l>
                        </lg>
                    </sp>
                    <stage type="exit">Exeunt.</stage>
                </div>
                <div type="scene" n="5">
                    <head>SCENE V.</head>
                    <stage type="setting"> A chamber in the Castle of Montiel.</stage>
                    <stage>MARIA DE PADILLA, her SON, and SARAH, seated by a window.</stage>
                    <sp>
                        <speaker>MARIA.</speaker>
                        <lg>
                            <l>Your father will come home anon, my love.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>SARAH.</speaker>
                        <lg>
                            <l>The sun&apos;s gone down, and if it please my lady</l>
                            <l>I&apos;ll see him to his chamber.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>BOY.</speaker>
                        <lg>
                            <l rend="indent5"> Let me stay</l>
                            <l>Until my father be come home again,</l>
                            <l>I will not sleep till he has said good night,</l>
                            <l>And kissed me.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>MARIA.</speaker>
                        <lg>
                            <l rend="indent5"> Kiss me darling --</l>
                            <l>So, -- you shall stay and get the other too.</l>
                            <l>Speak truly, Sarah -- they&apos;re the king&apos;s own eyes.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>SARAH.</speaker>
                        <lg>
                            <l>In part &apos;tis so; the long lids are the same --</l>
                            <l>&apos;Tis a sweet mixture -- fair and gentle boy!</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>MARIA.</speaker>
                        <lg>
                            <l>Aye, fair and gentle now -- gentle and fair!</l>
                            <pb n="62"/>
                            <l>But look beneath the shadow of the oak,</l>
                            <l>And see how delicate the nursling plant</l>
                            <l>Fruit of some late chance-scattered acorn shews</l>
                            <l>Its smooth slim stem, its tiny trembling shoots --</l>
                            <l>Its little glossy leaves—one scarce could dream,</l>
                            <l>That in the course of nature these must be</l>
                            <l>Transformed into the rough wide girdled trunk</l>
                            <l>Scornful of tempests, and the giant boughs,</l>
                            <l>Whose massive umbrage darkens noon below them --</l>
                            <l>And yet &apos;tis so -- when the stout parent tree</l>
                            <l>Has mouldered into age&apos;s dust, or yielded</l>
                            <l>Perchance to the dread flash of heavenly fire --</l>
                            <l>Aye, or been battered down before its day,</l>
                            <l>By common woodman&apos;s axe -- that little budling</l>
                            <l>Shall be the pride of all the grove around. --</l>
                            <l>One down -- another rises -- this smooth chin</l>
                            <l>Will ere men think that many years have flown,</l>
                            <l>Be rough and back enow -- this ivory forehead</l>
                            <l>Plaited with wrinkled lines, the legacy</l>
                            <l>Of sorrows, it may be -- most certainly</l>
                            <l>Of cares -- the wind, the sun, foul weather</l>
                            <l>Will all have done their work to tan this cheek,</l>
                            <l>And this white shoulder, (now it hath a dimple,</l>
                            <l>The prettiest bride in all Castile might envy),</l>
                            <l>Will be deep ploughed with trace of buckled mail,</l>
                            <l>And clasped plate -- Pedro will be a man --</l>
                            <l>I hope a noble soldier like his father.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>SARAH.</speaker>
                        <lg>
                            <l>Aye, and a prince as once his father was</l>
                            <pb n="63"/>
                            <l>And in God&apos;s time a king as he is now.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>MARIA.</speaker>
                        <lg>
                            <l>I hope my god will hear my nightly voice,</l>
                            <l>And let me sleep in dust before that day --</l>
                            <l>For my fair child -- come Pedro to my knee --</l>
                            <l>My sinless child, or ere thou close thine eyes</l>
                            <l>This night, be sure thou kneel – alone -- for I</l>
                            <l>Must not be with thee then, and pray to God</l>
                            <l>To send down victory on thy father&apos;s sword --</l>
                            <l>Pray strongly for thy father: -- simple child,</l>
                            <l>See, Sarah, how he stares with his black eyes!</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>SARAH.</speaker>
                        <lg>
                            <l>Now, prithee, cease my lady,</l>
                            <l>You&apos;ll send us all a weeping to our beds</l>
                            <l>If you look thus. I met the Lord de Castro</l>
                            <l>But now as I was coming through the court,</l>
                            <l>He smiled upon me courteously and gaily:</l>
                            <l>I&apos;m sure he thinks &apos;twill all go well to-morrow.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>MARIA.</speaker>
                        <lg>
                            <l>The old soldier will not let shis eye betray him.</l>
                            <l>His counsel and his prudence are my hope</l>
                            <l>Next to the strong arm of my fearless king.</l>
                            <l>As for these Moors -- </l>
                            <l>I cannot trust them -- Yon old crafty Zagal,</l>
                            <l>Although his words be of the readiest</l>
                            <l>I doubt he he&apos;ll pause before he sheds much blood</l>
                            <l>Of faithful Mussulmen in this debate: --</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>SARAH.</speaker>
                        <lg>
                            <l>If you suspect him, speak it to the king.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>MARIA.</speaker>
                        <lg>
                            <l> I would the king were here -- he tarries long.</l>
                        </lg>
                    </sp>
                    <pb n="64"/>
                    <sp>
                        <speaker>SARAH.</speaker>
                        <lg>
                            <l>He hath rode something further than he thought for</l>
                            <l>In reconnaissance -- he will soon be here;</l>
                            <l>De Castro, Zagal, and the other lords</l>
                            <l>Are but assembling in the hall as yet.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>MARIA.</speaker>
                        <lg>
                            <l>Sleepy, my boy? Well, Sarah, carry him</l>
                            <l>Up to his chamber: when the king returns</l>
                            <l>We both will come together -- soon I hope.</l>
                        </lg>
                    </sp>
                    <sp>
                        <speaker>SARAH.</speaker>
                        <lg>
                            <l>Come, darling, you have watched too long already.</l>
                        </lg>
                    </sp>
                    <stage type="exit">[Exit with the boy.</stage>
                    <sp>
                        <speaker>MARIA.</speaker>
                        <lg>
                            <l>And now &apos;tis dark all over -- hot and dark --</l>
                            <l>The heavens must be relieved from this oppression --</l>
                            <l>We from this doubting which is worse than death.</l>
                            <l>What matters it whether the thunder growl</l>
                            <l>Once or a thousand times? If it light here --</l>
                            <l>The spirit of one must be unclad -- a king</l>
                            <l>Or nothing ---- I -- what must I be? -- no matter --</l>
                            <l>At least if things go darkly I can share</l>
                            <l>His gloomier destiny -- have my full half</l>
                            <l>Of all that brings -- and be at least his equal</l>
                            <l>As well as bedfellow within the grave.</l>
                            <l>The grave! Dead Blanche I fear thee -- </l>
                            <l>And yet God gives to kings the arbitrement</l>
                            <l>Of life and death -- and Pedro is a king --</l>
                            <l>She knew that I had lain on Pedro&apos;s breast,</l>
                            <l>And yet she couched her curls there: -- my sweet boy</l>
                            <l>On thee she had no pity, nor thy mother --</l>
                        </lg>
                    </sp>
                    <stage>[Scene closes.</stage>
                </div>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage65">
                        <figure entity="pageimage"/>
                    </xref>
                </p>
            </div>
            <div type="story" id="S3">
                <pb n="65"/>
                <head rend="hi">
                    <title>Jessy of Kibe&apos;s Farm</title>
                </head>
                <head>
                    <name reg="Mitford, Mary Russell" date="1787-1855" place="UK">By Miss M.R. Mitford</name>
                </head>
                <p>ABOUT the centre of a deep winding and woody lane, in the secluded village of
                    Aberleigh, stands an old farm-house, whose stables, out-buildings, and ample
                    yard, have a peculiarly forlorn and deserted appearance; they can, in fact,
                    scarcely be said to be occupied, the person who rents the land preferring to
                    live at a large farm about a mile distant, leaving this lonely house to the care
                    of a labourer and his wife, who reside in one end, and have the charge of a few
                    colts and heifers that run in the orchard and an adjoining meadow, whilst the
                    vacant rooms are tenanted by a widow in humble circumstances and her young
                    family.</p>
                <p>The house is beautifully situated; deep, as I have said, in a narrow woody lane,
                    which winds between high banks, now feathered with hazel, now thickly studded
                    with pollards and forest trees, until opposite Kibe&apos;s farm it widens
                    sufficiently to admit a large clear pond, round which the hedge, closely and
                    regularly set with a row of tall elms, sweeps in a graceful curve, forming for
                    that bright mirror, a rich leafy  <pb n="66"/>frame. A little way farther on the lane again
                    widens, and makes an abrupter winding, as it is crossed by a broad shallow
                    stream, a branch of the Loddon, which comes meandering along from a chain of
                    beautiful meadows; then turns in a narrower channel by the side of the road, and
                    finally spreads itself into a large piece of water, almost a lakelet, amidst the
                    rushes and the willows of Hartley Moor. A foot-bridge is flung over the stream,
                    where it crosses the lane, which, with a giant oak growing on the bank, and
                    throwing its broad branches far on the opposite side, forms in every season a
                    pretty rural picture.</p>
                <p>Kibe&apos;s farm is as picturesque as its situation; very old, very
                    irregular, with gable ends, clustered chimneys, casement windows, a large porch,
                    and a sort of square wing jutting out even with the porch, and covered with a
                    luxuriant vine, which has quite the effect, especially when seen by moonlight,
                    of an ivy-mantled tower. One side extends the ample but disused farm buildings;
                    on the other the old orchard, whose trees are so wild, so hoary and so huge, as
                    to convey the idea of a fruit forest. Behind the house is an ample
                    kitchen-garden, and before a neat flower court, the exclusive demesne of Mrs.
                    Lucas and family, to whom indeed the labourer, John Miles, and his good wife
                    Dinah, served in some sort as domestics.</p>
                <p>Mrs. Lucas had known far better days. Her  <pb n="67"/>husband had been an officer, and died
                    fighting bravely in one of the last battles of the Peninsular war, leaving her
                    with three children, one lovely boy and two delicate girls, to struggle through
                    the world as best she might. She was an accomplished woman, and at first,
                    settled in great town, and endeavoured to improve her small income by teaching
                    music and languages. But she was country bred; her children too had been born in
                    the country, amidst the sweetest recesses of the New Forest, and pining herself
                    for liberty, and solitude, and green fields, and fresh air, she soon began to
                    fancy that her children were visibly deteriorating in health and appearance and
                    pining for them also; and finding that her old servant Dinah Miles was settled
                    with her husband in this deserted farm-house, she applied to his master to rent
                    for a few months the untenanted apartments, came to Aberleigh, and fixed there
                    apparently for life.</p>
                <p>We lived in different parishes, and she declined company, so that I seldom met
                    Mrs. Lucas, and had lost sight of her for some years, retaining merely a general
                    recollection of the mild, placid, elegant mother, surrounded by three rosy,
                    romping bright-eyed children, when the arrival of an intimate friend at
                    Aberleigh rectory caused me frequently to pass the lonely farm-house, and threw
                    this interesting family again under my observation.</p>
                <p>The first time that I saw them was on a bright  <pb n="68"/>summer evening, when the
                    nightingale was yet in the coppice, the briar rose blossoming in the hedge, and
                    the sweet scent of the bean fields perfuming the air. Mrs. Lucas, still lovely
                    and elegant, though somewhat faded and careworn, was walking pensively up and
                    down the grass path of the pretty flower court; her eldest daughter, a rosy
                    bright brunette, with her dark hair floating in all directions, was darting
                    about like bird; now tying up the pinks, now watering the geraniums, now
                    collecting the fallen rose leaves into the straw bonnet which dangled from her
                    arm; and now feeding a brood of bantams from a little barley measure, which that
                    sagacious and active colony seemed to recognise as if by instinct, coming long
                    before she called them at their swiftest pace, between a run and a fly, to await
                    with their usual noisy and bustling patience the showers of grain which she
                    flung to them across the paling. It was a beautiful picture of youth, and
                    health, and happiness; and her clear gay voice, and brilliant smile, accorded
                    well with a shape and motion as light as a butterfly, and as wild as the wind. A
                    beautiful picture was that rosy lass of fifteen in her unconscious loveliness,
                    and I might have continued gazing on her longer, had I not been attracted by an
                    object no less charming, although in a very different way.</p>
                <p>It was a slight elegant girl, apparently about a year younger than the pretty
                    romp of the flower  <pb n="69"/>garden, not unlike her in form and feature, but totally
                    distinct in colouring and expression.</p>
                <p>She sate in the old porch, wreathed with jessamine and honeysuckle, with the
                    western sun floating around her like a glory, and displaying the singular beauty
                    of her chesnut hair, brown with a golden light, and the exceeding delicacy of
                    ther smooth and finely grained complexion, so pale, and yet so healthful. Her
                    whole face and form had a bending and statue-like grace, encreased by the
                    adjustment of her splendid hair, which was parted on her white forehead, and
                    gathered up behind in a large knot -- a natural coronet. Her eyebrows and long
                    eyelashes were a few shades darker than her hair, and singularly rich and
                    beautiful. She was plaiting straw rapidly and skilfully, and bent over her work
                    with a mild and placid attention, a sedate pensiveness that did not belong to
                    her age, and which contrasted strangely and sadly with the gaiety of her
                    laughing and brilliant sister, who at this moment darted up to her with a
                    handful of pinks and some groundsel. Jessy received them with a smile -- such a
                    smile! -- spoke a few sweet words in a sweet sighing voice; put the flowers in
                    her bosom, and the groundsel in the cage of a linnet that hung near her; and
                    then resumed her seat and her work, imitating better than I have ever heard them
                    imitated, the various notes of a  <pb n="70"/>nightingale who was singing in the opposite
                    hedge; whilst I, ashamed of loitering longer, passed on.</p>
                <p>The next time I saw her, my interest in this lovely creature was increased
                    tenfold -- for I then knew that Jessy was blind -- a misfortune always so
                    touching, especially in early youth, and in her case rendered peculiarly
                    affecting by the personal character of the individual. We soon became
                    acquainted, and even intimate under the benign auspices of the kind mistress of
                    the rectory; and every interview served to encrease the interest excited by the
                    whole family, and most of all by the sweet blind girl.</p>
                <p>Never was any human being more gentle generous, and grateful, or more unfeignedly
                    resigned to her great calamity. The pensiveness that marked her character arose
                    as I soon perceived from a different source. Her blindness had been of recent
                    occurrence, arising from inflammation unskilfully treated, and was pronounced
                    incurable; but from coming on so lately, it admitted of several alleviations, of
                    which she was accustomed to speak with a devout and tender gratitude.
                    &quot;She could work,&quot; she said, &quot;as well as ever; and cut
                    out, and write, and dress herself, and keep the keys, and run errands in the
                    house she knew so well without making any mistake or confusion. Reading, to be
                    sure, she had been forced to give up, and drawing:  <pb n="71"/>and some day or other she
                    would shew me, only that it seemed so vain, some verses which her dear brother
                    William had written upon a groupe of wild flowers, which she had begun before
                    her misfortune. Oh, it was almost worth while to be blind to be the subject of
                    such verse, and the object of such affection! Her dear mamma was very good to
                    her, and so was Emma; but William -- oh she wished that I knew William! No one
                    could be so kind as he! It was impossible! He read to her; he talked to her; he
                    walked with her; he taught her to feel confidence in walking alone; he had made
                    for her use the wooden steps up the high bank which led into Kibe&apos;s
                    meadow; he had put the hand-rail on the old bridge, so that now she could get
                    across without danger, even when the brook was flooded. He had tamed her linnet;
                    he had constructed the wooden frame, by the aid of which she could write so
                    comfortable and evenly; could write letters to him, and say her own self all
                    that she felt of love and gratitude. And that,&quot; she continued with a
                    deep sigh, &quot;was her chief comfort now; for William was gone, and they
                    should never meet again -- never alive -- that she was sure of -- she knew
                    it.&quot; &quot;But why, Jessy?&quot; &quot;Oh, because William
                    was so much too good for this world: there was nobody like William! And he was
                    gone for a soldier. Old General Lucas, her father&apos;s uncle, had sent for
                    him abroad;  <pb n="72"/>had given him a commission in his regiment; and he would never come
                    home -- at least they should never meet again -- of that she was sure -- she
                    knew it.&quot;</p>
                <p>This persuasion was evidently the master-grief of poor Jessy&apos;s life, the
                    cause that far more than her blindness faded her cheek, and saddened her spirit.
                    How it had arisen no one knew; partly, perhaps, from some lurking superstition,
                    some idle word, or idler omen which had taken root in her mind, nourished by the
                    calamity which in other respects she bore so calmly, but which left her so often
                    in darkness and loneliness to brood over her own gloomy forebodings; partly from
                    her trembling sensibility, and partly from the delicacy of frame and of habit
                    which had always characterised the object of her love -- a slender youth, whose
                    ardent spirit was but too apt to overtask his body.</p>
                <p>However it found admittance, there the presentiment was, hanging like a dark
                    cloud over the sunshine of Jessy&apos;s young life. Reasoning was useless.
                    They know little of the passions who seek to argue with that most intractable of
                    them all, the fear that is born of love; so Mrs. Lucas and Emma tried to amuse
                    away those sad thoughts, trusting to time, to William&apos;s letters, and
                    above all, to William&apos;s return to eradicate the evil.</p>
                <p>The letters came punctually and gaily; letters  <pb n="73"/>that might have quieted the heart
                    of any sister in England, except the fluttering heart of Jessy Lucas. William
                    spoke of improved health, of increased strength, of actual promotion, and
                    expected recal. At last he even announced his return under auspices the most
                    gratifying to his mother, and the most beneficial to her family. The regiment
                    was ordered home, and the old and wealthy relation, under whose protection he
                    had already risen so rapidly, had expressed his intention to accompany him to
                    Kibe&apos;s farm, to be introduced to his nephew&apos;s widow and
                    daughters, especially Jessy, for whom he expressed himself greatly interested. A
                    letter from General Lucas himself, which arrived by the same post, was still
                    more explicit: it adduced the son&apos;s admirable character and exemplary
                    conduct as reasons for befriending the mother, and avowed his design of
                    providing for each of his young relatives, and of making William his heir.</p>
                <p>For half an hour after the first hearing of these letters, Jessy was happy --
                    till the peril of a Winter voyage (for it was deep January) crossed her
                    imagination, and checked her joy. At length, long before they were expected,
                    another epistle arrived, dated Portsmouth. They had sailed by the next vessel to
                    that which conveyed their previous dispatches, and might be expected hourly at
                    Kibe&apos;s farm. The voyage was past, safely past, and the weight seemed
                    <pb n="74"/>now really taken from Jessy&apos;s heart. She raised her sweet face and
                    smiled; yet still it was a fearful and a trembling joy, and somewhat of fear was
                    mingled even with the very intensity of her hope. It had been a time of rain and
                    wind; and the Loddon, the beautiful Loddon, always so affluent of water, had
                    overflowed its boundaries, and swelled the smaller streams which it fed into
                    torrents. The brook which crossed Kibe&apos;s lane had washed away part of
                    the foot-bridge, destroying poor William&apos;s railing, and was still
                    foaming and dashing like a cataract. Now that was the nearest way; and if
                    William should insist on coming that way! To be sure, the carriage road was
                    round by Grazely Green, but to cross the brook would save half a mile; and
                    William, dear William, would never think of danger to get to those whom he
                    loved. These were Jessy&apos;s thoughts: the fear seemed impossible, for no
                    postillion would think of breasting that roaring stream; but the fond
                    sister&apos;s heart was fluttering like a new caught bird, and she feared
                    she knew not what.</p>
                <p>All day she paced the little court, and stopped and listened, and listened and
                    stopped. About sunset, with the nice sense of sound which seemed to come with
                    her fearful calamity, and that fine sense, quickened by anxiety, expectation,
                    and love, she heard, she thought she heard, she was sure she heard the sound of
                    a carriage rapidly advancing on the <pb n="75"/>other side of the stream. &quot;It is only
                    the noise of the rushing waters,&quot; cried Emma. &quot;I hear a
                    carriage, the horses, the wheels!&quot; replied Jessy; and darted off at
                    once, with the double purpose of meeting William, and of warning the postillion
                    of crossing the stream. Emma and her mother followed, fast! fast! But what speed
                    could vie with Jessy&apos;s, when the object was William? They called, but
                    she neither heard nor answered. Before they had to won to the bend in the lane
                    she had reached the brook; and, long before either of her pursuers had gained
                    the bridge, her foot had slipt from the wet and tottering plank, and she was
                    borne resistlessly down the stream. Assistance was immediately procured; men,
                    and ropes, and boats; for the sweet blind girl was beloved of all, and many a
                    poor man perilled his life in a fruitless endeavor to save Jessy Lucas; and
                    William, too, was there, for Jessy&apos;s quickened sense had not deceived
                    her. William was there, struggling with all the strength of love and agony to
                    rescue that dear and helpless creature; but every effort -- although he
                    persevered until he too was taken out senseless -- every effort was vain. The
                    fair corse was recovered, but life was extinct. Poor Jessy&apos;s prediction
                    was verified to the letter; and the brother and his favourite sister never met
                    again.</p>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage76">
                        <figure entity="pageimage"/>
                    </xref>
                </p>
            </div>
            <div type="poem" id="P14">
                <pb n="76"/>
                <head rend="hi">
                    <title>Song</title>
                </head>
                <head>
                    <name reg="Hervey, Thomas Kibble" date="1799-1859" place="UK">By T.K. Hervey, Esq.</name>
                </head>
                <lg type="stanza">
                    <l rend="indent1">COME, touch the harp, my gentle one!</l>
                    <l rend="indent1">And let the notes be sad and low,</l>
                    <l rend="indent1">Such as may breathe, in every tone,</l>
                    <l rend="indent1">The soul of long ago!</l>
                    <l rend="indent1">That smile of thine is all too bright</l>
                    <l rend="indent1">For aching hearts, and lovely years,</l>
                    <l rend="indent1">And, dearly as I love its light,</l>
                    <l rend="indent1">To- day I would have tears!</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">Yet weep not thus, my gentle girl!</l>
                    <l rend="indent1">No smile of thine has lost its spells;</l>
                    <l rend="indent1">By heaven! I love thy lightest curl,</l>
                    <l rend="indent1">Oh! more than fondly well!</l>
                    <l rend="indent1">Then touch the lyre, and let it wile</l>
                    <l rend="indent1">All thought of grief and gloom away,</l>
                    <l rend="indent1">While thou art by, with harp and smile,</l>
                    <l rend="indent1">I will not weep, to- day!</l>
                </lg>
            </div>
            <div type="picture" id="F3" refid="P15">
                <head>Figure 3: Sans Souci</head>
                <p rend="center">
                        <figure entity="smsouci" n="3">
                            <head><bibl><author type="painter">painted by <name reg="Stothard, Thomas" date="1755–1834" place="UK">Thomas Stothard, Esq.</name></author>, <author type="engraver">engraved by <name reg="Brandard Family, printmakers" date="1805-1898" place="UK">Mr. Brandard</name></author></bibl></head>
                        </figure>
                </p>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage77">
                        <figure entity="pageimage"/>
                    </xref>
                </p></div>
            <div type="poem" id="P15" refid="F3">
                <pb n="77"/>
                <head rend="hi">
                    <title>Sans Souci</title>
                </head>
                <head>
                    <name reg="L. E. L. (Letitia Elizabeth Landon)" date="1802-1838" place="UK">By L.E.L.</name>
                </head>
                <lg type="stanza">
                    <l rend="indent1">COME ye forth to our revel by moonlight,</l>
                    <l rend="indent1">With your lutes and your spirits in tune;</l>
                    <l rend="indent1">The dew falls to- night like an odour,</l>
                    <l rend="indent1">Stars weep o&apos;er our last day in June.</l>
                    <l rend="indent1">Come maids leave the loom and its purple,</l>
                    <l rend="indent1">Though the robe of a monarch were there;</l>
                    <l rend="indent1">Seek your mirror, I know &apos;tis your dearest,</l>
                    <l rend="indent1">And be it to- night your sole care.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">Braid ye your curls in their thousands,</l>
                    <l rend="indent1">Whether dark as the raven&apos;s dark wing,</l>
                    <l rend="indent1">Or bright as that clear summer colour,</l>
                    <l rend="indent1">When sunshine lights every ring.</l>
                    <l rend="indent1">On each snow ankle lace silken sandal,</l>
                    <l rend="indent1">Don the robes like the neck they hide white;</l>
                    <l rend="indent1">Then come forth like planets from darkness,</l>
                    <l rend="indent1">Or like lilies at day- break&apos;s first light.</l>
                </lg>
                <lb/>
                <pb n="78"/>
                <lg type="stanza">
                    <l rend="indent1">Is there one who half regal in beauty,</l>
                    <l rend="indent1">Would be regal in pearl and in gem;</l>
                    <l rend="indent1">Let her wreath her a crown of red roses,</l>
                    <l rend="indent1">No rubies are equal to them.</l>
                    <l rend="indent1">Is there one who sits languid and lonely,</l>
                    <l rend="indent1">With her fair face bowed down on her hand,</l>
                    <l rend="indent1">With a pale cheek and glittering eyelash,</l>
                    <l rend="indent1">And careless locks &apos;scaped from their band.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">For a lover not worth that eye&apos;s tear- drop,</l>
                    <l rend="indent1">Not worth that sweet mouth&apos;s rosy kiss,</l>
                    <l rend="indent1">Nor that cheek though &apos;tis faded to paleness;</l>
                    <l rend="indent1">I know not the lover that is.</l>
                    <l rend="indent1">Let her bind up her beautiful tresses;</l>
                    <l rend="indent1">Call her wandering rose back again;</l>
                    <l rend="indent1">And for one prisoner &apos;scaping her bondage,</l>
                    <l rend="indent1">A hundred shall carry her chain.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">Come, gallants, the gay and the graceful,</l>
                    <l rend="indent1">With hearts like the light plumes ye wear;</l>
                    <l rend="indent1">Eyes all but divine light our revel,</l>
                    <l rend="indent1">Like the stars in whose beauty they share.</l>
                    <l rend="indent1">Come ye, for the wine cups are mantling,</l>
                    <l rend="indent1">Some clear as the morning&apos;s first light;</l>
                    <l rend="indent1">Others touched with the evening&apos;s last crimson,</l>
                    <l rend="indent1">Or the blush that may meet ye to night.</l>
                </lg>
                <lb/>
                <pb n="79"/>
                <lg type="stanza">
                    <l rend="indent1">There are plenty of sorrows to chill us,</l>
                    <l rend="indent1">And troubles last on to the grave;</l>
                    <l rend="indent1">But the coldest glacier has its rose- tint,</l>
                    <l rend="indent1">And froth rides the stormiest wave.</l>
                    <l rend="indent1">Oh! Hope will spring up from its ashes,</l>
                    <l rend="indent1">With plumage as bright as before;</l>
                    <l rend="indent1">And pleasures like lamps in a palace,</l>
                    <l rend="indent1">If extinct, you need only light more.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">When one vein of silver&apos;s exhausted,</l>
                    <l rend="indent1">&apos;Tis easy another to try;</l>
                    <l rend="indent1">There are fountains enough in the desert,</l>
                    <l rend="indent1">Though that by your palm- tree be dry:</l>
                    <l rend="indent1">When an India of gems is around you,</l>
                    <l rend="indent1">Why ask for the one you have not?</l>
                    <l rend="indent1">Though the roc in your hall may be wanting,</l>
                    <l rend="indent1">Be contented with what you have got.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">Come to- night, for the white blossomed myrtle</l>
                    <l rend="indent1">Is flinging its love- sighs around;</l>
                    <l rend="indent1">And beneath like the veiled eastern beauties,</l>
                    <l rend="indent1">The violets peep from the ground.</l>
                    <l rend="indent1">Seek ye for gold and for silver,</l>
                    <l rend="indent1">There are both on these bright orange- trees;</l>
                    <l rend="indent1">And never in Persia the moonlight</l>
                    <l rend="indent1">Wept o&apos;er roses more blushing than these.</l>
                </lg>
                <lb/>
                <pb n="80"/>
                <lg type="stanza">
                    <l rend="indent1">There are fireflies sparkling by myriads,</l>
                    <l rend="indent1">The fountain wave dances in light;</l>
                    <l rend="indent1">Hark! the mandolin&apos;s first notes are waking,</l>
                    <l rend="indent1">And soft steps break the sleeping of the night.</l>
                    <l rend="indent1">Then come all the young and the graceful,</l>
                    <l rend="indent1">Come gay as the lovely should be,</l>
                    <l rend="indent1">&apos;Tis much in this world&apos;s toil and trouble,</l>
                    <l rend="indent1">To let one midnight pass Sans Souci.</l>
                </lg>
            </div>
            <div type="picture" id="F4" refid="P16">
                <head>Figure 4: The Warriors</head>
                <p rend="center">
                        <figure entity="smwarriors" n="4">
                            <head><bibl><author type="painter">painted by <name reg="Stothard, Thomas" date="1755–1834" place="UK">Thomas Stothard, Esq.</name></author>, <author type="engraver">engraved by <name reg="Fox, Augustus" date="0000-0000" place="UK">Mr. Augustus Fox</name></author></bibl></head>
                        </figure>
                </p>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage75b">
                        <figure entity="pageimage"/></xref>
                </p>
            </div>
            <div type="poem" id="P16" refid="F4">
                <pb n="75b"/>
                <head rend="hi">
                    <title>A Lament for the Decline of Chivalry</title>
                </head>
                <head>
                    <name reg="Hood, Thomas" date="1799-1845" place="UK">By Thomas Hood, Esq.</name>
                </head>
                <lg type="stanza">
                    <l rend="indent1">Well hast thou cried, departed Burke,</l>
                    <l rend="indent1">All chivalrous romantic work,</l>
                    <l rend="indent1">Is ended now and past! -- </l>
                    <l rend="indent1">That iron age -- which some have thought</l>
                    <l rend="indent1">Of mettle rather overwrought -- </l>
                    <l rend="indent1">Is now all over- cast!</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">Aye, -- where are those heroic knights</l>
                    <l rend="indent1">Of old -- those armadillos wights</l>
                    <l rend="indent1">Who wore the plated vest, -- </l>
                    <l rend="indent1">Great Charlemagne, and all his peers</l>
                    <l rend="indent1">Are cold -- enjoying with their spears</l>
                    <l rend="indent1">An everlasting rest! -- </l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">The bold King Arthur sleepeth sound,</l>
                    <l rend="indent1">So sleep his knights who gave that Round</l>
                    <pb n="76b"/>
                    <l rend="indent1">Old Table such eclat!</l>
                    <l rend="indent1">Oh Time has pluck&apos;d the plumy brow!</l>
                    <l rend="indent1">And none engage at turneys now</l>
                    <l rend="indent1">But those who go to law!</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">No Percy branch now perserveres</l>
                    <l rend="indent1">Like those of old in breaking spears -- </l>
                    <l rend="indent1">The name is now a lie! -- </l>
                    <l rend="indent1">Surgeons, alone, by any chance,</l>
                    <l rend="indent1">Are all that ever couch a lance</l>
                    <l rend="indent1">To couch a body&apos;s eye!</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">Alas! for Lion- Hearted Dick,</l>
                    <l rend="indent1">That cut the Moslems to the quick,</l>
                    <l rend="indent1">His weapon lies in peace, -- </l>
                    <l rend="indent1">Oh, it would warm them in a trice,</l>
                    <l rend="indent1">If they could only have a spice</l>
                    <l rend="indent1">Of his old mace in Greece!</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">The fam&apos;d Rinaldo lies a- cold,</l>
                    <l rend="indent1">And Tancred too, and Godfrey bold,</l>
                    <pb n="77b"/>
                    <l rend="indent1">That scal&apos;d the holy wall!</l>
                    <l rend="indent1">No Saracen meets Paladin,</l>
                    <l rend="indent1">We hear of no great Saladin,</l>
                    <l rend="indent1">But only grow the small!</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">Our Cressy&apos;s too have dwindled since</l>
                    <l rend="indent1">To penny things -- at our Black Prince</l>
                    <l rend="indent1">Historic pens would scoff -- </l>
                    <l rend="indent1">The only one we moderns had</l>
                    <l rend="indent1">Was nothing but a Sandwich lad,</l>
                    <l rend="indent1">And measles took him off! -- </l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">Where are those old and feudal clans,</l>
                    <l rend="indent1">Their pikes, and bills, and partizans</l>
                    <l rend="indent1">Their hauberks -- jerkins -- buffs?</l>
                    <l rend="indent1">A battle was a battle then,</l>
                    <l rend="indent1">A breathing piece of work -- but men</l>
                    <l rend="indent1">Fight now -- with powder puffs!</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">The curtal- axe is out of date!</l>
                    <l rend="indent1">The good old cross- bow bends -- to Fate,</l>
                    <l rend="indent1">&apos;Tis gone -- the archer&apos;s craft!</l>
                    <l rend="indent1">No tough arm bends the springing yew,</l>
                    <l rend="indent1">And jolly draymen ride, in lieu</l>
                    <l rend="indent1">Of Death, upon the shaft. -- </l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">The spear -- the gallant tilter&apos;s pride</l>
                    <l rend="indent1">The rusty spear is laid aside,</l>
                    <pb n="78b"/>
                    <l rend="indent1">Oh spits now domineer! -- </l>
                    <l rend="indent1">The coar of mail is left alone, -- </l>
                    <l rend="indent1">And where is chain- armour gone?</l>
                    <l rend="indent1">Go ask at Brighton Pier.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">We fight in ropes and not in lists,</l>
                    <l rend="indent1">Bestowing hand- cuffs with our fists,</l>
                    <l rend="indent1">A low and vulgar art! -- </l>
                    <l rend="indent1">No man is overthrown -- </l>
                    <l rend="indent1">A tilt! -- It is a thing unknown -- </l>
                    <l rend="indent1">Except upon a cart.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">The spear -- the gallant tilter&apos;s pride</l>
                    <l rend="indent1">The rusty spear is laid aside,</l>
                    <l rend="indent1">Oh spits now domineer! -- </l>
                    <l rend="indent1">The coar of mail is left alone, -- </l>
                    <l rend="indent1">And where is chain- armour gone?</l>
                    <l rend="indent1">Go ask at Brighton Pier.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">Mehtinks I see the bounding barb,</l>
                    <l rend="indent1">Clad like his Chief in steely garb,</l>
                    <l rend="indent1">For warding steel&apos;s appliance! -- </l>
                    <l rend="indent1">Methinks I hear the trumpet stir!</l>
                    <l rend="indent1">&apos;Tis but the guard to Exeter,</l>
                    <l rend="indent1">That bugles the &quot;Defiance!&quot;</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">In cavils when will cavaliers</l>
                    <l rend="indent1">Set ringing helmets by the ears,</l>
                    <l rend="indent1">And scatter plumes about?</l>
                    <l rend="indent1">Or blood -- if they are in the vein?</l>
                    <l rend="indent1">That tap will never run again -- </l>
                    <l rend="indent1">Alas the <emph>Casque</emph> is out!</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">No iron- crackling now is scor&apos;d</l>
                    <l rend="indent1">By dint of battle- axe or sword,</l>
                    <pb n="79b"/>
                    <l rend="indent1">To find a vital place -- </l>
                    <l rend="indent1">Though certain Doctors still pretend</l>
                    <l rend="indent1">Awhile, before they kill a friend,</l>
                    <l rend="indent1">To labout through his case.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">Farewell, then, ancient men of might!</l>
                    <l rend="indent1">Crusader! errant squire, and knoght!</l>
                    <l rend="indent1">Our coats and customs soften, -- </l>
                    <l rend="indent1">To rise would only make ye weep -- </l>
                    <l rend="indent1">Sleep on, in rusty iron sleep.</l>
                    <l rend="indent1">As in a safety- coffin!</l>
                </lg>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage80b">
                        <figure entity="pageimage"/>
                    </xref>
                </p>
            </div>
            <div type="poem" id="P17">
                <pb n="80b"/>
                <head rend="hi">
                    <title type="main">The Purple Evening: </title>
                    <title type="subordinate">Imitated From the German</title>
                </head>
                <head><name reg="[anon.]" date="0000-0000" place="UK">By the Author of &quot;Stray Leaves&quot;</name></head>
                <lg type="stanza">
                    <l rend="indent1">THOU lovely, smiling, evening ray,</l>
                    <l rend="indent1">How calm thou sink&apos;st in peace away!</l>
                    <l rend="indent1">So martyrs smile amid the fire,</l>
                    <l rend="indent1">So thus is extasy [sic] expire!</l>
                    <l rend="indent1">How glow the hills, so softly bright!</l>
                    <l rend="indent1">The woods reflect a dewy light;</l>
                    <l rend="indent1">The day- star smiles on evening&apos;s grave -- </l>
                    <l rend="indent1">The swan glides o&apos;er the purple wave.</l>
                    <l rend="indent1">O Sun, fair image of our God!</l>
                    <l rend="indent1">Far onwards, to our last abode,</l>
                    <l rend="indent1">Thou lov&apos;st to guide the wanderer&apos;s course</l>
                    <l rend="indent1">Till rapt he greet thy goldern source,</l>
                    <l rend="indent1">How brighter then, at thy departing,</l>
                    <l rend="indent1">Than when o&apos;er hill and valley starting!</l>
                </lg>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage81">
                        <figure entity="pageimage"/>
                    </xref>
                </p>
            </div>
            <div type="poem" id="P18">
                <pb n="81"/>
                <head rend="hi">
                    <title type="main">Scotland: </title>
                    <title type="subordinate">an Ode, Written after the King&apos;s Visit to that Country</title>
                </head>
                <head>
                    <name reg="Southey, Robert" date="1774-1843" place="UK">By Robert Southey, Esq. Poet Laureat</name>
                </head>
                <lg type="stanza">
                    <l rend="indent1">1.</l>
                    <l rend="indent1">AT length hath Scotland seen</l>
                    <l rend="indent1">The presence long desired;</l>
                    <l rend="indent1">The pomp of royalty</l>
                    <l rend="indent1">Hath gladdened once again</l>
                    <l rend="indent1">Her ancient palace, desolate how long!</l>
                    <l rend="indent1">From all parts far and near,</l>
                    <l rend="indent1">Highland and lowland, glen and fertile carse,</l>
                    <l rend="indent1">The silent mountain lake, the busy port,</l>
                    <l rend="indent1">Her populous cities and her pastoral hills,</l>
                    <l rend="indent1">In generous joy convened</l>
                    <l rend="indent1">By the free impulse of the loyal heart</l>
                    <l rend="indent1">Her sons have gathered, and beheld their King.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">2.</l>
                    <l rend="indent1">Land of the loyal, as in happy hour</l>
                    <l rend="indent1">Revisited, so was thy regal seat</l>
                    <l rend="indent1">In happy hour for thee</l>
                    <l rend="indent1">Forsaken, under favouring stars, when James</l>
                    <pb n="82"/>
                    <l rend="indent1">His valediction gave,</l>
                    <l rend="indent1">And great Eliza&apos;s throne</l>
                    <l rend="indent1">Received its rightful heir,</l>
                    <l rend="indent1">The Peaceful and the Just.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">3.</l>
                    <l rend="indent1">A more auspicious union never Earth</l>
                    <l rend="indent1">From eldest days had seen,</l>
                    <l rend="indent1">Than when, their mutual wrongs forgiven,</l>
                    <l rend="indent1">And gallant enmity renounced</l>
                    <l rend="indent1">With honour, as in honour fostered long,</l>
                    <l rend="indent1">The ancient kingdoms formed</l>
                    <l rend="indent1">Their everlasting league.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">4.</l>
                    <l rend="indent1">Slowly by time matured</l>
                    <l rend="indent1">A happier order then for Scotland rose;</l>
                    <l rend="indent1">And where inhuman force,</l>
                    <l rend="indent1">And rapine unrestrained</l>
                    <l rend="indent1">Had lorded o&apos;er the land,</l>
                    <l rend="indent1">Peace came, and polity,</l>
                    <l rend="indent1">And quiet industry, and frugal wealth;</l>
                    <l rend="indent1">And there the household virtues fixed</l>
                    <l rend="indent1">Their sojourn undisturbed.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">5.</l>
                    <l rend="indent1">Such blessings for her dowry Scotland drew</l>
                    <l rend="indent1">From that benignant union; nor less large</l>
                    <l rend="indent1">The portion that she brought.</l>
                    <pb n="83"/>
                    <l rend="indent1">She brought security and strength,</l>
                    <l rend="indent1">True hearts, and strenuous hands, and noble minds.</l>
                    <l rend="indent1">Say Ocean, from the shores of Camperdown,</l>
                    <l rend="indent1">What Caledonia brought! Say thou,</l>
                    <l rend="indent1">Egypt! Let India tell!</l>
                    <l rend="indent1">And let tell Victory</l>
                    <l rend="indent1">From her Brabantine field,</l>
                    <l rend="indent1">The proudest field of fame!</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">6.</l>
                    <l rend="indent1">Speak ye too, works of peace;</l>
                    <l rend="indent1">For ye too have a voice</l>
                    <l rend="indent1">Which shall be heard by ages! The proud bridge,</l>
                    <l rend="indent1">Through whose broad arches, worthy of their name</l>
                    <l rend="indent1">And place, his rising and his refluent tide</l>
                    <l rend="indent1">Majestic Thames, the royal river rolls!</l>
                    <l rend="indent1">And that which high in air,</l>
                    <l rend="indent1">A bending line suspended, shall o&apos;erhang</l>
                    <l rend="indent1">Menai&apos;s straits, as if</l>
                    <l rend="indent1">By Merlin&apos;s mighty magic there sustain&apos;d!</l>
                    <l rend="indent1">And Pont-Cyssylte, not less wonderous work;</l>
                    <l rend="indent1">Where on gigantic columns raised</l>
                    <l rend="indent1">Aloft, a dizzying height,</l>
                    <l rend="indent1">The laden barge pursues its even way,</l>
                    <l rend="indent1">While o&apos;er his rocky channel the dark Dee</l>
                    <l rend="indent1">Hurries below, a raging stream, scarce heard!</l>
                    <l rend="indent1">And that huge mole, whose deep foundations, firm</l>
                    <l rend="indent1">As if by Nature laid,</l>
                    <pb n="84"/>
                    <l rend="indent1">Repel the assailing billows, and protect</l>
                    <l rend="indent1">The British fleet, securely riding there,</l>
                    <l rend="indent1">Though southern storms possess the sea and sky,</l>
                    <l rend="indent1">And from its depths commoved,</l>
                    <l rend="indent1">Infuriate ocean raves.</l>
                    <l rend="indent1">Ye stately monuments of Britain&apos;s power,</l>
                    <l rend="indent1">Bear record ye what Scottish minds</l>
                    <l rend="indent1">Have planned and perfected!</l>
                    <l rend="indent1">With grateful wonder shall posterity</l>
                    <l rend="indent1">See the stupendous works, and Rennie&apos;s name,</l>
                    <l rend="indent1">And Telford&apos;s shall survive, till time</l>
                    <l rend="indent1">Leave not a wreck of sublunary things..</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">7.</l>
                    <l rend="indent1">Him too may I attest for Scotland&apos;s praise,</l>
                    <l rend="indent1">Who seized and wielded first</l>
                    <l rend="indent1">The mightiest element</l>
                    <l rend="indent1">That lies within the scope of man&apos;s control;</l>
                    <l rend="indent1">Of evil and of good,</l>
                    <l rend="indent1">Prolific spring, and dimly yet discern&apos;d</l>
                    <l rend="indent1">The immeasurable results.</l>
                    <l rend="indent1">The mariner no longer seeks</l>
                    <l rend="indent1">Wings from the wind; creating now the power</l>
                    <l rend="indent1">Wherewith he wins his way,</l>
                    <l rend="indent1">Right on, across the ocean-flood, he steers</l>
                    <l rend="indent1">Against opposing skies;</l>
                    <l rend="indent1">And reaching now the inmost continent,</l>
                    <l rend="indent1">Up rapid streams, innavigable else,</l>
                    <l rend="indent1">Ascends with steady progress, self-propell&apos;d.</l>
                </lg>
                <lb/>
                <pb n="85"/>
                <lg type="stanza">
                    <l rend="indent1">8.</l>
                    <l rend="indent1">Nor hath the sister kingdon borne</l>
                    <l rend="indent1">In science and in arms</l>
                    <l rend="indent1">Alone, her noble part;</l>
                    <l rend="indent1">There is an empire which survives</l>
                    <l rend="indent1">The wreck of thrones, the overthrow of realms,</l>
                    <l rend="indent1">The downfall, and decay, and death</l>
                    <l rend="indent1">Of nations. Such an empire in the mind</l>
                    <l rend="indent1">Of intellectual man</l>
                    <l rend="indent1">Rome yet maintains, and elder Greece; and such</l>
                    <l rend="indent1">By indefeasable right</l>
                    <l rend="indent1">Hath Britain made her own.</l>
                    <l rend="indent1">How fair a part doth Caledonia claim</l>
                    <l rend="indent1">In that fair conquest! Whereso&apos;er</l>
                    <l rend="indent1">The British tongue may spread,</l>
                    <l rend="indent1">(A goodly tree, whose leaf</l>
                    <l rend="indent1">No winter e&apos;er shall nip;)</l>
                    <l rend="indent1">Earthly immortals, there, her sons of fame,</l>
                    <l rend="indent1">Will have their heritage;</l>
                    <l rend="indent1">In eastern and in occidental Ind;</l>
                    <l rend="indent1">The new antarctic world, where sable swans</l>
                    <l rend="indent1">Glide upon waters, call&apos;d by British names,</l>
                    <l rend="indent1">And plough&apos;d by British keels;</l>
                    <l rend="indent1">In vast America, through all its length</l>
                    <l rend="indent1">And breadth, from Massachusett&apos;s populous coast</l>
                    <l rend="indent1">To western Oregan;</l>
                    <pb n="86"/>
                    <l rend="indent1">And from the southern gulph,</l>
                    <l rend="indent1">Where the great river with his turbid flood</l>
                    <l rend="indent1">Stains the green ocean, to the polar sea.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">9.</l>
                    <l rend="indent1">There nations yet unborn shall trace</l>
                    <l rend="indent1">In Hume&apos;s perspicuous page,</l>
                    <l rend="indent1">How Britain rose, and through what storms attain&apos;d</l>
                    <l rend="indent1">Her eminence of power.</l>
                    <l rend="indent1">In other climates, youths and maidens there</l>
                    <l rend="indent1">Shall learn from Thomson&apos;s verse in what attire</l>
                    <l rend="indent1">The various seasons, bringing in their change</l>
                    <l rend="indent1">Variety of good,</l>
                    <l rend="indent1">Revisit their beloved English ground.</l>
                    <l rend="indent1">There Beattie! in thy sweet and soothing strain</l>
                    <l rend="indent1">Shall youthful poets read</l>
                    <l rend="indent1">Their own emotions. There too, old and young,</l>
                    <l rend="indent1">Gentle and simple, by Sir Walter&apos;s tales</l>
                    <l rend="indent1">Spell-bound, shall feel</l>
                    <l rend="indent1">Imaginary hopes and fears</l>
                    <l rend="indent1">Strong as realities,</l>
                    <l rend="indent1">And waking from the dream, regret its close.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">10.</l>
                    <l rend="indent1">These Scotland are thy glories; and thy praise</l>
                    <l rend="indent1">Is England&apos;s, even as her power</l>
                    <l rend="indent1">And opulence of fame are thine.</l>
                    <pb n="87"/>
                    <l rend="indent1">So hath our happy union made</l>
                    <l rend="indent1">Each in the other&apos;s weal participant,</l>
                    <l rend="indent1">Enriching, strengthening, glorifying both.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">11.</l>
                    <l rend="indent1">O House of Stuart, to thy memory still</l>
                    <l rend="indent1">For this best Senefit</l>
                    <l rend="indent1">Should British hearts in gratitude be bound!</l>
                    <l rend="indent1">A deeper tragedy</l>
                    <l rend="indent1">Than thine unhappy tale hath never fill&apos;d</l>
                    <l rend="indent1">The historic page, nor given</l>
                    <l rend="indent1">Poet or moralist his mournful theme!</l>
                    <l rend="indent1">O House severely tried,</l>
                    <l rend="indent1">And in prosperity alone</l>
                    <l rend="indent1">Found wanting, Time hath closed</l>
                    <l rend="indent1">Thy tragic story now!</l>
                    <l rend="indent1">Errors and virtues fatally betrayed,</l>
                    <l rend="indent1">Magnanimous suffering, vice,</l>
                    <l rend="indent1">Weakness, and head-strong zeal, sincere tho&apos;blind,</l>
                    <l rend="indent1">Wrongs, calumnies, heart-wounds,</l>
                    <l rend="indent1">Religious resignation, earthly hopes</l>
                    <l rend="indent1">Fears and affections, these have had their course,</l>
                    <l rend="indent1">And over them in peace</l>
                    <l rend="indent1">The all-engulphing stream of years hath closed.</l>
                    <l rend="indent1">But this good work endures,</l>
                    <l rend="indent1">&apos;Stablish&apos;d and perfected by length of days,</l>
                    <l rend="indent1">The indissoluble union stands.</l>
                </lg>
                <lb/>
                <pb n="88"/>
                <lg type="stanza">
                    <l rend="indent1">12.</l>
                    <l rend="indent1">Nor hath the sceptre from that line</l>
                    <l rend="indent1">Departed, though the name hath lost</l>
                    <l rend="indent1">Its regal honours. Trunk and root have failed:</l>
                    <l rend="indent1">A scion from the stock</l>
                    <l rend="indent1">Liveth and flourisheth. It is the Tree</l>
                    <l rend="indent1">Beneath whose sacred shade,</l>
                    <l rend="indent1">In majesty and peaceful power serene,</l>
                    <l rend="indent1">The Island Queen of Ocean hath her seat;</l>
                    <l rend="indent1">Whose branches far and near</l>
                    <l rend="indent1">Extend their sure protection; whose strong roots</l>
                    <l rend="indent1">Are with the isle&apos;s foundations interknit;</l>
                    <l rend="indent1">Whose stately summit when the storm careers</l>
                    <l rend="indent1">Below, abides unmoved,</l>
                    <l rend="indent1">Safe in the sunshine and the peace of Heaven!</l>
                </lg>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage89">
                        <figure entity="pageimage"/>
                    </xref>
                </p>
            </div>
            <div type="poem" id="P19">
                <pb n="89"/>
                <head rend="hi">
                    <title type="main">To a Friend, </title>
                    <title type="subordinate">On Sending a Fancy Drawing, After Promising Her Own Picture in the Character of a Gypsey</title>
                </head>
                <head>
                    <name reg="Lamb, Caroline, Lady" date="1785-1828" place="UK">By Lady Caroline Lamb</name>
                </head>
                <lg type="stanza">
                    <l rend="indent1">THE glowing tints beneath thy care</l>
                    <l rend="indent1">Have traced a form divinely fair,</l>
                    <l rend="indent1">Have given it charms and beauties rare,</l>
                    <l rend="indent1">And shown the power of art;</l>
                    <l rend="indent1">But in the ideal head I trace,</l>
                    <l rend="indent1">No features of the gypsey&apos;s face,</l>
                    <l rend="indent1">The living smile, the nameless grace,</l>
                    <l rend="indent1">That nature doth impart.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">Here roving looks, and eyes of fire,</l>
                    <l rend="indent1">Awake the soul of young desire; -- </l>
                    <l rend="indent1">The spells -- which Beauty may inspire,</l>
                    <l rend="indent1">By thee are well exprest.</l>
                    <l rend="indent1">But soon the varying tints will fade,</l>
                    <l rend="indent1">And time with leaden hand shall shade,</l>
                    <l rend="indent1">The colours that once vivid played</l>
                    <l rend="indent1">In thy bright eye and breast!</l>
                </lg>
                <lb/>
                <pb n="90"/>
                <lg type="stanza">
                    <l rend="indent1">So hope that paints our morning sky,</l>
                    <l rend="indent1">When viewed with youth&apos;s unclouded eye;</l>
                    <l rend="indent1">So pleasures airy dreams must fly</l>
                    <l rend="indent1">O&apos;erpowered with care and gloom.</l>
                    <l rend="indent1">For life&apos;s a fearful passing dream,</l>
                    <l rend="indent1">And those that gay and thoughtless seem,</l>
                    <l rend="indent1">Alike sail down its swelling stream</l>
                    <l rend="indent1">To meet the general doom.</l>
                </lg>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage91">
                        <figure entity="pageimage"/>
                    </xref>
                </p>
            </div>
            <div type="poem" id="P20">
                <pb n="91"/>
                <head rend="hi">
                    <title>On His Majety&apos;s Return to Windsor Castle</title>
                </head>
                <head>
                    <name reg="Bowles, William Lisle" date="1762-1850" place="UK">By the Rev. W. Lisle Bowles</name>
                </head>
                <lg type="stanza">
                    <l rend="indent1">NOT that thy name, illustrious dome, recalls</l>
                    <l rend="indent1">The pomp of chivalry in banner&apos;d halls,</l>
                    <l rend="indent1">The blaze of beauty, and the gorgeous sights</l>
                    <l rend="indent1">Of heralds, trophies, steeds, and crested knights;</l>
                    <l rend="indent1">Not that young Surrey there beguil&apos;d the hour</l>
                    <l rend="indent1">With &quot;eyes upturn&apos;d unto the
                        maiden&apos;s tower;&quot;</l>
                    <l rend="indent1">Oh! not for these, the muse officious brings</l>
                    <l rend="indent1">Her gratulations to the best of Kings;</l>
                    <l rend="indent1">But that from cities and from crowds withdrawn,</l>
                    <l rend="indent1">Calm peace may meet him on the twilight lawn -- </l>
                    <l rend="indent1">That here, among these grey primeval trees,</l>
                    <l rend="indent1">He may inhale health&apos;s animating breeze -- </l>
                    <l rend="indent1">That these old oaks, which far their shadow cast,</l>
                    <l rend="indent1">May sooth him, while they whisper of the past;</l>
                    <l rend="indent1">And when from that proud Terrace he surveys</l>
                    <l rend="indent1">Slow Thames devolving his majestic maze,</l>
                    <l rend="indent1">(Now lost on the horizon&apos;s verge, now seen</l>
                    <l rend="indent1">Winding through lawns, and woods, and pastures green)</l>
                    <l rend="indent1">May he reflect upon the waves that roll,</l>
                    <l rend="indent1">Bearing a nation&apos;s wealth from pole to pole,</l>
                    <l rend="indent1">And own (ambition&apos;s proudest boast above)</l>
                    <l rend="indent1">A King&apos;s best glory is his country&apos;s
                    Love.</l>
                </lg>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage92">
                        <figure entity="pageimage"/>
                    </xref>
                </p>
            </div>
            <div type="poem" id="P21">
                <pb n="92"/>
                <head rend="hi">
                    <title>The Hellweathers</title>
                </head>
                <head>
                    <name reg="Carrington, N. T. (Noel Thomas)" date="1777-1830" place="UK">By N.T. Carrington, Author of &quot;Dartmoor&quot;</name>
                </head>
                <epigraph>
                    <p>[Sir Cloudesley Shovel&apos;s ship, the Association, struck upon the
                        Gilstone, off Sicilly, with so much violence, that in about two minutes the
                        vessel went down, and every soul on board, but one, perished. This man saved
                        himself on a piece of timber, which floated to a rock called the
                        Hellweathers, where he was compelled to remain some days before he could
                        receive any assistance. Besides the Association, the Eagle, of 70, and the
                        Romney, of 50 guns, perished, with all their crews. The Firebrand, fireship,
                        was also lost, but most of her men were saved. Many persons of rank, and
                        about 2000 seamen perished on this occasion.</p>
                    <l rend="indent1">DREW&apos;S HISTORY OF CORNWALL.]</l>
                </epigraph>
                <lg type="stanza">
                    <l rend="indent1">THE blue wave roll&apos;d away before the breeze</l>
                    <l rend="indent1">Of evening, and that gallant fleet was seen</l>
                    <l rend="indent1">Darting across the waters; ship on ship</l>
                    <l rend="indent1">Following in eager rivalry, for home</l>
                    <l rend="indent1">Lay on the welcome lee. The sun went down</l>
                    <l rend="indent1">Amid a thousand glorious hues that liv&apos;d</l>
                    <l rend="indent1">But in his presence; and the giant clouds</l>
                    <l rend="indent1">Mov&apos;d on in beauty and in power before</l>
                    <l rend="indent1">The day- god&apos;s burning throne. But soon was
                        o&apos;er</l>
                    <l rend="indent1">The pomp celestial, and the gold-fring&apos;d cloud</l>
                    <pb n="93"/>
                    <l rend="indent1">Grew dark and darker, and the Elysian tints</l>
                    <l rend="indent1">Evanish&apos;d swift; the clear, bright azure
                        chang&apos;d</l>
                    <l rend="indent1">To blackness, and with twilight came the shriek</l>
                    <l rend="indent1">Of the pursuing winds. Anon on high,</l>
                    <l rend="indent1">Seen dimly through the shadowy eve, the Chief</l>
                    <l rend="indent1">Threw out the wary signal, and they paus&apos;d</l>
                    <l rend="indent1">Awhile upon the deep <note n="3" place="foot"
                            resp="Author, N.T. Carrington">[Note to &quot;The Hellweathers&quot;:] A few hours
                            before the ships struck, Sir Cloudesley Shovel hove out the signal to
                            lie to, in order to ascertain the situation of the fleet. [Author, N.T.
                            Carrington.] <ref target="N3">BACK</ref>
                        </note>. <anchor id="N3"/>Again they gave</l>
                    <l rend="indent1">Their sails to the fresh gale -- again the surge</l>
                    <l rend="indent1">Swept foaming by, and every daring prow</l>
                    <l rend="indent1">Pointed to England; -- England! that should greet</l>
                    <l rend="indent1">With her green hills, and long- lost vales, their eyes</l>
                    <l rend="indent1">On the sweet morrow. Beautiful is morn,</l>
                    <l rend="indent1">But, oh, how beautiful the morn that breaks</l>
                    <l rend="indent1">On the returning wanderer, doom&apos;d no more</l>
                    <l rend="indent1">To live on fancy&apos;s visions of that spot</l>
                    <l rend="indent1">Beyond all others lov&apos;d; -- that very spot</l>
                    <l rend="indent1">Now rising from the broad, blue waters, dear</l>
                    <l rend="indent1">To him as Heav&apos;n.</l>
                    <l rend="indent1">With fatal speed they flew</l>
                    <l rend="indent1">Through the wide- parting foam. Again the deck</l>
                    <l rend="indent1">Slop&apos;d to the billow, and the groaning mast</l>
                    <l rend="indent1">Bent to the rising gale; yet on that night</l>
                    <l rend="indent1">The voice of the loud ocean rose to them</l>
                    <l rend="indent1">In music, for the winds that hurry&apos;d by</l>
                    <pb n="94"/>
                    <l rend="indent1">So fierce and swift, but heralded the way</l>
                    <l rend="indent1">To the lov&apos;d island- strand. The jaws of death</l>
                    <l rend="indent1">Were round them, and they knew it not, until</l>
                    <l rend="indent1">Chilling the life- blood of the bravest, burst</l>
                    <l rend="indent1">The everlasting cry of waves and rocks</l>
                    <l rend="indent1">From stern Cornubia&apos;s isles. Alas, to them -- </l>
                    <l rend="indent1">The lost, there blaz&apos;d no friendly Pharos&apos;
                        fire,</l>
                    <l rend="indent1">No star gleam&apos;d from the heav&apos;n. The sailor
                        heard</l>
                    <l rend="indent1">The roar of the huge cliff, and on his brow</l>
                    <l rend="indent1">Fell the cold dew of horror. On they came -- </l>
                    <l rend="indent1">Those gallant barks, fate driv&apos;n -- on they came -- </l>
                    <l rend="indent1">Borne on the wings of the wild wind, to rush</l>
                    <l rend="indent1">In darkness on the black and bellowing reef</l>
                    <l rend="indent1">Where human help avails not. There they struck</l>
                    <l rend="indent1">And sank; -- the hopes, the fears, the wishes all</l>
                    <l rend="indent1">Of myriads o&apos;er, at once. Each fated ship</l>
                    <l rend="indent1">One moment sat in all her pride, and pomp,</l>
                    <l rend="indent1">And beauty, on the main; -- the next, she plung&apos;d</l>
                    <l rend="indent1">Into the &quot;hell&quot; of waves, and from her deck</l>
                    <l rend="indent1">Thrill&apos;d the loud death scream -- stifled as it rose</l>
                    <l rend="indent1">By the dark sea; -- one blow -- one shriek -- the grave!</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">And all was silent -- save the startling voice</l>
                    <l rend="indent1">Of the Atlantic, rising from that shore</l>
                    <l rend="indent1">In anger ever! Terribly its surge</l>
                    <l rend="indent1">Clos&apos;d o&apos;er them, and they perish&apos;d
                        in that gulf</l>
                    <l rend="indent1">Where the dead lie innumerous, and the depths</l>
                    <l rend="indent1">Are rife with monstrous shapes, and rest is none</l>
                    <pb n="95"/>
                    <l rend="indent1">Amid the infuriate war of waters hurl&apos;d</l>
                    <l rend="indent1">In endless, horrible commotion. Heard</l>
                    <l rend="indent1">Alone, between the pausings of the gale,</l>
                    <l rend="indent1">Was one faint, human wail. Where thousands sank</l>
                    <l rend="indent1">One rode the vengeful wave, preserv&apos;d to be,</l>
                    <l rend="indent1">As seem&apos;d, the sport of the mad billows: now</l>
                    <l rend="indent1">Upflung upon the mountain ridges -- now</l>
                    <l rend="indent1">Swift sinking in abysses vast that yawn&apos;d</l>
                    <l rend="indent1">Almost to Ocean&apos;s bed. Yet life fled not,</l>
                    <l rend="indent1">Nor hope, though in the tempest&apos;s giant coil</l>
                    <l rend="indent1">He gasp&apos;d for breath, and often writhed beneath</l>
                    <l rend="indent1">The suffocating waters!</l>
                    <l rend="indent1">Morning came</l>
                    <l rend="indent1">In vain, though on the island rock the sea</l>
                    <l rend="indent1">Had flung the hapless mariner. Around</l>
                    <l rend="indent1">Howl&apos;d the remorseless surge; -- above, the cloud</l>
                    <l rend="indent1">Swept, terror- wing&apos;d; -- the lightening
                        o&apos;er the day</l>
                    <l rend="indent1">Shed an unnatural glare, and near him broke</l>
                    <l rend="indent1">The thunder with its peal of doom. No aid</l>
                    <l rend="indent1">Came through the long, long day, yet on the cliffs</l>
                    <l rend="indent1">Floated the cheering signal; -- from the strand</l>
                    <l rend="indent1">Came voices animating; -- men were there</l>
                    <l rend="indent1">Impatient as the bounding greyhound held</l>
                    <l rend="indent1">Within the straining leash -- a gallant band</l>
                    <l rend="indent1">Nurs&apos;d in the western storm, familiar long</l>
                    <l rend="indent1">With danger, and with -- death, but might not brave</l>
                    <l rend="indent1">The monster, now. And thus the victim hung</l>
                    <l rend="indent1">Upon eternity&apos;s dread verge, and gaz&apos;d</l>
                    <pb n="96"/>
                    <l rend="indent1">Appall&apos;d upon its gulf; -- then backwards shrunk</l>
                    <l rend="indent1">Convulsively to life, and hope renew&apos;d</l>
                    <l rend="indent1">Unfroze his blood, and o&apos;er his features threw</l>
                    <l rend="indent1">A light that could not last. For evening came,</l>
                    <l rend="indent1">And the great sun descended to the main,</l>
                    <l rend="indent1">While oft the beautiful, beloved orb</l>
                    <l rend="indent1">The seaman watch&apos;d, and sigh&apos;d to see it
                        sink</l>
                    <l rend="indent1">Beneath the wave; but as the twilight grew</l>
                    <l rend="indent1">Deeper and deeper, and the darkness clos&apos;d</l>
                    <l rend="indent1">Upon him, and the hungry, howling surge</l>
                    <l rend="indent1">Was heard below, loud clamouring for its prey,</l>
                    <l rend="indent1">He wept -- the lone man wept!</l>
                    <l rend="indent1">Again it came,</l>
                    <l rend="indent1">The unchang&apos;d, unchanging morning, rising wild</l>
                    <l rend="indent1">Upon a joyless world; yet did his eye</l>
                    <l rend="indent1">Glisten to see the dawn, though it awoke</l>
                    <l rend="indent1">In tempest; and that day flew by, and night</l>
                    <l rend="indent1">Once more fell on him, and another morn</l>
                    <l rend="indent1">Broke, and the sufferer liv&apos;d! The hand of death</l>
                    <l rend="indent1">Was on him, yet delay&apos;d the fatal grasp;</l>
                    <l rend="indent1">And round the agonized victim look&apos;d,</l>
                    <l rend="indent1">But succour came not! On the rugged rock</l>
                    <l rend="indent1">Crash&apos;d the torn wreck in thunder, and the sea</l>
                    <l rend="indent1">Disgorg&apos;d the dead -- within the black recoil</l>
                    <l rend="indent1">Of waters dash&apos;d the dead; and on the brave,</l>
                    <l rend="indent1">The lov&apos;d, he gaz&apos;d, and at his Despair</l>
                    <l rend="indent1">Now sat, and pointed on the abyss!</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">***************</l>
                    <l rend="indent1">***************</l>
                </lg>
                <lb/>
                <pb n="97"/>
                <lg type="stanza">
                    <l rend="indent1">A shout</l>
                    <l rend="indent1">Comes from the cliffs -- a shout of joy! Awake,</l>
                    <l rend="indent1">Thou lonely one from death&apos;s fast- coming sleep! -- </l>
                    <l rend="indent1">Arise, the strand is thronging with brave men -- </l>
                    <l rend="indent1">A thousand eyes are on thee, and a bark</l>
                    <l rend="indent1">Bursts o&apos;er the breaching foam! The shifting cloud</l>
                    <l rend="indent1">Flies westward, and away the storm, repell&apos;d</l>
                    <l rend="indent1">Relunctant sails: the winds have backward flung</l>
                    <l rend="indent1">The billows of the Atlantic! See, -- they come, -- </l>
                    <l rend="indent1">They come -- a dauntless island- band -- and now</l>
                    <l rend="indent1">A cheer is heard&amp;mdash and hark the dash of oars</l>
                    <l rend="indent1">Among the reefs! His eye with instant hope</l>
                    <l rend="indent1">Brightens, and all the ebbing tides of life</l>
                    <l rend="indent1">Rush with returning vigour! Now the spray</l>
                    <l rend="indent1">Flies o&apos;er the advancing pinnace, for the wave</l>
                    <l rend="indent1">Though half subdued is mighty; yet her prow</l>
                    <l rend="indent1">Victorious parts the surges, -- nearer roll</l>
                    <l rend="indent1">The cheers of that bold crew -- the welcome sounds</l>
                    <l rend="indent1">Thrill on his ear -- the deep&apos;ning plunge of oars</l>
                    <l rend="indent1">Foams round the desert rock -- &apos;tis won!
                        &apos;tis won!</l>
                    <l rend="indent1">And -- he is sav&apos;d!</l>
                </lg>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage98">
                        <figure entity="pageimage"/>
                    </xref>
                </p>
            </div>
            <div type="poem" id="P22">
                <pb n="98"/>
                <head rend="hi">
                    <title>Imitation from the Persian</title>
                </head>
                <head>
                    <name reg="Southey, Robert" date="1774-1843" place="UK">By Dr. Southey</name>
                </head>
                <lg type="stanza">
                    <l rend="indent1">LORD! who art merciful as well as just,</l>
                    <l rend="indent1">Incline thine ear to me, a child of dust!</l>
                    <l rend="indent1">Not what I would, O Lord! I offer thee,</l>
                    <l rend="indent1">Alas! but what I can.</l>
                    <l rend="indent1">Father Almighty, who hast made me man,</l>
                    <l rend="indent1">And bade me look to Heaven, for thou art there,</l>
                    <l rend="indent1">Accept my sacrifice and humble prayer.</l>
                    <l rend="indent1">Four things which are not in thy treasury,</l>
                    <l rend="indent1">I lay before thee, Lord, with this petition: -- </l>
                    <l rend="indent1">My nothingness, my wants,</l>
                    <l rend="indent1">My sins, and my contrition!</l>
                </lg>
            </div>
            <div type="picture" id="F5" refid="S4">
                <head>Figure 5: Suitors Rejected</head>
                <p rend="center">
                        <figure entity="smsuitors" n="5">
                            <head><bibl><author type="painter">painted by <name reg="Worthington, William Henry" date="1795-1839" place="UK">Mr. W. H. Worthington</name></author>, <author type="engraver">engraved by <name reg="Wright, A." date="0000-0000" place="UK">Mr. A. Wright</name></author></bibl></head>
                        </figure>
                </p>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage99">
                        <figure entity="pageimage"/>
                    </xref>
                </p>
            </div>
            <div type="story" id="S4" refid="F5">
                <pb n="99"/>
                <head rend="hi">
                    <title>The Suitors Rejected</title>
                </head>
                <head>
                    <name reg="Roberts, Emma" date="1794-1840" place="UK">By Miss Emma Roberts, Author of &quot;The History of the Red and White Roses.&quot;</name>
                </head>
                <p>&quot;UPON what knave&apos;s errand art thou sent, my dainty page thus
                    early?&quot; exclaimed Leonora, &quot;had I not been afoot with the lark
                    to gather May- dew before the sun had drank the moisture from these flowers,
                    thou mightest have gone bootless home again, for my lady the countess, and
                    Victorine and Eugenie still press their pillows: dreaming perchance of thy
                    master and his gallant esquire; dost think boy, that sallow-visaged melancholy
                    baron, sighing after the wreck of the fortune which he lacks the wit to mend, or
                    the doughty hero, Roland, who would fain prompt him, if his dull brain could
                    compass the matter, to some dexterous shift or stirring enterprise; or those
                    goodly trencher men, Dugarde and Montresor, are like to haunt a lady&apos;s
                    slumbers?&quot;</p>
                <p>&quot;Faith, Leonora,&quot; replied the page, &quot;it passes my poor
                    judgment to decide what it may please the fancy of thy lady and her maids to
                    dream about; the place is solitary thou knowest -- there are no other cavaliers
                    of any mark or likelihood within a dozen <pb n="100"/>miles, they wear feathers in their caps
                    and deck their legs in silken hose, things which women wondrously affect to look
                    upon, and perchance in default of more ruffling gallants, they may be
                    endured.&quot;</p>
                <p>&quot;Now out upon thee, for a saucy varlet,&quot; cried Leonora,
                    &quot;hie thee hence, sire page, or thou shalt taste the discipline of the
                    scullion&apos;s broom, and be sent roaring home again.&quot;</p>
                <p>&quot;An&apos; thou dost not bid me stay, fair mistress, I&apos;ll
                    get me gone, and speedily, but I&apos;ll carry that away which to possess
                    thou wouldst give -- aye, the lovelock Roland begged so earnestly last night,
                    which thou sworest should go with thee to thy grave -- a secret,
                    Leonora.&quot;</p>
                <p>&quot;A secret -- nay, purse not up thy pretty mouth, thou paragon of pages,
                    but tell it quickly; come, thou art a sprightly lad, and wilt make a better
                    knight than thy master.&quot;</p>
                <p>&quot;And dost thou think to beguile me with sugared words; no, no, something
                    better, lady, or I&apos;m gone.&quot;</p>
                <p>&quot;Thou shalt have an eyas, one that the master falconer engages shall
                    prove a tarsel gentle; I&apos;ll broider thee thy glove myself, and its
                    jesses shall be of silver: methinks thou only wantest a bird upon thy fist to
                    brave it with the best.&quot;</p>
                <p>&quot;Wilt thou give me a kiss, Madonna?&quot;</p>
                <p>&quot;Aye, manikin, twenty; dost think that I should blush to press the
                    smooth lip of such a beard-<pb n="101"/>less urchin? go to, I&apos;ll give thee something
                    better than a kiss, take this fair chain of gold, a metal wondrous scant at
                    yonder castle, if report speak true; every link will buy thee some rich gawd;
                    thou shalt have horse to ride, a good sword girded at thy side, and still wear
                    half its length about thy neck.&quot;</p>
                <p>&quot;Methinks I could carry a hawk as fair, and manage a steed, and wield a
                    rapier as well as the favourite page of King Charles himself, but though I prize
                    a horse and a falcon, and thy massy chain, and thy sweet kisses, pretty Leonora,
                    I&apos;ll not sell my secret for aught a-kin to lucre; thou shalt have it
                    without fee or guerdon, because I desire to merit the gilded spurs I mean to
                    win, and I deem it to be rank cowardice for men to set their wit against the
                    weaker sex.&quot;</p>
                <p>&quot;Aye, marry, these are dainty scruples, malapert conceited minion, keep
                    thy council to aid thy master and his sapient friends, and leave us to
                    countervail their plots. This must needs be some device of Roland&apos;s,
                    for the baron has thought of nothing better than to sigh under the garden wall,
                    while his trusty squire clears his hoarse throat and trolls some dismal ditty;
                    and Dugarde and Montresor being kept fasting, groan in concert, and cast tender
                    glances at Victorine and Eugenie, or at the shields of brawn which the servitors
                    carry into the buttery, it were hard to say which.&quot;</p>
                <pb n="102"/>
                <p>&quot;Farewell, mistress Leonora, I meant to do thy lady a service; for not
                    to speak it disparagingly, her broad lands rather than her beauty have tempted
                    my master, whose revenues are, as thou sayest, somewhat slack, to play false to
                    his plighted bride; and thy glittering carkanets, Leonora, and the pearl studs,
                    and the diamond bodkins in which the silly hearts of thy fair companions so much
                    delight, are the grand attraction with his needy followers. I dare not hint that
                    Roland is drawn hither by any brighter object than thine eyes, but Montresor and
                    Dugarde see butts of malvoisin, haunches of the red deer, hawks, Damascus
                    blades, and Barbary coursers in every gem.&quot;</p>
                <p>&quot;I guessed as much,&quot; exclaimed Leonora, &quot;an&apos;
                    thy secret be upon a par with thy news, &apos;twere scarcely worth while to
                    rise so early with it, but for once, though thou deserv&apos;st it not,
                    I&apos;ll humour thee; I see thou art burning to tell this marvellous tale,
                    so out with it -- from sheer compassion I&apos;ll lend thee mine
                    ear.&quot;</p>
                <p>&quot;Take me then to thy bower, Leonora,&quot; replied the page,
                    &quot;for we have idled the time until the morning solitude is broken, and
                    stragglers haunt the glade.&quot;</p>
                <p>&quot;Willingly, my fair boy, and I&apos;ll break thy fast with a manchet
                    of wheaten bread, and a platter of potted lampreys, cates I trow not common in
                    the <pb n="103"/>baron&apos;s hall, and thou shalt wash down both with a cup of
                    sack.&quot;</p>
                <p>The page and the lady passed into the fair chateau of the young Countess de
                    Normanville, laughing as they threw the dew-besprinkled flowers in sport at each
                    other, but the frolic mood of the maiden was changed, as after the lapse of an
                    hour she shewed the boy out of a little postern gate, and charged him to be
                    faithful. Flying round to the mew, where, as he was wont, Bertram de Lille was
                    stationed overlooking the falconers and whistling to the hawks, Leonora seized
                    the youth by the arm, exclaiming, &quot;To horse! to horse! sweet servant,
                    away to the lady of Beaujeu, there is mischief brewing, the thick skulls of the
                    baron&apos;s followers have hatched a plot which will cost thee some hard
                    riding, and me all the jewels in my casket to defeat. Here are twenty broad
                    pieces for the lacquey who keeps the door, and this rich chain for the seneschal
                    that you may have speech of the lady; and stay, here is a ruby ring as some
                    small token of our mistress&apos;s affection for her royal kinswoman, and
                    these clasps and brooches are for her waiting gentlewomen, that they may speed
                    thy errand; and as I learn that money is not over plenty in the king&apos;s
                    camp, for the jewels of the Duchess of Savoy and the Marchioness of Montserrat,
                    which he has borrowed, lie in pawn for his necessities, stint not to say that so
                    there be a fa-<pb n="104"/>vourable answer to this missive, plate to the value of a thousand
                    marks shall be dispatched to Lombardy. Now it is well, thou art mounted, fly
                    with the speed of the wind, and linger not in making those gambados -- thy skill
                    in horsemanship has not been cast away on careless eyes.&quot;</p>
                <p>De Lille obeyed the commands of the sprightly Leonora with so much zeal and
                    diligence that his foaming steed clattered into the court-yard an hour before
                    even her impatient spirit expected to see the dust which the charger&apos;s
                    hoofs would raise upon the adjacent hill; and exchanging his travel-soiled
                    garments for the silken vest which displayed his figure to the best advantage,
                    he was ready to join the seneschal in his attendance on the ladies in their
                    evening walk through the parks and pleasure ground. Passing down a broad
                    flower-bespangled glade they encountered the baron, who attired in black
                    garments, and accompanied by his page, and his three trusty esquires, advanced
                    to pay his respects to the countess.</p>
                <p>&quot;Fair lady,&quot; he exclaimed, &quot;attribute to this ardour
                    of my passion my apparent disrespect in approaching you clad in this dolorous
                    habit.&quot;</p>
                <p>&quot;What is&apos;t, a penance?&quot; interrupted Leonora;
                    &quot;and by the wing of Cupid for some heavy offence, for it suits your
                    complexion marvellously ill, and of that the malicious priest was aware. A
                    penance it <pb n="105"/>must be; the jovial countenances of your merry men declare that no
                    evil hap can betided in your household.&quot;</p>
                <p>&quot;Alas, madam,&quot; replied the baron, &quot;I wear this
                    raven-tinted garb as a tribute of respect to the memory of one whose death, in
                    sooth, I lament not, since it promises to remove one barrier to the suit I have
                    so long and so hopelessly pressed, with the lovely but too disdainful mistress
                    of my soul. I am released from my betrothment with the Lady Adela, by her
                    decease.&quot;</p>
                <p>&quot;What, ho! Master Bertram,&quot; exclaimed Leonora, &quot;thou
                    mayest restore the baron to the hues of the popinjay, in which he does so much
                    execution in the hearts of simple damsels. This gentleman, my lord, is fresh
                    from the court of the lady of Beaujeu, where he has seen and conversed with the
                    Lady Adela, who morever has sent thee a token that she liveth still to demand
                    the fulfillment of an engagement made before her broken fortune caused her to be
                    slighted.&quot;</p>
                <p>&quot;And,&quot; said the Countess de Normanville, &quot;I marvel
                    that a gentleman and a knight should shame his high lineage and chivalric oath
                    by such a paltry device. Know, sir, I am also acquainted with the base means
                    with which you have tampered with the avarice of my kinsman -- an honorable
                    bargain, forsooth -- half the estate when you lost all hope of <pb n="106"/>clutching the
                    whole: but, beware sir, neither fraud or force can avail you now; the Lady of
                    Beaujeu, in behalf of my sovereign King Charles, has taken my wardship into her
                    own hand, and has alone the power to dispose of me in marriage.&quot;</p>
                <p>&quot;And my lord,&quot; cried Bertram, &quot;there is news from the
                    camp of Charles; he marches from triumph to triumph, and he has &apos;gaged
                    the hands of his wards to the knights, who shall add the conquered states of
                    Italy to the crown of France. What sayst thou? my poor sword is at the service
                    of my king; I post to the army to-morrow. Wilt thou quit thy sylvan warfare in
                    these woods to strive in martial exploits with the gallant Lusignan, who it is
                    rumoured wears the Countess de Normanville&apos;s glove upon his
                    basnet?&quot;</p>
                <p>&quot;Peace, Bertram,&quot; cried the seneschal, &quot;the baron
                    loves to court far more dangerous perils than the Lombard wars present, to tilt
                    with ladies&apos; eyes instead of spears.&quot;</p>
                <p>&quot;Tarry for me, Master Bertram,&quot; exclaimed the page,
                    &quot;if it be but for the space of a single day, and thou shalt not ride
                    alone an there be a broad sword and a steel jerkin left in the
                    armoury.&quot;</p>
                <p>&quot;Farewell, friend Roland,&quot; said Leonora, &quot;thou, too,
                    hast to win thy spurs, and line thy purse with bezants; say, wilt thou take thy
                    chance with an uncrested helm to gain the land which calls me heir <pb n="107"/>in
                    Bertram&apos;s absence? He leaves me, thou seest, to combat as best I may
                    against thy wit and valour; or wilt thou, too, speed to these Lombard wars, and
                    delegate to yon sad browed knight and Messieurs Degarde and Montresor, who look
                    wondrous wise, though unhandsomely chary of their words, the task of consoling
                    me and my fellow damsels, when these vales shall be deprived of the sunshine of
                    thy presence.&quot;</p>
                <p>&quot;No, sweet mistress,&quot; returned Roland, &quot;though thy
                    sharp tongue and scornful eye drive Master Bertram to the tented field, though
                    thy humour were ten times more petulant, and thy jests more keen, thou shalt not
                    wear the willow branch for me, or hang or drown for lack of one poor servant to
                    bear with thy impertinencies: &apos;twere pity to have them wasted on thy
                    monkey or thy tire woman, send forth thy warrior youth to gather laurels, we
                    will pluck them from their brows when they return,</p>
                <p>And thou shalt call him brave who bears away At once, the trophies of each
                    toilsome day.&quot;</p>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage108">
                        <figure entity="pageimage"/>
                    </xref>
                </p>
            </div>
            <div type="poem" id="P23">
                <pb n="108"/>
                <head rend="hi">
                    <title>Ane Waefu&apos; Scots Pastoral</title>
                </head>
                <head>
                    <name reg="Hogg, James" date="1770-1835" place="Scotland, UK">By James Hogg, the Ettrick Shephard</name>
                </head>
                <lg type="stanza">
                    <l><note n="4" place="foot"
                        resp="Author, James Hogg">[Note to &quot;Ane Waefu&apos; Scots
                        Pastoral&quot;:] These verses were written on the evening of the 23rd of
                        April, 1827, about the time the great storm of snow was at the height.
                        Next morning many of the snow wreathes on the hills of Ettrick Forest
                        were from twelve to twenty feet deep, and many thousands of lambs,
                        singing birds, and moor game perished. All those of the latter that had
                        begun incubation were literally destroyed. [Author, James Hogg.] <ref
                            target="N4">BACK</ref>
                    </note><anchor id="N4"/></l></lg>
                <lg type="stanza">
                    <l rend="indent1">1.</l>
                    <l rend="indent1">O MOOR- COCK, moor- cock, dinna craw</l>
                    <l rend="indent1">Sae crouse on wing of mottled feather,</l>
                    <l rend="indent1">Nor spread that boardly breast sae braw</l>
                    <l rend="indent1">Upon thy height of Highland heather;</l>
                    <l rend="indent1">For that&apos;s a brewing on the sea</l>
                    <l rend="indent1">Will mar thy pride afore the even,</l>
                    <l rend="indent1">And hap thy teemfu&apos; mate and thee</l>
                    <l rend="indent1">Deep frae the glowing light o&apos; heaven.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">2.</l>
                    <l rend="indent1">Thy voice gars a&apos; the echos blair</l>
                    <l rend="indent1">From viewless dens of rock and river;</l>
                    <l rend="indent1">Like some wild spirit of the air</l>
                    <l rend="indent1">Thou mak&apos;st its billows quake and quiver,</l>
                    <pb n="109"/>
                    <l rend="indent1">Proud of the mate thou lovest best;</l>
                    <l rend="indent1">But o&apos;er her hame nae mair thou&apos;lt craw,</l>
                    <l rend="indent1">Her grave maun be her lowly nest,</l>
                    <l rend="indent1">Her winding- sheet the wreathe o&apos; snaw.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">3.</l>
                    <l rend="indent1">Thou lawless black- cock dinna spread</l>
                    <l rend="indent1">That speckled fan so bright of hue,</l>
                    <l rend="indent1">Why all that pride of evil deed</l>
                    <l rend="indent1">Pruning thy wing of glossy blue,</l>
                    <l rend="indent1">In wooing of a silly dame,</l>
                    <l rend="indent1">Who knows full well thy love&apos;s a flam,</l>
                    <l rend="indent1">And that for her &apos;tis much the same,</l>
                    <l rend="indent1">As raven&apos;s for the sickly lamb?</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">4.</l>
                    <l rend="indent1">Begone thou heartless libertine,</l>
                    <l rend="indent1">And locker in thy sheltered glade;</l>
                    <l rend="indent1">For soon that motely love of thine,</l>
                    <l rend="indent1">And thou shall both be lowly laid;</l>
                    <l rend="indent1">Yet I will miss thee in the glen</l>
                    <l rend="indent1">When August winds breathe o&apos;er the fell,</l>
                    <l rend="indent1">As mounting from thy braken den,</l>
                    <l rend="indent1">Or skimmering o&apos;er the heather bell.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">5.</l>
                    <l rend="indent1">The laverock lilts within the lift,</l>
                    <l rend="indent1">The mavis touts upon the tree;</l>
                    <pb n="110"/>
                    <l rend="indent1">The blackbird hardly makes a shift</l>
                    <l rend="indent1">To strain one note of melody;</l>
                    <l rend="indent1">For ay he cowers his sooty wing</l>
                    <l rend="indent1">An&apos; points his yellow bill on high,</l>
                    <l rend="indent1">And fears he has foreflown the spring</l>
                    <l rend="indent1">Misled by winter&apos;s courtesy.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">6.</l>
                    <l rend="indent1">For the sand- lark I needs must wail</l>
                    <l rend="indent1">Sae ruefully he pours his pain,</l>
                    <l rend="indent1">And as he sits and wags his tail,</l>
                    <l rend="indent1">And whews upon his cauldrife stane;</l>
                    <l rend="indent1">He sees the lapper on the stream,</l>
                    <l rend="indent1">And Yarrow&apos;s banks sae sternly piled,</l>
                    <l rend="indent1">That Sandy <note n="5" place="foot" resp="Author, James Hogg"
                            >[Note to &quot;Ane Waefu&apos; Scots Pastoral&quot;:] SANDY or SANDY-LAVEROCK
                            is the local name in Ettrick for the sand piper. [Author, James Hogg.]
                                <ref target="N5">BACK</ref>
                        </note>
                        <anchor id="N5"/>thinks he&apos;s in a dream,</l>
                    <l rend="indent1">Or landed in some polar wild.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">7.</l>
                    <l rend="indent1">The curlew&apos;s neb&apos;s a weary length,</l>
                    <l rend="indent1">The pease- weep&apos;s crest is like a tree,</l>
                    <l rend="indent1">The chirping wagtail scarce has strength</l>
                    <l rend="indent1">To turn his white cheek to the lee,</l>
                    <l rend="indent1">Their necks are lang, their shanks are sma&apos;</l>
                    <l rend="indent1">Through perfect downright consternation,</l>
                    <l rend="indent1">An&apos; ay they cower by holt an&apos; ha&apos;</l>
                    <l rend="indent1">Like thriftless weavers in starvation.</l>
                </lg>
                <lb/>
                <pb n="111"/>
                <lg type="stanza">
                    <l rend="indent1">8.</l>
                    <l rend="indent1">The shilfu clars amang the firs,</l>
                    <l rend="indent1">The yellow yorline in the thorn,</l>
                    <l rend="indent1">But a&apos; the simmer&apos;s harbingers</l>
                    <l rend="indent1">Are buried ere the break of morn,</l>
                    <l rend="indent1">The lambs lie smothered in the dean,</l>
                    <l rend="indent1">The ewes stand bleating loud an&apos; lang,</l>
                    <l rend="indent1">While the poor shepherd dights his een,</l>
                    <l rend="indent1">And thinks the world is a&apos; gane wrang.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">Mount Benger, April 24th, 1827.</l>
                </lg>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage112">
                        <figure entity="pageimage"/>
                    </xref>
                </p>
            </div>
            <div type="poem" id="P24">
                <pb n="112"/>
                <head rend="hi">
                    <title>Anacreontic</title>
                </head>
                <head>
                    <name reg="Hervey, Thomas Kibble" date="1799-1859" place="UK">By T.K. Hervey, Esq.</name>
                </head>
                <lg type="stanza">
                    <l rend="indent1">THE moon is forth! -- and while the cars</l>
                    <l rend="indent1">Of night are out, we will not sleep,</l>
                    <l rend="indent1">Send round the bowl, and shew the stars</l>
                    <l rend="indent1">The vigils earthly spirits keep! -- </l>
                    <l rend="indent1">And if the vines, in yonder sky,</l>
                    <l rend="indent1">Drop for their train such purple tears,</l>
                    <l rend="indent1">The poet&apos;s tale should be no lie,</l>
                    <l rend="indent1">Which paints them singing in their spheres!</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">Shall we, because Hope&apos;s fount is dry,</l>
                    <l rend="indent1">Shun every fount that soothes the soul? -- </l>
                    <l rend="indent1">The pang that blights the heart and eye</l>
                    <l rend="indent1">Was never gathered from the bowl!</l>
                    <l rend="indent1">If looks be dim, that once were bright,</l>
                    <l rend="indent1">To weep will hardly make them brighter,</l>
                    <l rend="indent1">And if our hearts be far from light,</l>
                    <l rend="indent1">At least, we&apos;ll strive to make them lighter!</l>
                </lg>
                <lb/>
                <pb n="113"/>
                <lg type="stanza">
                    <l rend="indent1">Fill high the glass! -- to- night, we&apos;ll try,</l>
                    <l rend="indent1">For once, to make a truce with sorrow,</l>
                    <l rend="indent1">And they who think it wise to sigh,</l>
                    <l rend="indent1">May smile to- night -- and sigh to- morrow; -- </l>
                    <l rend="indent1">But we, who love the better mood,</l>
                    <l rend="indent1">To gather gladness where we may,</l>
                    <l rend="indent1">Will hail, across this purple flood,</l>
                    <l rend="indent1">The dawning of a brighter day.</l>
                </lg>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage114">
                        <figure entity="pageimage"/>
                    </xref>
                </p>
            </div>
            <div type="story" id="S5">
                <pb n="114"/>
                <head rend="hi">
                    <title>The Ritter von Reichenstein</title>
                </head>
                <head>
                    <name reg="[anon.]" date="0000-0000" place="">By Unknown</name>
                </head>
                <p>The Ritter von Reichenstein<note n="6" place="foot"
                    resp="Bijou Editor, William Fraser, and/or Author"> [Note to &quot;The Ritter
                    Von Reichenstein&quot;:] This Austrian story has its foundation in fact. The
                    ruins of Reichenstein Castle are still visible in the district of Muhl,
                    on the river Ens; and in the chapel is the Baron&apos;s monument,
                    finely executed by an Italian master. [Fraser and/or Author.] <ref
                        target="N6">BACK</ref>
                </note><anchor id="N6"/></p>
                <p>THE great hall in the royal castle of Linz resounded with kettle-drums and
                    trumpets, while King Ferdinand and his Queen sat at the banquet table, rejoicing
                    that the siege was now raised, and Austria once more victorious. The banquet was
                    given in honour of the young Baron von Reichenstein, who then, for the first
                    time, appeared as the King&apos;s guest. He had the good fortune to bring
                    the welcome tidings that Solyman, after beleaguering the city for many weeks,
                    and being repulsed in every attack, had at last suddenly desisted from his
                    undertaking, and retreated by quick marches. Of the distinction now conferred on
                    Reichenstein his own noble conduct during the siege rendered him eminently
                    worthy, nor could the favour have been bestowed on any one who would have valued
                    it more highly, for pride and ambition were indeed his leading characteristics.</p>
                <pb n="115"/>
                <p>The lively monarch banished for the time all political cares, and gave himself up
                    to the festivity of the moment, heightened by the consideration that the good
                    news came unexpectedly, as Vienna was then, in truth, but ill provided with the
                    means of defence, and the Sultan, at the head of three thousand men, had vowed
                    never to return till he had conquered both Hungary and Austria, where the
                    Christian sway should be terminated for ever. Merrily coursed the brimming
                    goblets round the table, and in the joy of his heart the King proposed the
                    health of his country&apos;s brave defender, the heroic youth, Philip
                    Palsgraf of the Rhine, and of the veteran warrior, Count Nicholas of Salm, whose
                    locks had now grown grey under arms. The mirth became louder, and the applause
                    more vehement, till the Queen commanded silence and attention, for she too had
                    prepared a little entertainment to celebrate the termination of that campaign
                    which had threatened so much misfortune; well knowing that on such occasions her
                    illustrious consort did not disdain to exchange the homage to Bacchus for a
                    sacrifice to the Muses. Of this Monarch, indeed, it is recorded that when a
                    certain Colonel of his Life Guards once ventured to hint that he bestowed too
                    many favors on the learned, to the neglect of the ancient nobility, the Colonel
                    next day received a great packet of old and important parchments, with an order
                    that he <pb n="116"/>should read them through, and in a few hours return a written abstract
                    of their contents; the Colonel, of course, brought them back, declaring his
                    incapacity for the task. &quot;Good friend,&quot; said the King, smiling
                    ironically, &quot;you will for the future spare your animadversions on our
                    patronage of the learned, for you perceive that if noblemen and warriors only
                    were to be raised to office, the duties of the state would be fulfilled yet
                    worse than heretofore.&quot;</p>
                <p>On a signal from the queen a red silk curtain at the bottom of the hall was
                    suddenly drawn up, and revealed an altar from which a clear flame rose
                    flickering, and illuminated the arms of Austria wreathed with laurel and
                    gorgeously emblazoned. Before the altar sat a female form, beaming in such
                    luxuriance of beauty, that she might well indeed have been deemed one of the
                    muses descended from Mount Olympus. Her long white robes though rich in folds
                    could not conceal the exquisite symmetry of her form; round her waist she wore a
                    gold embroidered girdle, while from her shoulders waved a short mantle of blue
                    velvet studded with golden stars. Her features were of the noblest Grecian
                    mould; round her temples was bound a laurel wreath, and her glossy chesnut hair
                    flowed in profuse curls round her blushing cheeks, down into her snow-white neck
                    and bosom. In her arms she supported a harp, and accompanying her voice with
                    powerful chords, sung <pb n="117"/>a fervent hymn in praise of the brave men by whose courage
                    the threatening danger had been averted, and the proud plans of the Pagan
                    invader defeated. Impassioned eloquence or music alone is enough to move
                    irresistibly every feeling heart, -- but how much is that effect encreased ,
                    when the tones flow from lips so beautiful, when such eyes beam with the sacred
                    fire of inspiration! -- A watchful silence prevailed in the hall that was before
                    so loud with voices; the guests had eyes and ears only for the seraphic
                    musician, who exercised her power like an enchantress even over the roughest
                    veteran warriors &quot;albeit unused to the melting mood,&quot; for she
                    recalled to them and presented as if in a magic mirror the fairy dreams of their
                    youth. How vivid then must have been the impression on younger auditors!
                    Involuntarily all hearts were attracted and won by the lovely performer -- every
                    eye glistened with pleasure, and when she had finished her triumphant song,
                    every tongue was busy in her praise -- even the proud and haughty Baron
                    Reichenstein was deeply moved. &apos;Till now, the attention which had often
                    been bestowed on the young warrior by susceptible beauties of the capital had
                    failed to excite any other sensation but that of gratified vanity. Now, however,
                    when the songstress in her chaunt alluded to him as the announcing messenger of
                    that that victory which he had assisted to gain, he could <pb n="118"/>no longer look proudly
                    around, as he had been wont to do. On the contrary a deep blush came over his
                    features; his proud heart beat anxiously, and his fiery eagle eyes were humbly
                    fixed on the ground.</p>
                <p>So the festivities of the banquet were closed, and the evening of that happy day
                    was spent in dancing and games of chance. For neither of these amusements was
                    Baron Reichenstein disposed. Leaning against a pillar of the Gothic Hall, he
                    followed with watchful eyes every movement of the Demoiselle Appollonia von
                    Santi, -- for so the beautiful songstress was named. Descended from a noble
                    Greek house, and left in early youth an orphan, she had been brought to the
                    Court of King Ferdinand, and there educated as one of the queen&apos;s maids
                    of honour. Her beauty, -- her eminent talents for music, and but still more the
                    unpretending modesty of her demeanour excited universal attention, and every one
                    spoke with respect of the beautiful Lady Appollonia. No sooner had she made her
                    appearance in the ball-room than Reichenstein saw that the young and old crowded
                    around her, to express their thanks for the delight which her music had
                    afforded, and afterwards as she whirled past him in the walk, supported by some
                    gay and brilliant courtier, he was racked by a feeling of the bitterest envy;
                    yet he who had before known fear scarcely by name, had <pb n="119"/>not the courage to
                    approach her. With rapture he remarked, that even during the dance, his eyes
                    often encountered hers, and when she seated herself for refreshment and rest,
                    her looks again followed him as if she would say -- &quot;And you alone
                    determined not to share in the pleasures of these fleeting hours?&quot; So
                    at last he mustered resolution, humbly approached the victorious enchantress,
                    and in a faultering half audible voice begged that he might have the honour of
                    her hand for the next dance. Appollonia blushed and courtesied her consent; the
                    warlike hero made an awkward bow, and retreated, not daring to say more,
                    &apos;till the music recommencing called them to their places. Reichenstein,
                    who was usually a good waltzer could now scarcely keep in time, while his lovely
                    partner seemed to partake of his embarrassment, yet this was but for a few
                    minutes; her sparkling eyes and approving smiles soon roused him to
                    self-possession. Even the musicians seemed inspired; they played louder, and
                    with more precision. Envied by many a youth in the numerous assemblage, he flew
                    down the ranks, with the peerless Grecian on his arm, and all allowed that there
                    never was seen a more beautiful couple. On returning to their seats, Appollonia
                    challenged her partner to give her some account of the Blockade. Reichenstein
                    had now recovered from his awkward timidity, and contrived to tell his story
                    with un-<pb n="120"/>wonted eloquence, enlivened and rewarded all the while by the approbation
                    which he read unequivocally in the bright eyes of his auditress.
                    Appollonia&apos;s attention was indeed so absorbed that she forgot the
                    dance, and the presence of the court, so that the marshal was obliged to remind
                    her of her duty, for the queen had already proposed to break up the party.</p>
                <p>Henceforward Reichenstein saw the young lady almost every day, and continued
                    always to discover new charms and fresh virtues, -- and this at length drew from
                    him a confession of his love, and a request for her hand in marriage. Appollonia
                    in answer explained to him that her fate depended on the king, who had hitherto
                    acted towards her as a father, and who therefore possessed the full parental
                    authority. Reichenstein heard this with fear and trembling; for he suspected
                    that Ferdinand might have other views for his fair adopted daughter. He knew how
                    much the king delighted in Appollonia&apos;s talents, by which his mind was
                    often exhilarated after the cares of public business, and with which amusement
                    it could not be supposed that he would willingly dispense. It was necessary
                    therefore to watch for some favourable opportunity, when the king should appear
                    in especial good humour, before the subject could be broached, and ere long,
                    such a fitting occasion presented itself to the anxious lover.</p>
                <pb n="121"/>
                <p>The disaffected Bohemians, whom Ferdinand had a few years ago severely chastised,
                    happened to lose by an accidental fire great part of the national archives, and
                    their most important charters or deed of immunity. Conscience-stricken, and
                    fearful that advantage might be taken of this event, whereby they might be
                    deprived of many valuable privileges, they sent a deputation to Linz, in order
                    to treat with their monarch on the subject. Scarcely had Ferdinand heard their
                    preamble, when he exclaimed angrily -- &quot;Your charters may be destroyed,
                    but our imperial promise, and principles of integrity, are not destroyed along
                    with them. All the rights and privileges of which this fire has robbed you, we
                    shall renew; and, where there is doubt, rather than give you less, we shall make
                    your advantages greater than before.&quot; Of that scene Reichenstein was a
                    witness. &quot;No,&quot; said he to himself, &quot;it is impossible
                    that a sovereign, who is thus so mild and equitable, should be harsh to me
                    alone.&quot; And no sooner had the ashamed representatives left the
                    audience-hall, than he threw himself at Ferdinand&apos;s feet, and stammered
                    out his request. For a few moments he was, indeed, kept in agonising suspense,
                    while the king looked at him silently and with a very grave aspect. At length he
                    made a sign for the supplicant to rise, and said, &quot;I cannot conceal
                    that I shall be very unwilling to part with Mademoiselle de Santi. In <pb n="122"/>her
                    delightful music I must lose one of the best enjoyments of my life; -- yet far
                    be it from me to interfere on any selfish principles, with her future prospects
                    or yours; -- take her then, and be happy.&quot;</p>
                <p>What language could adequately describe the rapture of the lovers! Soon after,
                    their marriage was solemnized with princely magnificence, and Reichenstein took
                    his young bride to the family castle from which he derived his title, and which
                    was situated in Upper Austria, in one of the most attractive districts of that
                    beautiful country. Then, from far and near, flocked visitors to pay their homage
                    at the festal mansion, more attracted, however, by the wondrous musical talents
                    of the bride, than by the hospitable manners of the castle&apos;s lord. The
                    young noblemen of the neighbourhood, especially, were numerous and unwearied in
                    their attentions; and their admiration of the Lady von Reichenstein&apos;s
                    improvisator songs was beyond measure fervent. The baron&apos;s pride was at
                    first flattered by such universal applause; but that feeling soon yielded to
                    another very different emotion. He began to fear that it was not merely the
                    delight they experienced from her music, but much more their admiration of
                    Appollonia&apos;s personal charms, which shone in the eyes of these gay and
                    idle youths, so that by degrees jealously more and more deeply fixed her serpent
                    stings into his very <pb n="123"/>heart. Yet far too proud to confess that he had become the
                    prey of a passion so despicable, and sensible that her conduct was too
                    scrupulously correct to warrant his avowal of any suspicions, he concealed his
                    irritability as much as possible, though many times, by gloomy silence, or short
                    monosyllabic answers, did he betray his inward discontent. Appollonia, conscious
                    of her own innocence, was completely at a loss to fix on any cause for this
                    change, and enquired anxiously the reason of his distress, -- whereupon the
                    proud baron, instead of imparting at once the source of his grief, and thus, for
                    ever banishing the demon that haunted his house, was either moodily silent as
                    before, or ascribed his depression to a transient attack of illness.</p>
                <p>Love is sharp-sighted. Appollonia thought that she had at last found out the real
                    cause of his displeasure; and under the pretext that their present mode of life
                    was far too fatiguing, she begged him to dismiss their guests, in order that
                    they might henceforth live in retirement: but how could Reichenstein&apos;s
                    haughty spirit submit to the idea of having appeared as a jealous husband? He
                    insisted that the castle of his ancestors must remain open to every guest; and
                    when Appollonia, under various pretences withdrew to the solitude of her own
                    apartments, and the visitors with regret commented on <pb n="124"/>the absence of their
                    beautiful hostess -- but especially when ironical hints and conjectures were
                    whispered round the festal board, regarding the reasons for her disappearance,
                    his pride was more than ever wounded. He therefore entreated Appollonia, nay,
                    commanded her, to appear as formerly at every banquet, and to enliven his guests
                    by the exercise of her magic art. Under these circumstances, concluding that her
                    former suppositions had been altogether erroneous, she obeyed him willingly,
                    without disguising that the incense of praise lavishly bestowed was welcome and
                    acceptable to her female heart. Reichenstein&apos;s gloomy discontent now
                    increased visibly from day to day, and it was only in the presence of strangers
                    that his jealousy was overcome or concealed by the determination to appear gay
                    and unembarrassed. In vain did his affectionate wife enquire into the cause of
                    such inexplicable conduct. Two whole years thus passed away, during which that
                    abode of his ancestors, where the spirit of domestic happiness should have woven
                    for him the richest and brightest wreaths, was changed by his own imperious
                    temper, and haughty and foolish reserve, into a cell of torment and ceaseless
                    disquietude.</p>
                <p>Meanwhile Solyman, in order to revenge himself for the loss and disgrace which he
                    had encoun-<pb n="125"/>tered, prepared to renew the war more formidably than ever, and made
                    such an attack on Styria and Austria, that the Emperor Charles, in person, at
                    the head of a considerable army, came to the assistance of the king, his
                    illustrious brother. Ferdinand at the same time hastened to collect around him
                    his faithful troops, and the rumour of these proceedings having reached the
                    secluded castle of Reichenstein, the baron determined that he would immediately
                    resume the duties of his station in the army. He had not yet been summoned; but
                    alas! in his home there was no longer any domestic happiness that could induce
                    him to remain there. In his wayward self-delusions he had cast it away; and in
                    the tumult of the battle-field he best hoped to forget his vexations.</p>
                <p>The news of this approaching separation struck fearfully on the already wounded
                    heart of Appollonia. When the dreadful hour of parting arrived, her anguish was
                    indeed most sincere and overpowering, yet her foolish husband imagined that her
                    tears and complaints were but a mask under which she concealed her joy at the
                    prospect of being able in future to follow her inclinations without restraint.
                    Unmoved, therefore, and sternly, he tore himself from her affectionate embraces,
                    and galloped away, spurring his foaming charger, even as the <pb n="126"/>demons of jealousy
                    and distrust goaded him on in his insane career.</p>
                <p>Now the once gay castle of Reichenstein became silent as a hermitage; -- and like
                    a widow mourning the death of a beloved husband, Appollonia withdrew from all
                    society, living only for the care of his property, and ceaseless prayers for his
                    welfare and preservation. Often at the midnight hour her attendants found her
                    still at her earnest devotions, or listened with respectful sympathy as she
                    touched her harp, and with tearful eyes expressed her grief, and even her
                    prayers, in low faultering melody.</p>
                <p>Day after day, week after week dragged on, but no news arrived of Reichenstein,
                    though she had earnestly requested that he would write to her. At length she
                    found herself quite unable any longer to bear the racking pains of suspense, and
                    dispatched her Castellan, a man of years and experience, with orders that he
                    should make his way to the royal army, and by no means to return without some
                    intelligence of her beloved husband. The interval of her messenger&apos;s
                    absence she spent in continued prayer, and in acts of charity and benevolence.</p>
                <p>When the Castellan&apos;s return was announced, he was summoned immediately
                    to her presence, but alas! -- his features wore an expression of deep grief <pb n="127"/>and
                    disappointment. &quot;Merciful God!&quot; cried she, &quot;my worst
                    fears are then realized -- and I shall never see him more!&quot; She
                    fainted, and not without great care and skill could her attendants restore her
                    to self-possession -- then it seemed that by direful and heroic exertion she had
                    resolved to conquer her emotion, yet her bosom heaved convulsively, and her lips
                    and eyelids quivered. &quot;Speak on,&quot; said she in a hollow voic --
                    &quot;relate all that thou know&apos;st.&quot; &quot;Forgive
                    me,&quot; noble lady, said the messenger -- &quot;but I fear you are not
                    well enough now to hear such tidings.&quot; &quot;I know already that
                    which is most appalling,&quot; answered she, &quot;thou canst not tell
                    me aught that could wound more deeply -- say then, how and where did he
                    die?&quot; &quot;Die!&quot; exclaimed the Castellan -- &quot;God
                    forbid that he should die -- no, of this much be assured, your noble husband
                    lives.&quot; &quot;Lives!&quot; exclaimed Appollonia, in a voice
                    like that of the condemned victim on the scaffold, in whose ears for the first
                    time sounds the voice of pardon, and who fears he may yet be deluded. --
                    &quot;Lives -- saidst thou -- lives?&quot; &quot;Aye
                    indeed,&quot; said the Castellan, &quot;but the Baron von Reichenstein
                    is now a Turkish prisoner.&quot; &quot;Oh, heaven be praised!&quot;
                    cried the enraptured wife, &quot;his life then is yet spared;&quot; and
                    she fell on her knees, uplifting her clasped hands in fervent gratitude to the
                    Giver of all Good for his <pb n="128"/>mercy. Thereafter she listened with calm attention to
                    the Castellan&apos;s narrative. Reichenstein had been placed with a corps
                    which was destined to oppose that of Michael Oglu, who was forcing his way with
                    the van of the Turkish army over the Sommering mountains. In the heat of battle
                    the Baron had advanced too far; he was quickly surrounded, and after a brave
                    resistance, taken prisoner, and dragged away by the repulsed and fugitive Turks.
                    Intelligence had been subsequently received by means of deserters, that he had
                    fallen into the power of the Bassa of Belgrade, who, in consequence of his
                    severe wounds, had obtained permission to return home, and had taken with him to
                    his own country all his prisoners. &quot;So then he lives -- he is at
                    Belgrade,&quot; cried Appollonia, &quot;and there is hope that I may yet
                    again call him mine!&quot; With these words her tears flowed more freely
                    than ever, but they were now tears of joy.</p>
                <p>For the rest of that day she remained shut up in her chamber, she would not speak
                    with any one, nor accept of refreshment, but in the evening the castle chaplain
                    was summoned to her presence. To him she explained that some affairs of great
                    urgency and importance obliged her to go forthwith to the Queen&apos;s Court
                    at Linz, and as the Castellan must attend her on the journey, the chaplain
                    should, in their absence, <pb n="129"/>use every means in his power for the due guardianship
                    of the castle. The grey-headed priest not knowing the purpose of her journey,
                    did not venture to remonstrate, and only implored that as her affectionate
                    servants and vassals would deeply grieve for her absence, she would not long
                    defer her return. With visible emotion she then took leave of her domestics, and
                    at the earliest dawn of the next day, followed by the old castellan, and the
                    blessing of all the Baron&apos;s vassals, she departed, taking with her only
                    her harp, and wearing apparel.</p>
                <p>Meanwhile, the Ritter von Reichenstein was obliged to fulfil menial drudgery as a
                    slave in the gardens of Ibrahim, Bassa of Belgrade. At that time it happened
                    that in his Harem there prevailed great affliction; Fatima, the most beautiful
                    and beloved of his wives, had been driven to distraction by the death of her
                    first-born infant child, and the violence of her sorrow had given way to an
                    apathy and indifference which amounted to insanity. The unhappy Ibrahim offered
                    the largest rewards for assistance, and tired every method to save his favourite
                    from that untimely death to which the continuance of her malady would certainly
                    lead. The most skilful physicians had recourse to all expedients of their art,
                    but in vain; so that with an almost broken heart, Ibrahim saw that she was
                    rapidly sinking into the grave.</p>
                <pb n="130"/>
                <p>One evening when he was under the dominion of these painful reflections, it was
                    announced that a Grecian youth had made his appearance at Belgrade as a harp
                    player and singer, with whose music every listener had been enraptured, and who
                    had begged permission to prove his talents before the Bassa. Ibrahim gladly
                    availed himself of the opportunity to obtain some diversion from his own gloomy
                    thoughts; he desired that the stranger should be admitted forthwith, and was so
                    much delighted with the youth&apos;s performance that as long as the music
                    continued he quite forgot his usual sufferings. Thereafter the question occurred
                    to him whether that magic art which had such influence over his emotions might
                    not also alleviate the malady of his beloved Fatima. He imparted this idea to
                    the stranger, who encouraged his hopes, and assured him that many instances were
                    on record of insane persons being altogether restored to health by the power of
                    music. &quot;Should&apos;st thou succeed in this attempt,&quot;
                    cried the rejoiced Bassa, &quot;then demand what thou wilt -- no reward is
                    too great, when the service performed is the preservation of my dearest
                    Fatima.&quot;</p>
                <p>The Greek youth was duly instructed in the cause and symptoms of the malady, and
                    undertook its cure. The attempt succeeded even beyond expectation. At first he
                    was concealed behind a veranda, and ventured only to sing the most melan-<pb n="131"/>choly
                    lays in soft and long protracted notes, to which for some time Fatima seemed, as
                    usual, indifferent, but by degrees her attention was roused, and she listened
                    with visibly increasing interest. While the music continued, her beautiful
                    features were once more animated, a slight tinge of colour rose into her cheeks,
                    and a lambent fire shone in her eyes, but as the tones died away into silence
                    she declined again into her wonted mournful apathy. By degrees she began to
                    watch every word of the youth&apos;s songs, which like the music were
                    plaintive and desponding, till her bosom heaved, and she wept unconsciously.
                    Thus the trial was repeated for several successive days, and as often as the
                    hour drew near which was appointed for the musician&apos;s attendance, she
                    expressed anxiety and impatience; nay, once when by some accident he had been
                    detained, she enquired if they intended to deprive her of her only remaining
                    consolation. These words were the first that she had been heard to utter for
                    many weeks, and from henceforward the Greek, at her request, came earlier, and
                    remained longer. By degrees, too, he ventured to introduce songs that were less
                    mournful, and the listener seemed even more gratified than before, till at
                    length she begged to see the wonderful musician by whom she had been thus
                    delighted; and even requested that he would give her instructions in his divine
                    art. He obeyed <pb n="132"/>willingly, and Fatima had soon learned a few simple ballads,
                    which she practised passionately night and day, thus forgetting her misfortunes,
                    so that she was ere long restored to perfect health.</p>
                <p>The Bassa, rejoiced beyond measure at this result, did not fail to send for the
                    musician. &quot;Thou hast fulfilled thy promise,&quot; said he,
                    &quot;now demand thy reward, in order that I also may behave honourably. Be
                    not afraid to ask too much, for Allah has made me rich by his exceeding
                    bounties, but for the preservation of my best and dearest treasure I am indebted
                    to thee.&quot; &quot;Sir,&quot; answered the youth, &quot;there
                    is in the gardens of your Harem a noble German soldier, the Ritter von
                    Reichenstein, a captive who now labours there as a slave. It so happens that I
                    have been deeply indebted to his house, and therefore if you are pleased to give
                    up to me the liberty of this man, I shall be amply and richly
                    rewarded.&quot; &quot;Take him hence then,&quot; said the Bassa,
                    &quot;and along with him, if thou wilt, ten of his fellow soldiers, who have
                    hitherto shared his fate. Moreover, it shall not be said that the Bassa Ibrahim
                    sent any man out into the wide world to find his way home as a mendicant; he
                    shall therefore be amply provided for; and thou, too, modest youth, shalt not
                    leave my palace unrewarded.&quot; Hereupon Ibrahim summoned the overseer of
                    his slaves, commanding him to lead the Greek youth into the prison of the
                    Christians, to <pb n="133"/>inform the Baron and his companions that they were free, and
                    present to them the noble Greek youth as their deliverer. In vain did the humble
                    minstrel strive against this -- the Bassa&apos;s resolution was inexorable,
                    &quot;for it is no more than justice,&quot; said he, &quot;that
                    these Christian dogs should learn to know their benefactor, and offer him due
                    thanks for his disinterested benevolence.&quot;</p>
                <p>Miserable embarrassed, the young Greek followed the overseer, and entered a
                    gloomy prison, where the captives were seated on the damp ground, strewed with
                    rushes. No sooner had the overseer announced the purpose of his message than the
                    overjoyed exiles threw themselves at their deliverer&apos;s feet, even
                    kissed the hem of his garment, and wept in their excess of gratitude.
                    &quot;Be thankful to God,&quot; said the youth, in a faultering, scarce
                    audible tone, &quot;and may Providence guide you on your homeward
                    journey!&quot; &quot;Stay, noble stranger,&quot; cried Reichenstein,
                    as the minstrel would have hastily retired -- &quot;if you will not listen
                    to our humble protestations of gratitude, yet at least accept from my hands this
                    insignificant ring. Should you, or any of your friends ever come to Germany, and
                    pass near the castle of Reichenstein, this little token will open for the
                    traveller a new home, and make him an acknowledged inmate of a noble family,
                    whose last remaining chief you <pb n="134"/>have thus contributed to uphold.&quot;
                    &quot;We shall meet again,&quot; stammered the youth, with obvious
                    emotion, and taking the ring, rushed from the prison as though he dared not
                    trust himself in any farther colloquy.</p>
                <p>The Bassa&apos;s promises were faithfully fulfilled. Enriched by valuable
                    presents, and attended by a secure escort, Reichenstein, along with his
                    companions, left Belgrade. They arrived in safety at the Christian camp, and
                    were all most kindly received by King Ferdinand, especially Reichenstein, who
                    still expressed his wish and resolution to remain with the army. &quot;In
                    the first place,&quot; answered the King, &quot;it is our will and
                    pleasure that you should appear before her Majesty at Linz. Should your
                    inclinations alter when there, which I hope may be the case, you shall have free
                    leave of absence from your military duties, for after the oppressions you have
                    undergone, this indulgence is but just and necessary. If however your
                    determination should remain unshaken, the presence of so brave a soldier as the
                    Baron von Reichenstein will always be welcome to our army.&quot;</p>
                <p>In the royal palace of Linz, after an interval of three years, the baron once
                    more sat in the great hall at the banquet table, though now the party was less
                    numerous, consisting only of the queen, her maids of honour, and some old
                    coutiers. He <pb n="135"/>again beheld the same golden framework of the folding doors, and
                    the same red curtain which had formerly risen at the queen&apos;s signal,
                    and afforded the first view of that peerless beauty, whom afterwards he was so
                    fortunate as to call his own. With bitter regret he thought of that happy day,
                    and all the fairy visions that had shone so brightly, and were now fled for
                    ever. He sighed deeply, and the queen observing his distress, interrupted his
                    contemplations with the words -- &quot;If I interpret your looks aright,
                    that curtain revives recollections of the good fortune, which was here
                    unexpectedly prepared for you, and I can well explain that sigh with which your
                    longing heart has reverted to home and a beloved wife.&quot; A cloud came
                    over Reichenstein&apos;s expressive features, and a yet deeper sigh was his
                    only answer.</p>
                <p>&quot;Nay, then, perhaps you have received some disquieting
                    letters,&quot; said the queen, &quot;and I doubt not that
                    Appollonia&apos;s grief at your long absence -- &quot;</p>
                <p>&quot;Appollonia&apos;s grief, indeed!&quot; interrupted the baron
                    with bitter irony; &quot;your majesty must forgive me if I venture to doubt
                    that any such cause -- &quot;</p>
                <p>&quot;Nay, nay,&quot; answered the queen, &quot;we must hear no more
                    of this. I shall not allow myself to believe that unworthy suspicions could ever
                    find harbour in your bosom. For the present, let us hear <pb n="136"/>minutely how you
                    contrived to escape from the Turkish prison?&quot;</p>
                <p>The Ritter went through his narrative accordingly.</p>
                <p>&quot;But your deliverer,&quot; observed the queen; &quot;that
                    noble-hearted Greek -- have you then never seen him since your meeting in
                    prison?&quot;</p>
                <p>&quot;Alas, no!&quot; answered the baron; &quot;and the manner in
                    which he then took leave obliges me to fear that I shall never in this world be
                    so happy as to see my generous benefactor again, in order to prove how deep and
                    sincere is my gratitude.&quot;</p>
                <p>&quot;While there is life there is hope,&quot; said the queen;
                    &quot;could you have believed, three years ago, that yonder curtain, which
                    you no doubt looked on with contempt, concealed the beautiful songstress, who
                    was destined to be your loving wife? What should you think, if its mystic folds
                    should once more expand, and reveal the person of your kind deliverer?&quot;</p>
                <p>&quot;Your majesty is pleased to jest,&quot; said the baron with a
                    melancholy smile.</p>
                <p>&quot;Let us try,&quot; said the queen, &quot;whether it is
                    impossible to convert his infidel;&quot; and at her signal the curtain was
                    again drawn up. Again he saw the altar from which a bright flame rose and
                    illuminated, not the Austrian arms, but those of the noble house <pb n="137"/>of
                    Reichenstein; while beneath stood the Grecian youth, his large hat slouched over
                    his features, and leaning on his harp.</p>
                <p>&quot;Is it possible? my deliverer! my benefactor!&quot; cried
                    Reichenstein, and then rushed up to the apparition. At that moment the pilgrim&apos;s
                    hat fell off; the grey-coloured dress was thrown aside; and Appollonia smiling
                    in all her wonted loveliness, while tears of joy shone in her eyes, presented to
                    him the ring which he had given as a token to the wandering minstrel. He stood
                    silent and confounded.</p>
                <p>&quot;Yes,&quot; said the queen in a solemn voice, &quot;she it was
                    -- your affectionate and faithful wife, whom not all the fatigues and dangers of
                    so long a journey could deter from her undertaking, to redeem out of wretched
                    thralldom that still beloved husband, who, too haughty to confess the injustice
                    of which he had been guilty, had destroyed her happiness and his own.&quot;</p>
                <p>Reichenstein meanwhile throwing himself prostrate on the ground, and forgetting
                    all his wonted pride, had hidden his face in the folds of her garment.
                    Appollonia would have raised him up, but he exclaimed vehemently, though in a
                    voice broken by his emotion -- &quot;Never more dare I lift up mine eyes to
                    her whom I have thus injured! No penance no humiliation can atone for that guilt
                    which now <pb n="138"/>cleaves to my conscience and of which the stain will never be
                    effaced.&quot;</p>
                <p>&quot;Nay,&quot; said Appollonia, &quot;knowst thou not that of all
                    duties in this world, there is none more easy for true love than to forgive, --
                    that the fond heart may indeed be wounded and broken by faults, mistrust and
                    injuries, yet will never thus be alienated from its idol?&quot;</p>
                <p>So the happy couple rushed into each others embrace, forgetful of the spectators
                    and all the world -- nor was there one individual present, who did not
                    sympathize in their emotion; even the queen herself burst into tears.
                    Henceforward, Reichenstein cherished no other pride but that founded on
                    possession of the most beautiful and faithful of wives. The Bassa of
                    Belgrade&apos;s gifts might increase his worldly wealth, but not his
                    happiness, for in the tried attachment of Appollonia, he had secured the richest
                    of all earthly treasures; mutually placing unbounded confidences in each other,
                    their path of life was evermore cheered by sunshine and strown with flowers.</p>
            </div>
            <div type="picture" id="F6" refid="P25">
                <head>Figure 6: The Boy and Dog</head>
                <p rend="center">
                        <figure entity="smboy" n="6">
                            <head><bibl><author type="painter">painted by <name reg="Lawrence, Thomas" date="1769–1830" place="UK">Sir Thomas Lawrence, P.R.A.,</name></author> <author type="engraver">engraved by <name reg="Humphrys, William" date="1794–1865" place="UK">Mr. W. Humphreys</name></author></bibl></head>
                        </figure>
                </p>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage139">
                        <figure entity="pageimage"/>
                    </xref>
                </p>
            </div>
            <div type="poem" id="P25" refid="F6">
                <pb n="139"/>
                <head rend="hi">
                    <title>A Familiar Epistle to Sir Thomas Lawrence</title>
                </head>
                <head>
                    <name reg="Cornwall, Barry" date="1787-1874" place="UK">By Barry Cornwall</name>
                </head>
                <lg type="stanza">
                    <l rend="indent1">LAWRENCE! -- although the Muse and I have parted,</l>
                    <l rend="indent1">(She to her airy heights, and I to toil,</l>
                    <l rend="indent1">Not discontent, nor wroth, nor gloomy-hearted,</l>
                    <l rend="indent1">Because I now must till a rugged soil,) -- </l>
                    <l rend="indent1">Although self-banished from the peerless Muse,</l>
                    <l rend="indent1">Banish&apos;d from Art&apos;s gay groups and blending
                        hues,</l>
                    <l rend="indent1">I still gaze on thy lines, where Beauty reigns,</l>
                    <l rend="indent1">With pleasure which rewards mine errant pains.</l>
                    <l rend="indent1">Thus, though I con no more the common page,</l>
                    <l rend="indent1">With learned Milton still and Shakespeare sage</l>
                    <l rend="indent1">I commune, when the labouring day is over,</l>
                    <l rend="indent1">Filled with a deep delight; like some true lover,</l>
                    <l rend="indent1">Whom frowning fate may not entirely sever</l>
                    <l rend="indent1">From her whose love, perhaps, is lost for ever!</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">Even now thy potent art witches my sight.</l>
                    <l rend="indent1">I see thee again, (with all my old delight,) -- </l>
                    <l rend="indent1">With rainbows o&apos;er thy beaming figures flung,</l>
                    <l rend="indent1">Still bright, and like Lyaeus, &quot;ever young.&quot;</l>
                    <l rend="indent1">For thou, as Raffaelle and Correggio smiled</l>
                    <l rend="indent1">On beauty in the bud, and made the child</l>
                    <l rend="indent1">Immortal as the man of thoughtful brow,</l>
                    <l rend="indent1">By dint of their sweet power, -- so dost thou.</l>
                    <pb n="140"/>
                    <l rend="indent1">And who, whilst those fair matchless children<note n="7"
                            place="foot" resp="Bijou Editor, William Fraser, and/or Author">[Note to
                            &quot;A Familiar Epistle to Sir Thomas Lawrence&quot;:] The children of Mr.
                            Calmeady. [Fraser and/or Author] <ref target="N7">BACK</ref>
                        </note>
                        <anchor id="N7"/>are,</l>
                    <l rend="indent1">Which, with thy radiant pencil, like a star,</l>
                    <l rend="indent1">Thou broughtest into light and pictured grace,</l>
                    <l rend="indent1">Shall dare assign to thee a second place?</l>
                    <l rend="indent1">Yet,--thou so lov&apos;st the art thou dost profess,</l>
                    <l rend="indent1">(I know,) that thou would&apos;st rather be deemed less</l>
                    <l rend="indent1">Than thine own stature, so that they who first</l>
                    <l rend="indent1">Gave art nobility, and burst</l>
                    <l rend="indent1">Like dawn upon the world to shine and reign,</l>
                    <l rend="indent1">Sole homage of mens&apos; souls may still retain.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1"> -- With whom dost thou now commune, -- night by night,</l>
                    <l rend="indent1">When Nature, lady thine, withdraws her light,</l>
                    <l rend="indent1">And even thou must cease to charm all time?</l>
                    <l rend="indent1">Is it with Michael and his stern-sublime?</l>
                    <l rend="indent1">With Rembrandt&apos;s riddles dark, -- a &quot;mighty
                        maze?&quot;</l>
                    <l rend="indent1">Caracci&apos;s learned lines? -- or Rubens&apos;
                        blaze?</l>
                    <l rend="indent1">With hoary Leonardo, great and wise?</l>
                    <l rend="indent1">With Parma&apos;s painters and their angel eyes?</l>
                    <l rend="indent1">Or Raffaelle sent us down from out the sunny skies?</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">Or, leav&apos;st thou these to their immortal rest,</l>
                    <l rend="indent1">Turning unto some youthful artist guest?</l>
                    <l rend="indent1">Or with some high mind or accomplished friend</l>
                    <l rend="indent1">Dost thou delight the evening hours to spend</l>
                    <l rend="indent1">By thine own fire, where proud shapes stand around,</l>
                    <l rend="indent1">Deathless and eloquent, though without sound, -- </l>
                    <pb n="141"/>
                    <l rend="indent1">All in the poet&apos;s dreams and fancies born,</l>
                    <l rend="indent1">But wrought by sculptor-poets like the morn?</l>
                    <l rend="indent1">Dost thou with Ottley talk, a spirit learn&apos;d,</l>
                    <l rend="indent1">In whom so long the smother&apos;d fire has burned, -- </l>
                    <l rend="indent1">Who should have been what many hope to be,</l>
                    <l rend="indent1">A painter stamp&apos;d with immortality?</l>
                    <l rend="indent1">Speak! -- or is&apos;t all enough that thou canst dream</l>
                    <l rend="indent1">Of ages when thyself must be the theme</l>
                    <l rend="indent1">Of praise unmixed, from rival envy free,</l>
                    <l rend="indent1">(If rival envy ever aimed at thee -- )?</l>
                    <l rend="indent1"> -- Not that all those around thee (thou the sun)</l>
                    <l rend="indent1"> perish when their beauteous toil is done:</l>
                    <l rend="indent1">For some there are whose works are wrought for time,</l>
                    <l rend="indent1">For future wonder, and eternal rhyme; -- </l>
                    <l rend="indent1">Good Stothard, -- old, but in his youth of fame;</l>
                    <l rend="indent1">Who is, and must survive -- a potent name!</l>
                    <l rend="indent1">Chantrey, -- and Flemish Wilkie, -- Landseer young,</l>
                    <l rend="indent1">(Whose skill hath given the very beast a tongue -- </l>
                    <l rend="indent1">Life -- motion -- till it chains the admiring eyes;)</l>
                    <l rend="indent1">And Turner, famous for his Claudian skies;</l>
                    <l rend="indent1">Hilton, Dewint, (rare brothers) formed to last;</l>
                    <l rend="indent1">And Collins, with his landscapes unsurpassed;</l>
                    <l rend="indent1">Callcott, whom river gods should all adore;</l>
                    <l rend="indent1">Westall, -- and Leslie, -- perhaps many more,</l>
                    <l rend="indent1">Who now expand their wings, and strive and hope to soar.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1"> -- The Great live free from envy, free from hate,</l>
                    <l rend="indent1">Born or self-raised beyond that puny state</l>
                    <pb n="142"/>
                    <l rend="indent1">Where warfare frets the heart, and shrinks the soul,</l>
                    <l rend="indent1">Which else all grandly might itself unroll</l>
                    <l rend="indent1">Like morning in the east, when summer skies</l>
                    <l rend="indent1">Grow bright with beauty as the darkness dies.</l>
                    <l rend="indent1">Though near them wars and tempests shake the clime,</l>
                    <l rend="indent1">They live unvanquished through the storms of Time,</l>
                    <l rend="indent1">Like the centurion oak, whose tower of grey</l>
                    <l rend="indent1">Endureth age, but scarcely owns decay!</l>
                    <l rend="indent1">Thus free dost thou live, Lawrence! -- and thus free</l>
                    <l rend="indent1">From hate, from wrong, envy and calumny,</l>
                    <l rend="indent1">Free from the pain thou giv&apos;st not -- may thy life</l>
                    <l rend="indent1">Glide onwards without taint of care, or strife!</l>
                    <l rend="indent1">Meantime, with every grace, and many a friend,</l>
                    <l rend="indent1">Continue still thy evening time to spend,</l>
                    <l rend="indent1">Feeding on lovely scenes and lofty shapes, -- </l>
                    <l rend="indent1">Pondering on thoughts, while not a charm escapes, -- </l>
                    <l rend="indent1">Sitting &apos;midst all the gods whom painters own,</l>
                    <l rend="indent1">Each standing on his pale and sculptured throne; -- </l>
                    <l rend="indent1">Sitting and sharing all: -- No miser thou,</l>
                    <l rend="indent1">Who hoard&apos;st the wealth which may be useful now,</l>
                    <l rend="indent1">But to the artist young and yet unrefined,</l>
                    <l rend="indent1">Unbaring thoughts of many a master mind, -- </l>
                    <l rend="indent1">Tracing the learned lines, -- and sweetening all</l>
                    <l rend="indent1">With graceful converse, never known to pall.</l>
                    <l rend="indent1">Even I, deserter from the Muse&apos;s bowers,</l>
                    <l rend="indent1">Have shared with thee some pleasant, pleasant hours!</l>
                    <l rend="indent1">Since when -- (those winter evenings fair and few!)</l>
                    <l rend="indent1">I see the spells have raised sweet shadows new.</l>
                </lg>
                <lb/>
                <pb n="143"/>
                <lg type="stanza">
                    <l rend="indent1"> -- How long is&apos;t Lawrence, since this<note n="8"
                            place="foot" resp="Bijou Editor, William Fraser">[Note to &quot;A Familiar
                            Epistle to Sir Thomas Lawrence&quot;:] See the <ref target="F6">accompanying
                                Engraving</ref>. [Bijou Editor, William Fraser] <ref target="N8"
                                >BACK</ref>
                        </note>
                        <anchor id="N8"/>creature young,</l>
                    <l rend="indent1">Out of thy sportive mood so bravely sprung</l>
                    <l rend="indent1">Into bright life, and took his stand in joy</l>
                    <l rend="indent1">With things that Time shall never dare destroy? -- </l>
                    <l rend="indent1"> -- What matter? -- he is here, and here shall be,</l>
                    <l rend="indent1">A shape to speak, in far futurity,</l>
                    <l rend="indent1">Of thy rare merits to the Muse of Song,</l>
                    <l rend="indent1">When I and all these rhymes have vanished long!</l>
                </lg>
                <lb/>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage144">
                        <figure entity="pageimage"/>
                    </xref>
                </p>
            </div>
            <div type="poem" id="P26">
                <pb n="144"/>
                <head rend="hi">
                    <title>Youth and Age</title>
                </head>
                <head>
                    <name reg="Coleridge, Samuel Taylor" date="1772-1834" place="UK">By S. T. Coleridge, Esq.</name>
                </head>
                <lg type="stanza">
                    <l rend="indent1">VERSE, a breeze mid blossoms straying,</l>
                    <l rend="indent1">Where Hope clings feeding like a bee,</l>
                    <l rend="indent1">Both were mine! Life went a maying</l>
                    <l rend="indent2">With Nature Hope and Poesy.</l>
                    <l rend="indent3">When I was young!</l>
                    <l rend="indent1">When I was young? -- Ah, woful when!</l>
                    <l rend="indent1">Ah, for the change &apos;twixt now and then!</l>
                    <l rend="indent1">This house of clay not built with hands,</l>
                    <l rend="indent1">This body that does me grievous wrong</l>
                    <l rend="indent1">O&apos;er hill and dale and sounding sands,</l>
                    <l rend="indent1">How lightly then it flashed along: --</l>
                    <l rend="indent1">Like those trim boats, unknown of yore,</l>
                    <l rend="indent1">On winding lakes and rivers wide,</l>
                    <l rend="indent1">That ask no aid of sail or oar,</l>
                    <l rend="indent1">That fear no spite of wind or tide!</l>
                    <l rend="indent1">Nought cared this body for wind or weather,</l>
                    <l rend="indent1">When youth and I lived in&apos;t together.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">Flowers are lovely; Love is flower-like,</l>
                    <l rend="indent1">Friendship is a sheltering tree;</l>
                    <l rend="indent1">O the joys that come down shower like</l>
                    <l rend="indent1">Of Beauty, Truth and Liberty.</l>
                    <pb n="145"/>
                    <l rend="indent1">Ere I was old!</l>
                    <l rend="indent1">Ere I was old? Ah woful ere,</l>
                    <l rend="indent1">Which tells me youth&apos;s no longer here!</l>
                    <l rend="indent1">O youth for years so merry and sweet,</l>
                    <l rend="indent1">&apos;Tis known that thou and I were one,</l>
                    <l rend="indent1">I&apos;ll think it but a false conceit,</l>
                    <l rend="indent1">It cannot be that thou art gone!</l>
                    <l rend="indent1">Thy vesper bell hath not yet toll&apos;d,</l>
                    <l rend="indent1">And thou wert, aye a masker bold.</l>
                    <l rend="indent1">What strange disguise hast now put on,</l>
                    <l rend="indent1">To make believe that thou art gone?</l>
                    <l rend="indent1">I see these locks in silvery slips,</l>
                    <l rend="indent1">This dragging gait, this altered size; --</l>
                    <l rend="indent1">But spring tide blossoms on thy lips,</l>
                    <l rend="indent1">And tears take sunshine from thine eyes!</l>
                    <l rend="indent1">Life is but thought, so think I will</l>
                    <l rend="indent1">That youth and I are house-mates still.</l>
                </lg>
                <lb/>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage146">
                        <figure entity="pageimage"/>
                    </xref>
                </p>
            </div>
            <div type="poem" id="P27">
                <pb n="146"/>
                <head rend="hi">
                    <title>A Day Dream</title>
                </head>
                <head>
                    <name reg="Coleridge, Samuel Taylor" date="1772-1834" place="UK">By S.T. Coleridge, Esq.</name>
                </head>
                <lg type="stanza">
                    <l rend="indent1">MY eyes make pictures, when they are shut: -- </l>
                    <l rend="indent1">I see a fountain, large and fair,</l>
                    <l rend="indent1">A willow and a ruined hut,</l>
                    <l rend="indent1">And thee, and me and Mary there: -- </l>
                    <l rend="indent1">O Mary! make thy gentle lap our pillow!</l>
                    <l rend="indent1">Bend o&apos;er us, like a bower, my beautiful green
                        willow!</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">A wild- rose roofs the ruined shed,</l>
                    <l rend="indent1">And that and summer will agree:</l>
                    <l rend="indent1">And, lo! where Mary leans her head,</l>
                    <l rend="indent1">Two dear names carved upon the tree! -- </l>
                    <l rend="indent1">And Mary&apos;s tears -- they are not tears of sorrow, -- </l>
                    <l rend="indent1">Our sister and our friend will both be here tomorrow.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">&apos;Twas day; but now few, large, and bright,</l>
                    <l rend="indent1">The stars are round the crescent moon; -- </l>
                    <l rend="indent1">And now it is a dark warm night,</l>
                    <l rend="indent1">The balmiest of the month of June!</l>
                    <pb n="147"/>
                    <l rend="indent1">A glow-worm fall&apos;n, and in the marge remounting</l>
                    <l rend="indent1">Shines and its shadow shines, fit stars for our sweet
                        fountain.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">O ever -- ever be thou blest!</l>
                    <l rend="indent1">O Asra! dearly love I thee</l>
                    <l rend="indent1">This brooding warmth across my breast;</l>
                    <l rend="indent1">This depth of tranquil bliss -- ah, me!</l>
                    <l rend="indent1">Fount, tree and shed are gone, I know not whither,</l>
                    <l rend="indent1">But in one quiet room we three are still together.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">The shadows dance upon the wall</l>
                    <l rend="indent1">By the still dancing fire- flames made;</l>
                    <l rend="indent1">And now they slumber moveless all!</l>
                    <l rend="indent1">And now they make to me deep shade!</l>
                    <l rend="indent1">But not from me shall this mild darkness steal thee,</l>
                    <l rend="indent1">I dream thee with mine eyes, and at my heart I feel thee!</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">Thine eyelash on my cheek doth play -- </l>
                    <l rend="indent1">&apos;Tis Mary&apos;s hand upon my brow!</l>
                    <l rend="indent1">But let me check this tender lay</l>
                    <l rend="indent1">Which none may hear but she and thou,</l>
                    <l rend="indent1">Like the still hive at quiet midnight humming,</l>
                    <l rend="indent1">Murmur it to yourselves, ye two beloved women.</l>
                </lg>
            </div>
            <div type="picture" id="F7" refid="S6">
                <head>Figure 7: A Village Festival (Head Piece)</head>
                <p rend="center">
                        <figure entity="smfestival" n="7">
                            <head><bibl><author type="painter">painted by <name reg="Stothard, Thomas" date="1755–1834" place="UK">T. Stothard, Esq.,</name></author> <author type="engraver">engraved by <name reg="Fox, Augustus" date="0000-0000" place="UK">Mr. Augustus Fox</name></author></bibl></head>
                        </figure>
                </p>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage148">
                        <figure entity="pageimage"/>
                    </xref>
                </p>
            </div>
            <div type="story" id="S6" refid="F7">
                <pb n="148"/>
                <head rend="hi">
                    <title>Marie&apos;s Grave: A Tale of the Landes</title>
                </head>
                <head>
                    <name reg=" Gleig, G. R. (George Robert) [attrib WorldCat]" date="1796-1888" place="UK">By the author of &quot;The Subaltern.&quot;</name>
                </head>
                <p>IT is hardly necessary to remind the reader that at the close of the Peninsular
                    war orders were issued for the formation of an encampment in the neighbourhood
                    of Bourdeaux, where the regiments which had been selected to reinforce Sir
                    George Prevost in Canada, as well as to carry on hostilities along the shores of
                    the United States, might assemble. It fell to the lot of the **** regiment of
                    light infantry to form one of the corps appointed for the last-mentioned of
                    these services. Having been attached to the left column of Lord
                    Wellington&apos;s army we were stationed, when the above intelligence
                    reached us, under the walls of Bayonne, at the distance of ten long
                    day&apos;s march from the point of rendezvous; but we welcomed the
                    communication with not less alacrity on that account, and <pb n="149"/>made
                    ready, on the 14th May, 1814, to act in accordance with its tenor.</p>
                <p>Of the particulars of our journey I am not at present called upon to give any
                    account, farther than that in all its stages, and in every circumstance
                    connected with it, it was most delightful. The weather chanced to be peculiarly
                    favorable. Not a shower of rain, or a blast of wind, overtook us during the
                    whole of our progress; and though towards noon the heat usually became more
                    oppressive than agreeable, we managed by starting every day an hour or two
                    before sun-rise, to escape most of the inconveniences which might have otherwise
                    affected us. Every thing moreover, animate and inanimate which came in our way,
                    had about it an air of exquisite novelty. The costume and personal appearance of
                    the people, the arrangement of their houses, fields, vineyards and gardens, the
                    order of their domestic life, were to us perfectly new, and interesting. We
                    struck into the Landes, on the morning of the third day, and if any of my
                    readers have happened to visit that wild district, he will doubtless attest that
                    one more singular, or more prolific in extraordinary spectacles, has seldom been
                    pressed by the foot of a traveller [sic].</p>
                <p>Amidst the huge forests of pine which overspread the whole face of this region,
                    there are scattered at wide intervals from one another, a few villages, or
                    rather hamlets, remarkable for their extreme beauty, <pb n="150"/>and for the
                    air of primitive simplicity and contentment which hangs over them. They consist,
                    for the most part, of from ten to twenty cottages, the walls of which are
                    composed entirely of wood, and the roofs uniformly covered with straw. Each
                    stands apart in the centre of its own neat garden and enclosure, whilst to the
                    distance of perhaps a quarter of a mile in every direction, a circle of
                    cultivated fields encompasses the whole. It rarely happens that a stream of
                    limpid and excellent water is wanting in the vicinity, and a church, suited to
                    the humble charactor [sic] of its simple worshippers, was a conspicuous feature
                    in every one of the hamlets that lay along the line of our march.</p>
                <p>The quarter-master-general had so arranged our route that we were every day
                    enabled, after compassng [sic] a sufficient extent of ground, to encamp in the
                    neighbourhood of one or other of these delightful villages. The inhabitants
                    proved in all instances, as obliging, as their poverty and secluded course of
                    existence authorised us to expect; and if the women were not always remarkable
                    for personal beauty they were, at all events, invariably goodnatured [sic], and
                    lively. It happened that on one occasion I had my feelings wrought upon to a
                    degree beyond my anticipations; and as the affair appeared at the moment worthy
                    of being noted down, perhaps even now it may be deemed not undeserving of
                    mention.</p>
                <pb n="151"/>
                <p>The night of Saturday the 21st of May, having been spent in the village of St.
                    Muret, at two o&apos;clock on Sunday morning, our tents were struck and we
                    were in motion. Our route lat, as usual during the preceding week over a deep
                    sandy track, cut through the heart of a dreary pine-wood, and our journey, on
                    account of the absence of a convenient spot for halting, proved to be
                    particularly tedious and fatiguing. We had traversed something more than six
                    leagues; the hour of noon was past, and the heat had become intense, when a sort
                    of shout uttered at the head of the column gave notice, that a resting place was
                    in view. The shout did not deceive us. The leading files had already emerged
                    from the wood into the customary range of open country; and in little more than
                    half an hour afterwards our camp was pitched in one [sic] the loveliest
                    situations which it had occupied since the commencement of our progress.</p>
                <p>Unlike its fellow-hamlets, La Barbp the village, beside which we now halted did
                    not stand in the midst of an extensive area of bare meadows, and low
                    corn-fields. Meadows and corn-fields there doubtless were but their surfaces
                    were beautifully diversified by the frequent interspersion of clumps of oaks and
                    chesnuts [sic]; whilst numerous undulations in the ground produced a species of
                    tasteful irregularity, which gave to the little landscape the <pb n="152"/>
                    appearance, rather of a park, or gentleman&apos;s enclosure, than of lands
                    portioned out into fourteen or fifteen different farms. A rivulet of the purest
                    water issued from the forest upon the right, and flowing gently onwards, wound
                    round the base of a green hill, upon which, about a stone&apos;s throw apart
                    from the other buildings, was erected the village church. In the village itself
                    I saw nothing to distinguish it from the others. It consisted as usual of wooden
                    cottages, not one of which, in point of architecture or decorations could claim
                    a superiority over the others. And even the very cure or vicarage, if such it
                    deserved to be called, was nothing more than a cabin, clean and neat, indeed,
                    but presenting the lowliest aspect.</p>
                <p>Every body [sic] knows, that Sunday is observed in a French village as a day, not
                    of relaxation only, but of jubilee. We therefore found the villagers in their
                    best attire, assembled on the green or common, round which their cottages stood;
                    and as they came forward in a body to bid us welcome, they presented upon the
                    whole, a very striking and picturesque appearance. The men were conspicuous for
                    their jackets of coarse brown cloth, their grey or brown breeches, blue
                    stockings and large wooden shoes, but it was in the garb of the women that the
                    distinction paid to Sunday might be most readily <pb n="153"/>noted. The boddice
                    [sic] laced up with blue or scarlet ribbon; the bright scarlet petticoat, made
                    so scanty as to display the scarlet clock [sic] which ornamented the blue
                    stocking, these, with the handkerchief tied round the head with more than
                    ordinary care and neatness, gave intimation that the toilette for that day
                    always occupied much time, and particular attention. All, however, seemed to
                    enjoy the same excellent flow of spirits, and not a few of the younger had
                    gladly availed themselves of our band, to continue the dancing which our
                    approach had interrupted.</p>
                <p>As soon as the bustle of encamping came to a close, I directed my steps towards
                    the church, with the design of joining in the devotions of these simple people,
                    or at least, of offering up my own orisons, from within consecrated walls. In
                    this, however, I was disappointed; the priest, it appeared, officiated at
                    another village besides La Barbp, taking the one in the morning, and the other
                    in the evening, alternately; and as on this day, divine service had been
                    performed here in the morning, it would not be repeated. Though a little
                    chagrined at this circumstance I nevertheless followed up my original design so
                    far, as to take a hasty survey of the interior of the pile; and then proceeded
                    to indulge a favourite whim, by strolling leisurely <pb n="154"/>through the
                    humble cemetery by which it was surrounded.</p>
                <p>I found the churchyard moderately studded with green mounds, but wholly devoid of
                    head-stones or columns to tell the names of the persons who slept beneath.
                    Wooden crosses seemed to be the only species of monument erected by the people
                    of La Barbp to the memory of their deceased relatives, and of these, though they
                    were almost as numerous as the graves themselves, not one bore a word or letter
                    of inscription. Even the garlands, which throughout most parts of France it is
                    customary for the survivors to twine over the tombs of those whom they loved,
                    were all, with a solitary exception, wanting here. Upon one cross, and one only,
                    hung a wreath of flowers; and though the blackened hue of the wood told a tale
                    of exposure to more than one summer and winter, the garland was fresh and
                    fragrant, as if gathered and arranged this very morning. I was much struck with
                    the contrast which the condition of this grave, as compared with the others,
                    presented, and, sitting down, was beginning to give free vent to fancy, when the
                    noise of approaching footsteps disturbed my reverie. I looked round, and beheld,
                    advancing towards me, a man in the common garb of the country. His age seemed to
                    be about three or four and thirty; but in his general appearance there <pb
                        n="155"/>was nothing at all remarkable except that an upright carriage, one
                    empty sleeve, and a pair of monstrous mustachios, indicated that he had been a
                    soldier, and had served in the memorable wars of his country. As he drew nearer,
                    however, I examined him more closely, and observed, or fancied so, a peculiarly
                    mild and even melancholy expression in his eye. Whether or not I was correct,
                    little time was granted to consider, for he raised his hand to his hat and
                    coming forward at once, with the freedom and frankness of his country entered
                    with me into conversation.</p>
                <p>&quot;I perceive, Monsieur,&quot; said he, &quot;that the garland
                    upon the cross which distinguishes this grave from those around it, has
                    attracted your attention.&quot; I assented to his remark, and proceeded to
                    inquire whether he could give me any information respecting the individual who
                    had suspended it there, and the person to whose memory it was consecrated.
                    &quot;I can indeed, sir,&quot; answered he; &quot;I can satisfy you
                    fully on both these heads; it was I that gathered it, it was I that wove it, and
                    it was I that hung it here; it is a task which I religiously perform on the
                    return of every Sunday morning, and she to whom I dedicate my weekly offerings,
                    was the best, as she was the loveliest maiden of the province. Perhaps you may
                    desire to learn something of her history. If you will allow me to take the
                    privilege of a brother soldier I <pb n="156"/>can sit down beside you; and God
                    help me, I shall derive as much satisfaction, though it be a melancholy one from
                    relating the brief detail, as you can have from listening to it.&quot; I
                    immediately, and with the utmost readiness, accepted his proposal, upon which
                    the villager seated himself by my side, and began as follows:</p>
                <p>&quot;I am a native of this place, as from my address and dialect you have
                    doubtless already guessed. My name is Jean Baptiste, and my father, whose only
                    child I am, is accounted the wealthiest and most skillful cultivator in all the
                    department. You may perceive that bating the loss of this arm (and that occurred
                    six years ago, ought not to tell against me), I am neither worse made, nor less
                    personally attractive than my neighbours; whilst I can appeal to all that know
                    me, whether my temper be not as mild, and my disposition as amiable, as those of
                    any lad in these parts.&quot;</p>
                <p>I could not suppress a smile at this most characteristic display of French
                    egotism. &quot;Why Jean,&quot; said, laughing, &quot;I thought you
                    were going to tell me a tale connected with the fair tenant of this grave; but
                    you seem more disposed to instruct me concerning your own good qualities and
                    fortunes.&quot; &quot;Ah! Monsieur,&quot; replied he, &quot;you
                    may smile if you please, and say on that point what you will; but <pb n="157"/>
                    believe me I speak the truth. Yet what availed all these advantages. Marie, the
                    beautiful and gentle Marie, whom I loved with my whole heart, and to promote
                    whose happiness I could have willingly sacrificed my life, would not listen to
                    my suit. It is a fact, indeed it is, she slighted my accomplishments,
                    undervalued my wealth, and preferred to me a poor neighbour, who had nothing to
                    recommend him, that I, at least, could discover, except that he was of a less
                    fair complexion, and possessed a tolerable share of bodily strength and
                    activity. Well, well, I could not quarrel with the girl for that, nor yet
                    forsake my friend because he supplanted me, for Lewis Charmont was my friend,
                    and dear to me as my own soul.</p>
                <p>&quot;It is hardly necessary to inform you, that La Barbp has been inhabited
                    by the ancestors of those families which inhabit it now, since the day when the
                    good saint first planted these forests, and stayed the sands from moving. Under
                    these circumstances you will not be surprised to learn, that we are all
                    accustomed to regard one another as brothers and sisters, and that the poorest
                    man amongst us is not despised or treated as an inferior, by the richest. But
                    though this be, and has ever been the case, it is still only natural that even
                    in our small community particular friendships should bind individuals more
                    closely to each other, than the tie of common regard which <pb n="158"/>binds
                    the same individuals to the whole body. Such has long been the case with the
                    Charmonts, the Clausels, and the Baptistes. Our ancestors loved one another from
                    the remotest period; no change in worldly circumstances ever interfered with
                    their feelings; our parents were as if they had descended from the same stock;
                    and we *** I mean Lewis, Marie and myself *** inherited their attachment.</p>
                <p>&quot;Lewis Charmont was by one year only, my junior; Marie Clausel was two
                    years younger than he. From the very cradle we were companions and playmates;
                    nay were more, *** Lewis was the brother of my adoption, and Marie was our
                    sister. Ah! Monsieur, those were blessed days, when each holding a hand, we led
                    the sweet girl forth towards the river, and seating her on the bank the one
                    plied his rod and line, whilst the other chased the butterfly which she admired,
                    or wove a wreath of wild flowers for her fair brow. But childhood passed away,
                    and youth came, to make us acquainted with the true state of our feelings, and
                    to teach us that we were rivals. We both loved Marie, loved her to absolute
                    idolatry; yet we loved each other at the same time, and never, no not for an
                    instant did a pang of angry jealousy rankle in our hearts.</p>
                <p> &quot;As we approached to manhood, Lewis and I, differing widely in our
                    propensities and pursuits became by degrees not less truly friends, but less
                        fre-<pb n="159"/>quently companions. Lewis was agile, daring and
                    adventurous; field sports, violent bodily exertions, especially where danger was
                    to be surmounted or difficulties overcome, carried him away from his home, and
                    the operations of agriculture; whereas my habits and tastes were all quiet and
                    domestic. I cultivated my father&apos;s fields, contentedly and cheerfully,
                    and was never so happy, as when I found leisure to dress Marie&apos;s
                    garden, and stock it with the rarest and choicest plants within my reach. Yet
                    for all this, she rejected my addresses: she withdrew not, indeed, from my
                    society, but she refused to listen to my vows, and her refusal was so mildly and
                    so affectionately pronounced that I only loved her the more because I felt my
                    suit was hopeless. The truth is, Monsieur, that her affections were already
                    engaged. She preferred to me, (who was continually at her side,) him who
                    bestowed but a small portion of his time or attention upon her; but spent whole
                    days, and sometimes nights in the woods, only that he might bring home and
                    present to her the head of a wolf or the skin of a bear.</p>
                <p>&quot;In this condition affairs continued for some time. We never dreamed of
                    concealing from each other how our affections were disposed of; on the contrary
                    Lewis was all along aware that I loved Marie tenderly, and I was equally aware
                    that Lewis loved her also; yet that either was preferred by her to the <pb
                        n="160"/>other we both continued ignorant, till an accident drew forth the
                    secret.</p>
                <p>&quot;Early in the year 1808, there arrived in our village a
                    sub-officer&apos;s party of Gendarmerie, bearing an order from the prefect
                    of the department, to enrol [sic] four young men from the division of La Barbp,
                    for the service of the army. Such an order, coming from such a quarter, could
                    neither be disputed nor evaded; the names of all the villagers capable of
                    bearing arms, were put into a cap, and that of Lewis Charmont came up. Lewis
                    himself, naturally brave and enterprising, uttered no complaint against his
                    fortune, but rather rejoiced, in the prospect of honor and advancement. Lewis
                    continued as yet ignorant of the possession of Marie&apos;s affections, for
                    though repeatedly urged, she had hitherto refused to acknowledge it, though now,
                    however, concealment was at an end. A threatening separation effected that which
                    years of intimacy and familiar intercourse had failed to effect; and in the
                    bitterness of her agony she yielded a full confession. I was present when she
                    assured him, that she lived for him and him alone; that his departure would be
                    to her a blow which she could not survive; that she would not even desire to
                    exist, did he abandon her. What could I do. I saw indeed that my own hopes were
                    blighted, and that Marie&apos;s coldness sprang not from indifference, but
                    from a positive predilec-<pb n="161"/>tion for another. But that other was my
                    friend; Marie I still loved as before; could I be contented to behold this
                    misery! No, Monsieur, though naturally averse to a life of bustle and contention
                    I determined on the instant, to volunteer in Lewis&apos;s room, I did so
                    without so much as consulting him, and was accepted.</p>
                <p>&quot;Not all the misery which in my quieter hours has followed up the
                    reflection that Marie was lost to me for ever [sic]; not all the grief which was
                    my lot when I committed her delicate form to the earth, have been able to efface
                    the blessed recollection of the moment when the flushed cheek, and glittering
                    eye I told her that her lover was free, and that they might thenceforth be happy
                    together. Ah! Monsieur, that was indeed a moment of rapture, of rapture such as
                    I shall never again experience when I heard her address me as her brother and
                    preserver; when I felt her arms around my neck, and her warm tears upon my
                    cheek, and received the sweetest and most rapturous kiss that the lip of woman
                    ever bestowed! Oh! whole years of agony could not suffice to blot out the
                    recollection of those moments; a life of pain were but a poor price to offer for
                    their repossession! But they passed away; and I marched off, if not happy, at
                    all events, satisfied that I had done my duty, and that there were two kind
                    hearts which <pb n="162"/>beat in gratitude for me, whose own was little better
                    than a blank.</p>
                <p>&quot;My satisfaction was, however, but of short duration. I had sojourned
                    but a few weeks at the dépôt, when the arrival of Lewis, as one of a fresh batch
                    of conscripts, gave proof that the sacrifice which I had made had been to no
                    purpose. A second call for recruits, it appeared, produced a second ballot; and
                    the name of Lewis, as if heaven had decreed that he should not elude his
                    destiny, was again among the number of the drawn. You may well believe that my
                    friend for some time after his enlistment was melancholy enough, when I inform
                    you that the very day was named which ought to have made Marie his own; yet he
                    recovered his spirits by degrees, applied steadily to his drill and his duty,
                    and bore himself as proudly, and was as much admired as any man in the ranks,
                    when the detachment began its march to join the army in Spain.</p>
                <p>&quot;Lewis and I were fortunate enough to be appointed to the same corps,
                    and the same company, indeed we were comrades. We were fortunate too in being
                    commanded by a brave and good officer; and to fill up our measure of good luck,
                    were sent off to serve under one of the ablest and most humane generals whom
                    France has produced. We were ordered to Catalonia, at that time the province of
                    the gallant and <pb n="163"/>generous St. Cyr. This happy combination of events
                    naturally tended to make us look to the future with a less desponding gaze, and
                    upon the past with greater resignation; we acknowledged that our lot might have
                    been far less desirable, and we were contented.</p>
                <p>&quot;No particular events befel [sic] us on our journey towards the
                    frontier. On the whole, we were treated with sufficient consideration by the
                    inhabitants, who bestowed on us a thousand wishes for our success and safe
                    return, and we came up with the army just as it had taken its ground, and begun
                    to make preparations for the siege of Rosas. You are, doubtless, aware, that the
                    defence made by the garrison of that fortress was exceedingly obstinate and
                    gallant. Though our trenches were gradually drawn to the very crest of the
                    glacis, and our saps penetrated the escarpment, the governor refused to
                    surrender; nothing therefore remained but to try the fortune of an assault, and
                    for this perilous service volunteers were invited to offer.</p>
                <p>&quot;The first man who presented himself on that occasion was Lewis
                    Charmont. It was in vain that I reminded him of Marie, and of the necessity
                    under which he lay of guarding his life, as far as circumstances would allow,
                    for her sake. He only smiled at my remonstrance, and squeezing my hand, replied,
                    that if he fell, Marie would honor his memory, and if he survived, he should be
                    the more worthy of her, as <pb n="164"/>he would have acted like a brave man,
                    and earned a medal.</p>
                <p>&quot;The assault took place, and was successful. The carnage on both sides
                    was terrible, but the town fell, and Lewis escaped unhurt. That I rejoiced at
                    his escape you will, I am sure, believe; yet let me be candid, I did envy him,
                    for the first and only time in my life, when I beheld him next morning upon
                    parade with the medal already suspended from his button. Bitterly did I upbraid
                    myself that I had not volunteered also; and I resolved that he should never
                    again earn a distinction to which I should not be equally entitled; nor was I
                    without hope that even Rosas might be to me, as it had been to him, a theatre of
                    renown. The citadel still held out, principally, I believe, through the
                    exertions of your countryman, Lord Cochrane, and a few of his sailors; and it
                    continued for many days to withstand all our efforts. I was one of those who
                    thrice endeavoured to storm it, and were thrice repulsed; but the works were
                    demolished at last by cannon shot, the English were compelled to abandon them,
                    and we took possession of the ruins.</p>
                <p>&quot;Worn out with the labours of a tedious and harassing siege, we fondly
                    looked forward, now that the place had fallen, to the enjoyment of at least a
                    few days of repose, but we were disappointed. The critical situation of
                    Barcelona, at that period blockaded by the <pb n="165"/>enemy, called upon the
                    general to make every effort for its preservation. It was by far the most
                    important of all our possessions on that coast, for the loss of which hardly any
                    success would have compensated; so St. Cyr having determined that it should not
                    change masters through any negligence on his part, made ready, without a
                    moment&apos;s delay, to succour it. On the evening of the day which saw our
                    flag hoisted upon the ramparts of Rosas, the order to prepare was issued, and at
                    an early hour next morning the whole army was in motion.</p>
                <p>&quot;The direct road from Rosas to Barcelona leads, you must know, under the
                    very guns of Hostalrech, a fortified town, which was then held by a numerous
                    Spanish garrison. Conscious that any effort to force a passage must be attended
                    by a heavy loss, and unwilling to waste time by reducing the fort, St. Cyr
                    resolved to penetrate, as he best could, through the mountain; and having found
                    a shepherd who professed to be acquainted with the different tracks, he took him
                    for his guide. The man was no traitor. He conducted the column, by a difficult
                    and circuitous route, round the hill upon which Hostalrech is built, and brought
                    it in safety, after a perilous and fatiguing march, once more into the high
                    road.</p>
                <p>&quot;On this occasion Lewis Charmont and myself were both attached to the
                    rear-guard. It was not very efficient in point of numbers, though the general
                        was<pb n="166"/>pleased to say that we were all brave men, on whom he could
                    perfectly depend; and it came not off so well as the column which it was
                    appointed to protect. During the earlier part of the day, indeed, we, like those
                    in front of us, went on without beholding an enemy; but about four
                    o&apos;clock in the afternoon we suddenly found ourselves watched by a very
                    superior force; which, in spite of our most strenuous efforts to prevent it,
                    succeeded in throwing itself between us and the rear of the column. For and
                    instant we fell back, as if uncertain what course to pursue; the main body, we
                    were well aware, would not, and could not halt to succour us, they could not
                    even spare reinforcements to bring us off, for the defile of Trientepasos was
                    before them, which must be passed that night or never; there was, therefore, no
                    help to be expected from that quarter. The idea of surrendering, whilst we had
                    arms in our hands, could not be borne for a moment; more especially as we were
                    not ignorant that he who became a prisoner to the Spaniards was less to be
                    envied than his comrade who fell in battle. Though they exceeded us in numbers
                    by four to one, we resolved to fight our way through them, and either to make
                    good our passage, or perish in the attempt.</p>
                <p>&quot;The Spaniards were advantageously posted on the brow of a wooded
                    height, and galled us dreadfully, as we rushed on, with their fire, but our
                    charge <pb n="167"/>was decisive; for one instant they stood the shock, in the
                    next we had pierced them. And now all was hurry and confusion; it was our
                    business to escape, each man as he was best able, and we were not very
                    scrupulous as to the means. We ran as fast as weariness would permit,
                    preserving, however, for a time an irregular line, and stopping occasionally, as
                    a convenient space offered, to check the pursuit by our fire; but at last even
                    our skirmishing order was lost, and we fled and fought in files or singly, as
                    chance or circumstances directed.</p>
                <p>&quot;In this manner the tiraillading continued till hardly light enough
                    remained for us to point our muskets, when Lewis, who throughout the whole
                    affaire had kept by my side, fell to the ground. You will wonder when I tell
                    you, that notwithstanding the situation in which we were placed, it never once
                    occurred to me that my friend could be wounded; I imagined that he had merely
                    lost his footing, and I stooped down, in the careless turn of mind which such a
                    belief was calculated to create, in order to assist him in rising. What then
                    were my sensations when I found that he made no reply to my inquiries, and on
                    examining him more closely, discovered that a musket ball had struck him just
                    where the shoulder joins the neck, and passed into his vitals. My very brain
                    swam round, yet I retained self-command sufficient to raise him in my arms, and
                    to entreat that he <pb n="168"/>would exert his utmost strength, as the fire was
                    fast slackening. He did so, and I led him to the rear; but we had not proceeded
                    a dozen paces before he exclaimed in a feeble voice, &apos;It is useless,
                    Baptiste, I cannot proceed farther. Go, go you, save yourself for poor Marie,
                    and leave me to die.&apos; I could not act thus, Monsieur; it was not in my
                    nature to abandon any one, more especially the friend of my heart, under these
                    circumstances; so partly carrying, and partly dragging, I contrived to hurry him
                    along, till a cottage opportunely offering, I conveyed him into it. It was
                    deserted and in ruins; yet with a winter&apos;s night closing rapidly upon
                    us, I was too thankful even for such a shelter to pass it by.</p>
                <p>&quot;The firing had now ceased; our people having made good their retreat,
                    and the enemy fallen back to Hostalrech; but that was a matter about which I was
                    perfectly regardless. I thought only of my friend, for whom the plundered hut
                    afforded no comforts, and but a very partial shelter. I laid him upon the mud
                    floor, and tearing my handkerchief into shreds, attempted to staunch the blood
                    which welled from his broken limb; but all my efforts were fruitless, it flowed
                    in spite of them. When I looked at his countenance, too, that told me plainly
                    enough that there was no hope; the half-closed eye and fallen jaw, not less than
                    the pale lit and livid cheek, warned me that Lewis was departing. Wild with my
                    own <pb n="169"/>fears, I called upon him in the name of Marie, and of all the
                    tender associations connected with his native village, to rally himself, and
                    take courage; and at last, finding that he paid no heed to my adjurations, I sat
                    down beside him in despair, buried my face in my hands, and wept aloud. The
                    sound of my lamentation reached him even in his last moments; he looked up, and
                    in a tone scarcely audible, exclaimed, &apos;Do not weep, Baptiste, do not
                    weep, it must be thus, we must all die. Tell Marie that I fell as became me; and
                    give her my medal, that she may occasionally look upon it, and remember me when
                    I am gone. Tell her, likewise, that with my last breath I consigned her to you;
                    you love her, Baptiste, that I know; and I need not add be kind to her, for to
                    whom was my friend ever unkind? May you be happy together, and the thought that
                    you are so *** .&apos; He could not finish the sentence; no doubt he meant
                    to say, that his spirit would look down upon our happiness with delight, but the
                    word died upon his lips, the lips themselves ceased to move, and he was a
                    corpse.</p>
                <p>&quot;Ah, Monsieur, if you have ever known what it is to witness the
                    dissolution of a friend who was dear to you as the air which you breathed, then,
                    and then only, will you be able to imagine what my feelings were at this moment.
                    Alas! I could not even pay to him the last tribute of friendship; I could not
                    lay him in a grave; but I did what I could; I took his <pb n="170"/>medal from
                    his breast, and fetching a quantity of straw from an adjoining chamber, I spread
                    it over him; I knelt down, too, and breathed a fervent prayer for his soul&apos;s
                    repose; and then with swollen eyes, and a heavy heart, set out to overtake my
                    regiment.</p>
                <p>&quot;I need not pursue the remainder of my story with any particular
                    minuteness. I came up with the corps at the farther mouth of the defile, for the
                    Spaniards, contrary to all expectation, had permitted us to thread it
                    unmolested; and I partook of the bivouac which they had formed on the plain of
                    Llenas. But our repose was of short continuance; the dawn had just begun to
                    break when a heavy column showed itself in full march towards the pass; no doubt
                    could exist as to the force which composed the column; so the drums beat to
                    arms, and in five minutes after the army was in line.</p>
                <p>&quot;Of the action which ensued, and which ended in the total defeat of the
                    Spaniards, I cannot pretend to give any account, for the cannonade had scarcely
                    begun when a round shot struck me in the left arm, and took it off. I was
                    carried from the field along with hundreds besides, and having suffered
                    amputation, was removed to a crowded hospital, where, during many weeks I
                    endured all the misery attendant upon inadequate accommodation, imperfect
                    nursing, and scanty provisions. At last, however, <pb n="171"/>thanks to a
                    naturally good constitution, I recovered; and being no longer serviceable, I
                    received my discharge, but no pension was allowed me; I had not served long
                    enough, it appeared, to merit one; indeed I was left to make my way, as I best
                    might, through the whole breadth of France, without receiving any assistance
                    than that which private benevolence afforded. Thus mutilated, and a beggar, I
                    reached my home exactly ten months from the day on which I quitted it.</p>
                <p>&quot;And now, Monsieur, it only remains for me to repeat the saddest portion
                    of my story. Poor Marie had received no account of her lover since he departed,
                    and had pined and languished after him, like a bird robbed of her young. Her
                    health, naturally delicate, was already impaired by suspense; how then could it
                    be expected that she would bear up against the terrible reality; she did not,
                    Monsieur. I broke the matter to her as delicately as I could, but even thus she
                    was unable to bear it; the intelligence that Lewis was no more came upon her
                    like a thunderbolt upon a bruised reed *** it crushed her. When I strove to
                    cheer her by making mention of her lover&apos;s valour, her tears only
                    flowed the faster; and when I pulled out his medal, and gave it to her as his
                    last bequest, it seemed as if her heart would have broken. She took it, laid it
                    upon her bosom, and to her dying day kept it there; nay, it was not removed from
                    her even <pb n="172"/>in death, it is buried in her grave. No, no, Monsieur, I
                    could not speak to one, thus afflicted, of new ties; I never told her that Lewis
                    had bequeathed her to me. The poor stricken doe had no pasture to fly to; she
                    lingered on for a while, and died.</p>
                <p>&quot;Six years and a half have passed since we laid her in the dust; she had
                    then barely completed her twenty-first year, and the merciful God never took to
                    himself a purer or a chaster spirit. For me, it has ever since been my chief
                    delight to deck her grave, as you see it even now. Every Sunday I gather fresh
                    garland for the purpose; and as long as life remains, I will continue the
                    practice.&quot;</p>
                <p>Though there was something French in this poor fellow&apos;s story, I was,
                    upon the whole, a good deal affected by it; and deeming it not unworthy of a
                    place in my scrap-book, I noted it down.</p>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage173">
                        <figure entity="pageimage"/>
                    </xref>
                </p>
            </div>
            <div type="poem" id="P28">
                <pb n="173"/>
                <head rend="hi">
                    <title type="main">The National Norwegian Song, </title>
                    <title type="subordinate">From S. P.  Wolff</title>
                </head>
                <head>
                    <name reg=" Leeds, W. H. (William Henry)" date="1786-1866" place="UK">By  W. H. Leeds</name>
                </head>
                <lg type="stanza">
                    <l rend="indent1">LAND of our fathers thou art fair,</l>
                    <l rend="indent1">To us thy sea- zoned coast is dear;</l>
                    <l rend="indent1">And dear thy rocks up- piled on high,</l>
                    <l rend="indent1">Which storms and years alike defy! -- </l>
                    <l rend="indent1">Remains of a primeval land,</l>
                    <l rend="indent1">That midst the raging tempests stand</l>
                    <l rend="indent1">As mailed giants on whose brow</l>
                    <l rend="indent1">Wide gleams the helmet&apos;s silver glow.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">When Thor first Norway&apos;s shores beheld,</l>
                    <l rend="indent1">His throne he stationed there, and dwelled</l>
                    <l rend="indent1">Amidst the spirits who delight</l>
                    <l rend="indent1">With cloud and storm to wage the fight.</l>
                    <l rend="indent1">As through the welkin rolled his car,</l>
                    <l rend="indent1">He heard them chaunt his praise afar;</l>
                    <l rend="indent1">With boding voice of awe they hailed</l>
                    <l rend="indent1">The power that o&apos;er thy foes prevailed.</l>
                </lg>
                <lb/>
                <pb n="174"/>
                <lg type="stanza">
                    <l rend="indent1">&apos;Twas here that roamed the North&apos;s brave
                        child,</l>
                    <l rend="indent1">Undaunted through the troublous wild;</l>
                    <l rend="indent1">Not death could e&apos;er his soul appal,</l>
                    <l rend="indent1">But beckoned him to Odin&apos;s hall,</l>
                    <l rend="indent1">Like a fair maid with Freia&apos;s face,</l>
                    <l rend="indent1">Full rushing to his fond embrace,</l>
                    <l rend="indent1">Whilst in his life&apos;s last throb of pain</l>
                    <l rend="indent1">His lips would breathe the victor strain.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">Dear to our hearts the legend lore</l>
                    <l rend="indent1">Of which is thine so rich a store:</l>
                    <l rend="indent1">When howls the storm the plain along,</l>
                    <l rend="indent1">It seems some ancient warrior&apos;s song;</l>
                    <l rend="indent1">When foams the dashing water fall,</l>
                    <l rend="indent1">We hear a voice to battle call -- </l>
                    <l rend="indent1">The clang of arms -- the glorious fray -- </l>
                    <l rend="indent1">The Skald&apos;s bold, courage stirring lay.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">Still in thy manly sons we trace</l>
                    <l rend="indent1"> Norway&apos;s former hero- race;</l>
                    <l rend="indent1">The spirit flashes from their eye,</l>
                    <l rend="indent1">While toil they brave, and death defy;</l>
                    <l rend="indent1">And in thy maiden&apos;s eye of blue</l>
                    <l rend="indent1">Beneath young Siofna&apos;s virgin hue,</l>
                    <l rend="indent1">While Ydun&apos;s ever- youthful spring</l>
                    <l rend="indent1">Doth o&apos;er their cheek its rose- tints fling.</l>
                </lg>
                <lb/>
                <pb n="175"/>
                <lg type="stanza">
                    <l rend="indent1">Hail! thou our glorious father- land!</l>
                    <l rend="indent1">With pride we view thy lofty strand -- </l>
                    <l rend="indent1">Its summer vales and winter woods,</l>
                    <l rend="indent1">Its crystal lakes, and torrent- floods.</l>
                    <l rend="indent1">Unshaken by the storms that rage</l>
                    <l rend="indent1">Around, it stands from age to age;</l>
                    <l rend="indent1">And rears its giant crest sublime,</l>
                    <l rend="indent1">Unchanging to the end of time!</l>
                </lg>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage176">
                        <figure entity="pageimage"/>
                    </xref>
                </p>
            </div>
            <div type="poem" id="P29">
                <pb n="176"/>
                <head rend="hi">
                    <title>An Address to the Lost Wig of John Bell, Esquire</title>
                </head>
                <head>
                    <name reg="[anon.]" date="0000-0000" place="UK">By a Tyro</name>
                </head>
                <lg type="stanza">
                    <l rend="indent1">BEFORE I yet assume the band,</l>
                    <l rend="indent1">Or dare to tread on lawyer- land,</l>
                    <l rend="indent1">(A rich champaign that&apos;s never bleak</l>
                    <l rend="indent1">Nor bare to those who <emph>boldly</emph> speak;</l>
                    <l rend="indent1">Where neither cold, nor rain, nor drought</l>
                    <l rend="indent1">Can ever turn the crops to nought:) -- </l>
                    <l rend="indent1">Before I venture on a brief, -- </l>
                    <l rend="indent1">Before I hang a single theif, -- </l>
                    <l rend="indent1">Or plunge my goose- quill into ink, -- </l>
                    <l rend="indent1">Or purse my mouth and <emph>seem</emph> to think,</l>
                    <l rend="indent1">While clients stare, and rustics wonder,</l>
                    <l rend="indent1">Like young pigs when they shrink from thunder, -- </l>
                    <l rend="indent1">I&apos;ll call on <emph>thee</emph>, renowned wig!</l>
                    <l rend="indent1">(In self- importance justly big)</l>
                    <l rend="indent1">Beneath whose ample curls men sit,</l>
                    <l rend="indent1">Disfigured by thy weight of wit: -- </l>
                    <l rend="indent1">(For thou <emph>still</emph> dost the lawyer fire,</l>
                    <l rend="indent1">As Phoebus&apos; rays bards&apos; brains inspire;</l>
                    <l rend="indent1">Making mere man thrice vast and learn&apos;d,</l>
                    <l rend="indent1">Like water into vapour turned.) -- </l>
                </lg>
                <lb/>
                <pb n="177"/>
                <lg type="stanza">
                    <l rend="indent1"> -- Spirit of wisdom, cramped and curled!</l>
                    <l rend="indent1">Type of the thoughts that fill the world!</l>
                    <l rend="indent1">(Tortured to every quirk and shift</l>
                    <l rend="indent1">That lawyers into fortune lift:)</l>
                    <l rend="indent1">What garland, wrought of barren bays? -- </l>
                    <l rend="indent1">What &quot;order,&quot; rich with martial rays? -- </l>
                    <l rend="indent1">What knightly cross, or riband red?</l>
                    <l rend="indent1">What key,-- -- what collar ever shed</l>
                    <l rend="indent1">Such honours on man&apos;s honoured head?</l>
                    <l rend="indent1">Vittoria&apos;s splendours! -- what are <emph>they</emph>
                    </l>
                    <l rend="indent1">To Eldon&apos;s powder waxing grey?</l>
                    <l rend="indent1">What black King Charles&apos;s black peruke?</l>
                    <l rend="indent1">What Villers&apos; locks, &apos;though twice a
                        duke&apos;?</l>
                    <l rend="indent1">What Malborough&apos;s waggon- load of hair?</l>
                    <l rend="indent1">Or Lely&apos;s loves all frizz&apos;d and fair? --
                    </l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">And thou -- <emph>Greatwig</emph>! -- white -- powdered --
                        flowing</l>
                    <l rend="indent1">O&apos;er eyebrows knit and foreheads knowing,</l>
                    <l rend="indent1">Upon what skull, on law intent,</l>
                    <l rend="indent1">Did&apos;st perch, -- <emph>thou</emph>, King of wigs! --
                        content,</l>
                    <l rend="indent1">When wisest BELL, (so keen and kind)</l>
                    <l rend="indent1">Left law but left no peer behind, -- </l>
                    <l rend="indent1">Not one so sage, and yet so meek,</l>
                    <l rend="indent1">Of all the tribes that love to speak?</l>
                    <l rend="indent1">Before what jaded judge, (who sits,</l>
                    <l rend="indent1">And sighs, and nods, and yawns by fits,)</l>
                    <l rend="indent1">Dost thou <emph>now</emph> shake thy Gorgon terrors,</l>
                    <l rend="indent1">Doubling some damned defendant&apos;s errors?</l>
                </lg>
                <lb/>
                <pb n="178"/>
                <lg type="stanza">
                    <l rend="indent1">Or, -- after P -- &apos;s judicial fury,</l>
                    <l rend="indent1">Dost smooth some forty- shilling jury?</l>
                    <l rend="indent1">Casting thy perfumes in their noses</l>
                    <l rend="indent1">The more thy brother wig opposes?</l>
                    <l rend="indent1">Or dost thou on the bench inhabit,</l>
                    <l rend="indent1">Where L -- looks smug and -- says &apos;D -- it?&apos;</l>
                    <l rend="indent1">From little snarling -- -- &apos;s crown</l>
                    <l rend="indent1">Fling&apos;st thou thy odours half- way down</l>
                    <l rend="indent1">His pigmy shape? -- From Pr -- st -- n&apos;s head,</l>
                    <l rend="indent1">Where deep black- lettered law was bred,</l>
                    <l rend="indent1">And nursed through many a patient night</l>
                    <l rend="indent1">Till Lincolns Inn was filled with light?</l>
                    <l rend="indent1">Dwell&apos;st thou with elder S -- nd -- rs, (well</l>
                    <l rend="indent1">Mayst thou with <emph>him</emph> contented dwell, -- </l>
                    <l rend="indent1">A lawyer sound as ever saw</l>
                    <l rend="indent1">When sense should sway the doubtful law)?</l>
                    <l rend="indent1">Hang&apos;st thou on L -- nd -- st&apos;s lordly
                        cheek?</l>
                    <l rend="indent1">Dost thou abide with W -- lde, or P -- ke,</l>
                    <l rend="indent1">Both serjeants firm and fit to battle</l>
                    <l rend="indent1">A cause through four old women&apos;s tattle?</l>
                    <l rend="indent1">Or hidest thou S -- t&apos;s pompous air?</l>
                    <l rend="indent1">Or M -- t&apos;s visage hard and square?</l>
                    <l rend="indent1">Or A -- t&apos;s look &apos;tween scowl and smile?</l>
                    <l rend="indent1">Or -- &apos;s face all drenched in guile?</l>
                    <l rend="indent1">Or H -- ld&apos;s bold brow? or B -- s -- l&apos;s
                        grace,</l>
                    <l rend="indent1">Handsomest of the lawyer race?&amp;mdash </l>
                    <l rend="indent1">Speak! -- if thou still canst teach the tongue</l>
                    <l rend="indent1">(That thing on golden hinges hung)</l>
                    <l rend="indent1">To speak -- I&apos;ll secret be -- Declare,</l>
                    <l rend="indent1">From all thy thousand mouths of hair</l>
                    <l rend="indent1">If any barrister or bencher</l>
                    <l rend="indent1">
                        <emph>Still</emph> from thy bounty fills his trencher?</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">If, on some huge block&apos;s head and shoulders,</l>
                    <l rend="indent1">Thou hang&apos;st, the laugh of all beholders,</l>
                    <l rend="indent1">Forc&apos;d, when thou canst inspire no more,</l>
                    <l rend="indent1">To hear the trash thou scorn&apos;dst before,</l>
                    <l rend="indent1">Quick! leave the block (the head) -- whose hum</l>
                    <l rend="indent1">Comes out as from some empty drum,</l>
                    <l rend="indent1">Which one who should be beaten beats, -- </l>
                    <l rend="indent1">Where noisy nonsense, nonsense meets, -- </l>
                    <l rend="indent1">Where blunders bump &apos;midst lawyer&apos;s quirks,
                        -- </l>
                    <l rend="indent1">And not one ounce of wisdom lurks:</l>
                    <l rend="indent1">Quick, leave the lackwit&apos;s skull all free,</l>
                    <l rend="indent1">And send the rogue to -- Coventry<note n="9" place="foot"
                            resp="Bijou Editor, William Fraser, or Author">[Note to &quot;An Address to
                            the Lost Wig of John Bell, Esq.&quot;:]Not the town. [Fraser or Author.] <ref
                                target="N9">BACK</ref>
                        </note>. <anchor id="N9"/>
                    </l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">Or, -- are thou still, by human head,</l>
                    <l rend="indent1">O peerless wig! untenanted?</l>
                    <l rend="indent1">Hanging somewhere &apos;tween sea and sky,</l>
                    <l rend="indent1">Like prophets&apos; coffin lone and high? -- </l>
                    <l rend="indent1">If so, and there&apos;s a curl of hair,</l>
                    <l rend="indent1">A bunch -- a look -- a lock to spare,</l>
                    <l rend="indent1">Yield it to me, -- to me, who left</l>
                    <l rend="indent1">(Like widow of her son bereft)</l>
                    <l rend="indent1">(which would be of little service to a dunce) but a learned
                        and ingenious conveyancer of that name</l>
                    <pb n="180"/>
                    <l rend="indent1">For aye, the sweet muse Poesy,</l>
                    <l rend="indent1">And gave my life to law and thee!</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">And must I see the poet&apos;s pages</l>
                    <l rend="indent1">No more? -- ne&apos;er dream of bright bright-ages,</l>
                    <l rend="indent1">When inspiration, like a sun,</l>
                    <l rend="indent1">Came down and deathless deed were done?</l>
                    <l rend="indent1">Farewell, then -- (in Sir Blackstone&apos;s vein,</l>
                    <l rend="indent1">I&apos;ll bid the muse farewell again) -- </l>
                    <l rend="indent1">Farewell, then, to the dangerous muse,</l>
                    <l rend="indent1">Whom lawyers love yet aye abuse!</l>
                    <l rend="indent1">Farewell unto the poets crowned!</l>
                    <l rend="indent1">Farewell, where laurel leaves abound, -- </l>
                    <l rend="indent1">Thessalian Pindus! -- Tempe&apos;s plains! -- </l>
                    <l rend="indent1">Parnassus, where Apollo reigns!</l>
                    <l rend="indent1">And farewell O Castalian river!</l>
                    <l rend="indent1">Upon whose fringed banks for ever</l>
                    <l rend="indent1">Lie clustering still the dark-eyed daughters,</l>
                    <l rend="indent1">Singing to all thy running waters</l>
                    <l rend="indent1">Strange music like the Sybil&apos;s spell, -- </l>
                    <l rend="indent1">Farewell, -- to all and each -- Farewell!</l>
                </lg>
            </div>
            <div type="picture" id="F8" refid="P30">
                <head>Figure 8: A Portrait of a Lady</head>
                <p rend="center">
                        <figure entity="smportraitlady" n="8">
                            <head><bibl><author type="painter">painted by <name reg="Lawrence, Thomas" date="1769–1830" place="UK">Sir Thomas Lawrence</name></author>, <author type="engraver">engraved by <name reg=" Worthington, William Henry" date="1795-1839" place="UK">Mr. W.  H. Worthington</name></author></bibl></head>
                        </figure>
                </p>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage181">
                        <figure entity="pageimage"/>
                    </xref></p>
            </div>
            <div type="poem" id="P30" refid="F8">
                <pb n="181"/>
                <head rend="hi">
                    <title>A Simile, on a Lady&apos;s Portrait</title>
                </head>
                <head>
                    <name reg=" Montgomery, James" date="1771-1854" place="UK">By James Montgomery, Esq.</name>
                </head>
                <lg type="stanza">
                    <l rend="indent1">A FOUNTAIN issuing into light,</l>
                    <l rend="indent1">Before a marble palace, threw</l>
                    <l rend="indent1">To heaven its column, pure and bright,</l>
                    <l rend="indent1">Returning thence in showers of dew;&amp;mdash</l>
                    <l rend="indent1">But soon a humbler course it took,</l>
                    <l rend="indent1">And glid away&amp;mdash a nameless brook.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">Flowers on its grassy margin sprang,</l>
                    <l rend="indent1">Flies o&apos;er its eddying surface play&apos;d,</l>
                    <l rend="indent1">Birds &apos;midst the waving branches sang,</l>
                    <l rend="indent1">Flocks through the verdant meadows stray&apos;d;</l>
                    <l rend="indent1">The weary there lay down to rest,</l>
                    <l rend="indent1">And there the halcyon built her nest.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">&apos;Twas beautiful&amp;mdash to stand and watch</l>
                    <l rend="indent1">The fountain&apos;s crystal turn to gems,</l>
                    <l rend="indent1">And such resplendent colours catch,</l>
                    <l rend="indent1">As though &apos;twere raining diadems;</l>
                    <l rend="indent1">Yet all was cold and curious art,</l>
                    <l rend="indent1">That charm&apos;d the eye, but miss&apos;d the
                        heart!&amp;mdash</l>
                </lg>
                <lb/>
                <pb n="182"/>
                <lg type="stanza">
                    <l rend="indent1">Dearer to me the little stream,</l>
                    <l rend="indent1">Whose unimprison&apos;d waters run,</l>
                    <l rend="indent1">Wild as the changes of a dream,</l>
                    <l rend="indent1">By rock and glen, through shade and sun;</l>
                    <l rend="indent1">Its lovely links have power to bind,</l>
                    <l rend="indent1">And whirl away my willing mind.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">So thought I, when I saw the face,</l>
                    <l rend="indent1">By happy portraiture reveal&apos;d,</l>
                    <l rend="indent1">Of one, adorn&apos;d with every grace;</l>
                    <l rend="indent1">Her name and date from me conceal&apos;d,</l>
                    <l rend="indent1">But not her story;&amp;mdash she had been</l>
                    <l rend="indent1">The pride of many a splendid scene.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">She cast her glory round a court,</l>
                    <l rend="indent1">And frolick&apos;d in the gayest ring,</l>
                    <l rend="indent1">Where Fashion&apos;s high&amp;hyphen born minions
                        sport,</l>
                    <l rend="indent1">Like gilded insects on the wing;</l>
                    <l rend="indent1">But thence, when love had touch&apos;d her soul,</l>
                    <l rend="indent1">To nature and to truth she stole.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">From din, and pageantry, and strife,</l>
                    <l rend="indent1">&apos;Midst woods and mountains, vales and plains,</l>
                    <l rend="indent1">She treads the paths of lowly life,</l>
                    <l rend="indent1">Yet in affection&apos;s bosom reigns;</l>
                    <l rend="indent1">No fountain scattering diamond&amp;hyphen showers,</l>
                    <l rend="indent1">But the sweet streamlet, edged with flowers!</l>
                </lg>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage183">
                        <figure entity="pageimage"/>
                    </xref>
                </p>
            </div>
            <div type="story" id="S7">
                <pb n="183"/>
                <head rend="hi">
                    <title>The Epistle of Servius Sulpicius to Marcus Tullius Cicero</title>
                </head>
                <head>
                    <name reg="[anon.]" date="0000-0000" place="">By Unknown</name>
                </head>
                <p>Translated by HIS MAJESTY.</p>
                <p>AS soon as I heard your daughter Tullia was dead, I confess I was extremely
                    concerned, as it became me to be, at a loss which I regarded as common to us
                    both; and if I had been with you, I should not have been wanting to you, but
                    should have openly testified the bitterness of my grief. &apos;Tis true this
                    is but a poor and miserable consolation, because those who ought to administer
                    it, I mean our nearest friends and relations, are almost equally affected with
                    ourselves, nor can they attempt it without shedding many a tear: so that they
                    appear to be more in want of comfort themselves than to perform that duty to
                    others. I resolved, however, to set down in a short letter to you such
                    considerations as occurred to my mind, not because they can have escaped you,
                    but because I think that your grief has hindered your attending to them. What
                    reason is there why you should be transported by so immoderate a grief: consider
                    how fortune has <pb n="184"/>hitherto dealt with us; consider that we have lost
                    what ought to be dearer to us than our own offspring, our country, our credit,
                    dignity, and all our honours. This one misfortune more, how can it increase our
                    misery? Or what mind is there that has been subject to such distress, but must
                    have now grown callous, and regard every thing else as of little consequence? Is
                    it for her sake that you grieve? But how often must you have fallen into that
                    train of thinking into which I often fall, which suggests to me that those
                    persons are not the most unfortunate at this time who are permitted to exchange
                    life for death? What is there now which could make her so much regret the loss
                    of life? What affairs? what [sic] hopes? what [sic] prospects of comfort? Was it
                    that she might pass her life with some Nobleman of high rank and qualification?
                    And can you really think that it was in your power, deservedly honored as you
                    are, to choose out of our present youth, a son-in-law, to whom you might safely
                    commit a child so dear to you? Or, was it that she might bear children from
                    whose flourishing condition she might have drawn much pleasure? Who might have
                    enjoyed a large fortune, transmitted to them from their parents? Who might have
                    been candidates in turn for the honors of the state; and who might have employed
                    their liberty in the service of your friends! Alas! which of these blessings was
                    not taken <pb n="185"/>away before she was in a condition to bestow them on
                    others? But it is a most shocking thing to lose one&apos;s children. True,
                    if it were not much more so to suffer and undergo what we now do. Give me leave
                    to relate to you, what on a certain occasion afforded me some little comfort,
                    and allow me to hope that it may have the same effect upon you. Upon my return
                    from Asia, as I sailed from Ægina to Megara, on my right hand Piræus, on my left
                    Corinth. These cities were at one time flourishing beyond imagination, but are
                    now desolate and in ruins. Thus I began to ruminate with myself; alas! do we
                    poor mortals resent it so much, if one of us dies, or is killed, whose life is
                    of so short a date, when we see in one spot the many carcases [sic] of so great
                    cities lying before us? Will you not, Servius, check your grief by recollecting
                    that you are born a man? Believe me I was not a little comforted by that
                    thought. If you please, therefore, try the power of it on yourself. It was but
                    lately we saw many famous men perish, a great empire declining and all the
                    provinces in the utmost distress. And shall the death of one little woman so
                    grievously afflict you! Who if she had not died now, must in a few years have
                    done so; for she was born a mortal. Let me beg of you therefore, as much as is
                    in your power, to call off your <pb n="186"/>mind from brooding over these
                    subjects, and to turn it rather on such as are worthy of your character;
                    consider, that she lived as long as it was desirable for her to live; that her
                    fate was joined to that of her country, that she lived to see her father,
                    Prætor, Consul, and Augur; had been married to youths of the greatest
                    distinction; had enjoyed all manner of happiness: and fell at last with the
                    republic. Upon what account can you or she complain of fortune? Above all, do
                    not forget that you are Cicero, one who is accustomed to advise and direct
                    others; and do not imitate bad physicians, who in the disorders of others
                    profess that they are conversant in the art of physic, and are not able to cure
                    themselves; but rather follow what you recommend to others and keep it
                    constantly before your eyes. There is no grief which length of time will not
                    diminish and soften, it is beneath you to wait for that moment, and not to
                    master your grief, beforehand by your wisdom. But if there be any feeling in the
                    dead, I am certain that she is very desirous that you should not wear yourself
                    out with grief for her sake, on account of her filial piety and affection for
                    you. Grant this favor to her, who is now dead and to the rest of your friends
                    and relations, who sympathise with you in your grief, grant it also to your
                    country, that, if she be in want of your assistance, she may be able to make use
                    of your counsel and advice. And last of all, since we are fallen into such a
                    situation, that we <pb n="187"/> must submit to the present state of things, do
                    not put it in the power of any one to say, that you grieve less for your
                    daughter, than you do for the misfortunes of the country and for the victories
                    of her enemies. It does not become me to write to you any more concerning this
                    affair lest I should appear to distrust your prudence. Wherefore, when I have
                    mentioned this one piece of advice, I will conclude my letter. We have seen you
                    bear prosperity in a manner that became you, and acquire great glory from it;
                    now let us perceive that you can bear adversity with equal fortitude, and that
                    you are no more oppressed by it than you ought to be: lest this should appear to
                    be the only virtue you want among so many. But as to what belongs to me, when I
                    understand that you are a little more composed, I will inform you concerning
                    what passes here and in what state this province is. Adieu.</p>
                <p>[insert scanned image of signature: George P. 1779.]</p>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage188">
                        <figure entity="pageimage"/>
                    </xref>
                </p>
            </div>
            <div type="story" id="S8">
                <pb n="188"/>
                <head rend="hi">
                    <title>The Epistle of Marcus Tullius Cicero to Servius Sulpicius</title>
                </head>
                <head>
                    <name reg="[anon.]" date="0000-0000" place="">By Unknown</name>
                </head>
                <p>Translated by his late Royal Highness THE DUKE OF YORK.</p>
                <p>I WISH, indeed, Servius, as you write, that you had been here when this
                    misfortune befel [sic] me; for I easily understand from the quiet the reading of
                    your letters administered to me, how much if you had been present, you might
                    have assisted in consoling me, and almost equally sharing in my grief; for you
                    have not only written such things as have alleviated my grief, but have very
                    kindly sympathized with me. However you son Servius has testified by all those
                    serviceswhich could be rendered to me, not only how much he esteems me, but how
                    much he thinks you will be pleased with his kindness towards me *** whose good
                    offices, though often upon pleasanter occasions, have never been more welcome to
                    me than at this time. But it is not what you say in your letter, and the share
                    you take in my affliction, but your authority also which has consoled me; for I
                    think it unworthy of me not to bear my mis-<pb n="189"/>fortune, as you who are
                    endowed with so much wisdom, think I ought to do. But I am sometimes oppressed,
                    and can hardly resist my grief; because those comforts are wanting which were
                    not wanting to these, whom I have proposed to myself as patterns. For both Q.
                    Maximus, who lost his son after he had been consul, and rendered himself famous
                    by great actions; and L. Paulus, who was deprived of two sons in the compass of
                    seven days, as well as your Gallus and Marcus; Cato who left a son of the
                    greatest genius and virtue, all these lived at a time when their own dignity,
                    which they had received at the hands of the republic, was alone able to
                    alleviate their grief. But after I had lost those ornaments which you have
                    mentioned, and which I had with much labour obtained, this was the only comfort
                    left me, which I am now deprived of.</p>
                <p>My thoughts were not employed on the affairs of friends, or in the affairs of the
                    republic. It was irksome to me to do any thing in the Forum, and I could not
                    even bear the sight of the Senate House. I thought what was very true, that I
                    had lost all the fruits of my industry and fortune. Yet when I reflected that
                    these things were common to me with you and many others; and when I was forcing
                    myself to bear these things tolerably, I had a person to whom I could fly, with
                    whom I could be at east, and in whose conversation and sweetness of manners I
                    could lose all my cares and vexations. But this has opened<pb n="190"/>again all
                    my former wounds, which appeared to be healing. For it is not now as it was
                    then, when my family relieved my concern for the affairs of the republic;
                    neither can I fly for consolation under my private misfortunes to the prosperity
                    of the republic. Therefore I absent myself as well from my own house as from the
                    forum; because my own house is not able now to console me under the grief which
                    I receive from the republic, nor the republic under the grief which I receive
                    from my own private affairs. Wherefore I anxiously wait for you, and am very
                    desirous of seeing you. No greater pleasure can I now receive, than in your
                    conversation and friendship; and I hope, and indeed have heard, that your return
                    will soon afford me this consolation. I am desirous in truth of seeing you as
                    soon as possible for many reasons, but particularly that we may settle together
                    our plan of life in this conjecture, which must be arranged according to the
                    will of one man, who is prudent and liberal, a great friend as I conceive of
                    yours, and no enemy of mine. Still it demands no small deliberation what
                    measures we must take; I do not mean for acting, but for remaining quiet, with
                    his permission and good will. Farewell.</p>
                <p>[signature of Frederick.]</p>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage191">
                        <figure entity="pageimage"/>
                    </xref>
                </p>
            </div>
            <div type="poem" id="P31">
                <pb n="191"/>
                <head rend="hi">
                    <title type="main">The Lover&apos;s Invocation: </title>
                    <title type="subordinate">Imitated from an Unpublished French Poem</title>
                </head>
                <head>
                    <name reg="Mitford, Mary Russell" date="1787-1855" place="UK">By Miss Mitford</name>
                </head>
                <lg type="stanza">
                    <l rend="indent1">COME night, and spread thy shadowy veil</l>
                    <l rend="indent1">Across the still too glorious sky!</l>
                    <l rend="indent1">Come night, dark, silent, misty, pale, -- </l>
                    <l rend="indent1">As best befits a lover&apos;s sigh!</l>
                    <l rend="indent1">Suspend the course of yonder rill</l>
                    <l rend="indent1">That murmurs o&apos;er the mossy ground;</l>
                    <l rend="indent1">My Julia comes -- be still! be still!</l>
                    <l rend="indent1">For love will fly the lightest sound.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">Come night, and wrap in heaviest sleep</l>
                    <l rend="indent1">The guardian harsh who caused me to woe,</l>
                    <l rend="indent1">His senses in sweet visions steep,</l>
                    <l rend="indent1">And laughing lies around him throw!</l>
                    <l rend="indent1">Oh! be he cradled in such dreams</l>
                    <l rend="indent1">As poets view with waking eyes!</l>
                    <l rend="indent1">Prolong the soul enchanting themes,</l>
                    <l rend="indent1">And charm the doubt that never dies!</l>
                </lg>
                <lb/>
                <pb n="192"/>
                <lg type="stanza">
                    <l rend="indent1">Come night! -- For see across the green,</l>
                    <l rend="indent1">Hies with quick step the timid maid -- </l>
                    <l rend="indent1">Hush the soft breeze that lulled the scene,</l>
                    <l rend="indent1">And bid the silvery moon- beam fade!</l>
                    <l rend="indent1">For she, that timorous maid, would start</l>
                    <l rend="indent1">E&apos;en at thy stars&apos; mild lustre, night!</l>
                    <l rend="indent1">List trembling to her beating heart,</l>
                    <l rend="indent1">And fly the glow- worm&apos;s emerald light.</l>
                </lg>
            </div>
            <div type="picture" id="F9" refid="P32">
                <head>Figure 9: The Poet&apos;s Invocation</head>
                <p rend="center">
                        <figure entity="sminvocation" n="9">
                            <head><bibl><author type="painter">painted by <name reg="Stothard, Thomas" date="1755–1834" place="UK">T. Stothard, Esq.</name></author>, <author type="engraver">engraved by <name reg="Fox, Augustus" date="0000-0000" place="UK">Mr. Augustus Fox</name></author></bibl></head>
                        </figure>
                </p>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage193">
                        <figure entity="pageimage"/>
                    </xref></p>
            </div>
            <div type="poem" id="P32" refid="F9">
                <pb n="193"/>
                <head rend="hi">
                    <title>Inscription for a Grotto</title>
                </head>
                <head>
                    <name reg="Smith, Horace" date="1779-1849" place="UK">By Horace Smith, Esq.</name>
                </head>
                <lg type="stanza">
                    <l rend="indent1">HITHER to my Grotto fly,</l>
                    <l rend="indent1">To its cold and mossy seats,</l>
                    <l rend="indent1">Ye who dread the summer sky,</l>
                    <l rend="indent1">And the sun&apos;s meridian heats.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">Here&apos;s a fount that moistly breathes</l>
                    <l rend="indent1">Freshness through the vaulted gloom,</l>
                    <l rend="indent1">Eglantine whose hidden wreaths</l>
                    <l rend="indent1">The dim cooling air perfume.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">Harboured from the care and noise</l>
                    <l rend="indent1">Which have still your steps pursued,</l>
                    <l rend="indent1">Here you taste the purer joys</l>
                    <l rend="indent1">Of sweet soothing solitude.</l>
                </lg>
                <lb/>
                <pb n="194"/>
                <lg type="stanza">
                    <l rend="indent1">Here may maid with love untold,</l>
                    <l rend="indent1">In echo&apos;s ear her tale effuse,</l>
                    <l rend="indent1">Here may raptured poet hold</l>
                    <l rend="indent1">Communion with the willing muse.</l>
                    <l rend="indent1">Hither -- hither -- hither fly,</l>
                    <l rend="indent1">To silence to serenity! -- </l>
                </lg>
            </div>
            <div type="picture" id="F10" refid="P33">
                <head>Figure 10: The Dreams of the Infant Shakespeare</head>
                <p rend="center">
                        <figure entity="sminfantshakes" n="B10">
                            <head><bibl><author type="painter">painted by <name reg="Westall, Richard" date="1765–1836" place="UK">Richard Westall, Esq.</name></author>, <author type="engraver">engraved by <name reg="Fox, Augustus" date="0000-0000" place="UK">Mr. Augustus Fox</name></author></bibl></head>
                        </figure>
                </p>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage195">
                        <figure entity="pageimage"/>
                    </xref></p>
            </div>
            <div type="poem" id="P33" refid="F10">
                <pb n="195"/>
                <head rend="hi">
                    <title>The Infant Shakespeare</title>
                </head>
                <head>
                    <name reg="[anon.]" date="0000-0000" place="">By Unknown</name>
                </head>
                <lg type="stanza">
                    <l rend="indent1">BY the living waterspring,</l>
                    <l rend="indent1">By the grass- green fairy ring,</l>
                    <l rend="indent1">Pillowed on the rathe primrose,</l>
                    <l rend="indent1">Lies a boy in rich repose.</l>
                    <l rend="indent1">Yet, though honey- dews of sleep</l>
                    <l rend="indent1">All his crimson beauty steep -- </l>
                    <l rend="indent1">Though like languid lily- bands,</l>
                    <l rend="indent1">Fall on earth his infant hands;</l>
                    <l rend="indent1">And the veiling eyelids win</l>
                    <l rend="indent1">From us all the light within;</l>
                    <l rend="indent1">And, but for a passing glow,</l>
                    <l rend="indent1">Sculptured stone might seem his brow.</l>
                    <l rend="indent1">Yet that marble brow beneath,</l>
                    <l rend="indent1">Dreams are born too strong for death;</l>
                    <l rend="indent1">Thoughts, as with the stroke of lightning,</l>
                    <l rend="indent1">Soul- pervading, smiting, brightning.</l>
                    <l rend="indent1">Mighty visions are awake,</l>
                    <l rend="indent1">That shall yet the nations shake;</l>
                    <pb n="196"/>
                    <l rend="indent1">In that sleeping form enshrined,</l>
                    <l rend="indent1">Powers, and mysteries of mind;</l>
                    <l rend="indent1">That shall utter more than spell</l>
                    <l rend="indent1">Of a more than Oracle!</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">Now, on his enchanted sleep,</l>
                    <l rend="indent1">See the rich creations sweep;</l>
                    <l rend="indent1">Mark the lifting of his hand,</l>
                    <l rend="indent1">It has grasped a fancied wand;</l>
                    <l rend="indent1">Spirits, to its waving bowed,</l>
                    <l rend="indent1">Spring from earth, and fire and cloud.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">Now he smiles! a kingly pomp</l>
                    <l rend="indent1">Comes with shout and silver tromp;</l>
                    <l rend="indent1">Or along the burnished waters</l>
                    <l rend="indent1">Float some fairy island&apos;s daughters</l>
                    <l rend="indent1">Or, as day&apos;s empurpled smile,</l>
                    <l rend="indent1">Fades on the cathedral pile;</l>
                    <l rend="indent1">Incense- winged the evening prayer,</l>
                    <l rend="indent1">Rises on the dewy air.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">See, the sudden writhing brow!</l>
                    <l rend="indent1">See, the stealing tear below!</l>
                    <l rend="indent1">From his lip has gone the word,</l>
                    <l rend="indent1">Darkness from its depths is stirred;</l>
                    <l rend="indent1">And on fiery blasts are born,</l>
                    <l rend="indent1">Howling terrors, shapes forlorn.</l>
                </lg>
                <lb/>
                <pb n="197"/>
                <lg type="stanza">
                    <l rend="indent1">But again the laughing lip</l>
                    <l rend="indent1">Quivers with the matchless quip;</l>
                    <l rend="indent1">Wit, with diamond point and play,</l>
                    <l rend="indent1">Bright for ever and for aye:</l>
                    <l rend="indent1">Boy, to witch the world -- arise!</l>
                    <l rend="indent1">On that rose bank -- SHAKSPEARE lies!</l>
                </lg>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage198">
                        <figure entity="pageimage"/>
                    </xref>
                </p>
            </div>
            <div type="poem" id="P34">
                <pb n="198"/>
                <head rend="hi">
                    <title>On a Little Girl</title>
                </head>
                <head>
                    <name reg="Fraser, William" date="1796-1854" place="UK">By William Fraser</name>
                </head>
                <lg type="stanza">
                    <l rend="indent1">THAT beautiful and starry brow,</l>
                    <l rend="indent1">With youth and joy all splendent now -- </l>
                    <l rend="indent1">Can it be marred by years?</l>
                    <l rend="indent1">That passionless and stainless breast,</l>
                    <l rend="indent1">Where innocence hath raised her nest -- </l>
                    <l rend="indent1">Must it be racked by fears?</l>
                    <l rend="indent1">That glowing cheek and sun- bright eye</l>
                    <l rend="indent1">Whence laughter wings its archery -- </l>
                    <l rend="indent1">Will it be stained with tears?</l>
                    <l rend="indent1">Such is, alas! the bitter doom</l>
                    <l rend="indent1">That waits each tenant of the tomb; -- </l>
                    <l rend="indent1">And how canst thou, young bud of beauty be,</l>
                    <l rend="indent1">Excluded from the pale of destiny!</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">But years will pass nor leave behind</l>
                    <l rend="indent1">One stain upon thy seraph mind -- </l>
                    <l rend="indent1">Then, come, thou fearful age!</l>
                    <l rend="indent1">And fears that rack thy breast may prove</l>
                    <l rend="indent1">The token sure of passionate love -- </l>
                    <l rend="indent1">Such is love&apos;s heritage!</l>
                </lg>
                <lb/>
                <pb n="199"/>
                <lg type="stanza">
                    <l rend="indent1">And tears from pity&apos;s fount will flow,</l>
                    <l rend="indent1">And on the cheek full sunny glow,</l>
                    <l rend="indent1">Of joy the fond presage!</l>
                    <l rend="indent1">Thy days shall onward wing their way,</l>
                    <l rend="indent1">Like the month of fragrance- breathing May;</l>
                    <l rend="indent1">Or should Grief come thy beauties to enshroud</l>
                    <l rend="indent1">It shall pass o&apos;er thee like an April cloud.</l>
                </lg>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage200">
                        <figure entity="pageimage"/>
                    </xref>
                </p>
            </div>
            <div type="poem" id="P35">
                <pb n="200"/>
                <head rend="hi">
                    <title>Canzonet</title>
                </head>
                <head>
                    <name reg=" Bird, John" date="0000-0000" place="UK">By John Bird, Esq.</name>
                </head>
                <lg type="stanza">
                    <l rend="indent1">LOVE farewell! -- </l>
                    <l rend="indent1">Fickle as fair,</l>
                    <l rend="indent1">Hope&apos;s fond spell</l>
                    <l rend="indent1">Fades into air -- </l>
                    <l rend="indent1">Like pale leaves of autumn sighing,</l>
                    <l rend="indent1">All our joys are drooping, -- dying! -- </l>
                    <l rend="indent1">Love farewell! -- </l>
                    <l rend="indent1">Fickle as fair,</l>
                    <l rend="indent1">Hope&apos;s fond spell</l>
                    <l rend="indent1">Fades into air!</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">Love farewell! -- </l>
                    <l rend="indent1">Moments are dear,</l>
                    <l rend="indent1">When eyes tell</l>
                    <l rend="indent1">Parting is near -- </l>
                    <l rend="indent1">Kindred heart to heart appealing -- </l>
                    <l rend="indent1">Kindred glances love- vows sealing! -- </l>
                    <l rend="indent1">Love farewell! -- </l>
                    <l rend="indent1">Moments are dear,</l>
                    <l rend="indent1">When eyes tell</l>
                    <l rend="indent1">Parting is near! -- </l>
                </lg>
                <lb/>
                <pb n="201"/>
                <lg type="stanza">
                    <l rend="indent1">Love farewell! -- </l>
                    <l rend="indent1">After soft showers,</l>
                    <l rend="indent1">Spring- buds swell,</l>
                    <l rend="indent1">Into fair flowers -- </l>
                    <l rend="indent1">Bright o&apos;er passing storm- clouds bending,</l>
                    <l rend="indent1">Rainbow hues are richly blending! -- </l>
                    <l rend="indent1">Love farewell!</l>
                    <l rend="indent1">After soft showers,</l>
                    <l rend="indent1">Spring- buds swell,</l>
                    <l rend="indent1">Into fair flowers. -- </l>
                </lg>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage202">
                        <figure entity="pageimage"/>
                    </xref>
                </p>
            </div>
            <div type="poem" id="P36">
                <pb n="202"/>
                <head rend="hi">
                    <title>The Two Founts</title>
                </head>
                <head>
                    <name reg="Coleridge, Samuel Taylor" date="1772-1834" place="UK">By S.T. Coleridge, Esq.</name>
                </head>
                <epigraph>
                    <l rend="indent1">Stanzas addressed to a lady on her recovery with unblemished
                        looks,</l>
                    <l rend="indent1">from a severe attack of pain.</l>
                </epigraph>
                <lg type="stanza">
                    <l rend="indent1">&apos;TWAS my last waking thought, How can it be,</l>
                    <l rend="indent1">That thou, sweet friend, such anguish should&apos;st</l>
                    <l rend="indent1">endure?</l>
                    <l rend="indent1">When straight from Dreamland came a Dwarf, and he</l>
                    <l rend="indent1">Could tell the cause, forsooth, and knew the cure.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">Methought he fronted me with peering look,</l>
                    <l rend="indent1">Fix&apos;d on my heart; and read aloud in game,</l>
                    <l rend="indent1">The loves and griefs therein, as from a book;</l>
                    <l rend="indent1">And utter&apos;d praise like one who wish&apos;d to
                        blame.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">In every heart (quoth he) since Adam&apos;s sin,</l>
                    <l rend="indent1">TWO FOUNTS there are, of SUFFERING and of CHEER,</l>
                    <l rend="indent1">
                        <emph>That</emph> to let forth, and <emph>this</emph> to keep within!</l>
                    <l rend="indent1">But she, whose aspect I find imaged here,</l>
                </lg>
                <lb/>
                <pb n="203"/>
                <lg type="stanza">
                    <l rend="indent1">Of pleasure only will to all dispense,</l>
                    <l rend="indent1">That Fount alone unlock, by no distress</l>
                    <l rend="indent1">Choked or turn&apos; inward; but still issue thence</l>
                    <l rend="indent1">Unconquer&apos;d cheer, persistent loveliness.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">As on the driving cloud the shiny bow,</l>
                    <l rend="indent1">That gracious thing made up of tears and light,</l>
                    <l rend="indent1">Mid the wild rack, and rain that slants below,</l>
                    <l rend="indent1">Stands smiling forth unmov&apos;d, and freshly bright:</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">As though the spirits of all lovely flowers,</l>
                    <l rend="indent1">Inweaving each its wreath and dewy crown,</l>
                    <l rend="indent1">Or ere they sank to earth in vernal showers,</l>
                    <l rend="indent1">Had built a bridge to tempt the angels down.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">Ev&apos;n so, Eliza! on that face of thine,</l>
                    <l rend="indent1">On that benignant face, whose look alone</l>
                    <l rend="indent1">&apos;The soul&apos;s translucence through her crystal
                        shrine!)</l>
                    <l rend="indent1">Has power to soothe all anguish but thine own.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">A Beauty hovers still, and ne&apos;er takes wing</l>
                    <l rend="indent1">But with a silent charm compels the stern,</l>
                    <l rend="indent1">And fost&apos;ring genius of the BITTER SPRING,</l>
                    <l rend="indent1">To shrink aback, and cower upon his urn.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">Who then needs wonder, if (no outlet found</l>
                    <l rend="indent1">In passion, spleen, or strife,) the FOUNT OF PAIN,</l>
                    <l rend="indent1">O&apos;erflowing beats against its lovely mound,</l>
                    <l rend="indent1">And in wild flashes shoots from heart to brain?</l>
                </lg>
                <lb/>
                <pb n="204"/>
                <lg type="stanza">
                    <l rend="indent1">Sleep, and the Dwarf with that unsteady gleam,</l>
                    <l rend="indent1">On his rais&apos;d lip, that aped a critic smile,</l>
                    <l rend="indent1">Had pass&apos;d: yet I, my sad thoughts to beguile,</l>
                    <l rend="indent1">Lay weaving on the tissue of my dream.</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">Till audibly at length I cried, as though</l>
                    <l rend="indent1">Thou hadst indeed been present to my eyes,</l>
                    <l rend="indent1">O sweet, sweet sufferer! if the case be so,</l>
                    <l rend="indent1">I pray thee be less good, less sweet, less wise!</l>
                </lg>
                <lb/>
                <lg type="stanza">
                    <l rend="indent1">In every look a barbed arrow send,</l>
                    <l rend="indent1">On those soft lips let scorn and anger live!</l>
                    <l rend="indent1">Do any thing, rather than thus, sweet friend!</l>
                    <l rend="indent1">Hoard for thyself the pain thou wilt not give!</l>
                </lg>
            </div>
            <div type="pageimage">
                <p rend="center">
                    <xref doc="pageimage205">
                        <figure entity="pageimage"/>
                    </xref>
                </p>
            </div>
            <div type="story" id="S9">
                <pb n="205"/>
                <head rend="hi">
                    <title>Halloran the Pedlar: An Irish Story</title>
                </head>
                <head>
                    <name reg="Jameson, Mrs. Anna" date="1794-1860" place="UK">By the writer of the &quot;Diary of an Ennuyée.&quot;</name>
                </head>
                <p>&quot;IT grieves me,&quot; said an eminent poet once to me, &quot;it
                    grieves and humbles me to reflect how much our moral nature is in the power of
                    circumstances. Our best faculties would remain unknown even to ourselves did not
                    the influences of external excitement call them forth like animalculæ, which lie
                    torpid till wakened into life by the transient sunbeam.&quot;</p>
                <p>This is generally true. How many walk through the beaten paths of every day life,
                    who but for the novelist&apos;s page would never weep or wonder; and who
                    would know nothing of the passions but as they are represented in some tragedy
                    or stage piece? not that they are incapable of high resolve and energy; but
                    because the finer qualities have never been called forth by imperious
                    circumstances; for while the wheels of existence roll smoothly along, the soul
                    will continue to slumber in her vehicle like a lazy traveller. <pb n="206"/>But
                    for the French revolution, how many hundreds -- <emph>thousands</emph>thousands
                    -- whose courage, fortitude and devotedness have sanctified their names, would
                    have frittered away a frivolous, useless, or vicious life in the saloons of
                    Paris! We have heard of death in its most revolting forms braved by delicate
                    females, who would have screamed at the sight of the most insignificant reptile
                    or insect; and men cheerfully toiling at mechanic trades for bread who had
                    lounged away the best years of their lives at the toilettes of their mistresses.
                    We know not of what we are capable till the trial comes; -- till it comes,
                    perhaps, in a form which makes the strong man quail, and turns the gentler woman
                    into a heroine.</p>
                <p>The power of outward circumstances suddenly to awaken dormant faculties -- the
                    extraordinary influence which the mere instinct of self-preservation can exert
                    over the <emph>mind</emph>, and the triumph of mind thus excited over physical
                    weakness, were never more truly exemplified than in the story of HALLORAN THE
                    PEDLAR.</p>
                <p>The real circumstances of this singular case, differing essentially from the
                    garbled and incorrect account which appeared in the newspapers some years ago,
                    came to my knowledge in the following simple manner. My cousin George C * * *,
                    an Irish barrister of some standing, lately succeeded to his family estates by
                    the death of a near relative; and no sooner<pb n="207"/>did he find himself in
                    possession of independence than, abjuring the bar, where, after twenty years of
                    hard struggling, he was just beginning to make a figure, he set off on a tour
                    through Italy and Greece, to forget the wrangling of courts, the contumely of
                    attornies, and the impatience of clients. He left in my hands a mass of papers,
                    to burn or not, as I might feel inclined: and truly the contents of his desk
                    were no bad illustration of the character and pursuits of its owner. Here I
                    found abstracts of cases, and on their backs copies of verses, sketches of
                    scenery, and numerous caricatures of judges, jurymen, witnesses, and his
                    brethren of the bar -- a bundle of old briefs, and the beginnings of two
                    tragedies; with a long list of Lord N -- -- &apos;s best jokes to serve his
                    purposes as occasion might best offer. Among these heterogeneous and confused
                    articles were a number of scraps carefully pinned together, containing notes on
                    a certain trial, the first in which he had been retained as counsel for the
                    crown. The intense interest with which I perused these documents, suggested the
                    plan of throwing the whole into a connected form, and here it is for the
                    reader&apos;s benefit..</p>
                <p>In the south part of the country of Kilkenny lived a poor peasant named Michael,
                    or, as it was elegantly pronounced Mickle Reilly. He was a labourer renting a
                    cabin and a little potatoe-ground; and <pb n="208"/>on the strength of these
                    possessions, a robust frame which feared no fatigue, and a sanguine mind which
                    dreaded no reverse, Reilly paid his addresses to Cathleen Bray, a young girl of
                    his own parish, and they were married. Reilly was able, skilful, and
                    industrious; Cathleen was the best spinner in the county, and had constant sale
                    for her work at Kilkenny: they wanted nothing; and for the first year, as
                    Cathleen said, &quot;There wasn&apos;t upon the blessed earth two
                    happier souls than themselves, for Mick was the best boy in the world, and
                    hadn&apos;t a fault to <emph>spake</emph> of -- barring he took the drop now
                    and then; an&apos; why wouldn&apos;t he?&quot; But as it happened,
                    poor Reilly&apos;s love of &quot;<emph>the drop</emph>&quot; was the
                    beginning of all their misfortunes. In an evil hour he went to the Fair of
                    Kilkenny to sell a dozen hanks of yarn of his wife&apos;s spinning, and a
                    fat pig, the produce of which was to pay half a year&apos;s rent, and add to
                    their little comforts. Here he met with a jovial companion, who took him into a
                    booth, and treated him to sundry potations of whiskey; and while in his company,
                    his pocket was picked of the money he had just received, and something more; in
                    short, of all he possessed in the world. At that luckless moment, while maddened
                    by his loss and heated with liquor, he fell into the company of a recruiting
                    serjeant [sic]. The many-colored and gaily fluttering cockade in the
                    soldier&apos;s cap shone like a rainbow of hope and promise before the <pb
                        n="209"/>drunken eyes of Mickle Reilly, and ere morning he was enlisted into
                    a regiment under orders for embarkation, and instantly sent off to Cork.</p>
                <p>Distracted by the ruin he had brought upon himself, and his wife (whom he loved a
                    thousand times better than himself) poor Reilly sent a friend to inform Cathleen
                    of his mischance, and to assure her that on a certain day, in a week from that
                    time, a letter would await her at the Kilkenny post-office: the same friend was
                    commissioned to deliver her his silver watch, and a guinea out of his
                    bounty-money. Poor Cathleen turned from the gold with horror, as the price of
                    her husband&apos;s blood, and vowed that nothing on earth should induce her
                    to touch it. She was not a good calculator of time and distance, and therefore
                    rather surprised that so long a time must elapse before his letter arrived. On
                    the appointed day she was too impatient to wait the arrival of the carrier, but
                    set off to Kilkenny herself, a distance of ten miles: there, at the post-office,
                    she duly found the promised letter; but it was not till she had it in her
                    possession that she remembered she could not read: she had therefore to hasten
                    back to consult her friend Nancy, the schoolmaster&apos;s daughter, and the
                    best scholar in the village. Reilly&apos;s letter, on being deciphered with
                    some difficulty even by the learned Nancy, was found to contain much of sorrow,
                    much of repentance, and yet more <pb n="210"/>of affection: he assured her that
                    he was far better off than he had expected or deserved; that the embarkation of
                    the regiment to which he belonged was delayed for three weeks, and entreated
                    her, if she could forgive him, to follow him to Cork without delay, that they
                    might &quot;part in love and kindness, and then come what might, he would
                    demane himself like a man, and die asy,&quot; which he assured her he could
                    not do without embracing her once more.</p>
                <p>Cathleen listened to her husband&apos;s letter with clasped hands and drawn
                    breath, but quiet in her nature, she gave no other signs of emotion than a few
                    large tears which trickled slowly down her cheeks. &quot;And will I see him
                    again?&quot; she exclaimed, &quot;poor fellow! poor boy! I knew the
                    heart of him was sore for me! and who knows Nance dear, but they&apos;ll let me go
                    out with him to the foreign parts! Oh! sure they wouldn&apos;t be so
                    hard-hearted as to part man and wife that way!&quot;</p>
                <p>After a hurried consultation with her neighbours, who sympathised with her as
                    only the poor sympathise with the poor, a letter was indited [sic] by Nancy and
                    sent by the Kilkenny carrier that night, to inform her husband that she purposed
                    setting off for Cork the next blessed morning, being Tuesday, and as the
                    distance was about forty-eight miles English, she reckoned on reaching that city
                    by Wednesday afternoon; for as she had walked to Kil-<pb n="211"/>kenny and back
                    (about twenty miles) that same day, without feeling fatigued at all,
                        &quot;<emph>to signify</emph>,&quot; Cathleen thought there would be
                    no doubt that she could walk to Cork in less than two days. In this sanguine
                    calculation she was however over-ruled by her more experienced neighbours, and
                    by their advice appointed Thursday as the day on which her husband was to expect
                    her, &quot;God willing.&quot;</p>
                <p>Cathleen spent the rest of the day in making preparations for her journey: she
                    set her cabin in order, and made a small bundle of a few articles of clothing
                    belonging to herself and her husband. The watch and the guinea she wrapped up
                    together and crammed into the toe of an old shoe which she deposited in the said
                    bundle, and the next morning, at &quot;sparrow chirp,&quot; she arose,
                    locked her cabin door, carefully hid the key in the thatch, and with a light
                    expecting heart commenced her long journey.</p>
                <p>It is worthy of remark that this poor woman who was called upon to play the
                    heroine in such a strange tragedy and under such appalling circumstances, had
                    nothing heroic in her exterior: nothing that in the slightest degree indicated
                    strength of nerve or superiority of intellect. Cathleen was twenty-three years
                    of age, of a low stature, and in her form rather delicate than robust: she was
                    of ordinary appearance; her eyes mild and dove-<pb n="212"/>like, and her whole
                    countenance, though not absolutely deficient in intelligence, was more
                    particularly expressive of simplicity, good temper and kindness of heart.</p>
                <p>It was summer, about the end of June: the days were long, the weather fine, and
                    some gentle showers rendered travelling easy and pleasant. Cathleen walked on
                    stoutly towards Cork, and by the evening she had accomplished with occasional
                    pauses of rest, nearly twenty-one miles. She lodged at a little inn by the road
                    side, and the following day set forward again, but soon felt stiff with the
                    travel of two previous days: the sun became hotter, the ways dustier; and she
                    could not with all her endeavours get farther than Kathery, eighteen miles from
                    Cork. The next day unfortunately for poor Cathleen, proved hotter and more
                    fatiguing than the preceding. The cross road lay over a wild country, consisting
                    of low bogs and bare hills. About noon she turned aside to a rivulet bordered by
                    a few trees, and sitting down in the shade, she bathed her swollen feet in the
                    stream and overcome by heat, weakness, and excessive weariness she put her
                    little bundle under her head for a pillow and sunk into a deep sleep.</p>
                <p>On waking she perceived with dismay that the sun was declining: and on looking
                    about, her fears were increased by the discovery that her bundle was gone. Her
                    first thought was that the good people, (i.e. <pb n="213"/>
                    <emph>the fairies</emph>) had been there and stolen it away; but on examining
                    farther she plainly perceived large foot-prints in the soft bank and was
                    convinced it was the work of no unearthly marauder. Bitterly reproaching herself
                    for her carelessness, she again set forward; and still hoping to reach Cork that
                    night, she toiled on and on with increasing difficulty and distress, till as the
                    evening closed her spirits failed, she became faint, foot-sore and hungry, not
                    having tasted any thing since the morning but a cold potatoe and a draught of
                    buttermilk. She then looked round her in hopes of discovering some habitation,
                    but there was none in sight except a lofty castle on a distant hill, which
                    raising its proud turrets from amidst the plantation which surrounded it,
                    glimmered faintly through the gathering gloom, and held out no temptation for
                    the poor wanderer to turn in there and rest. In her despair she sat down on a
                    bank by the road side, and wept as she thought of her husband.</p>
                <p>Several horsemen rode by, and one carriage and four attended by servants, who
                    took no farther notice of her than by a passing look; while they went on their
                    way like the priest and the Levite in the parable, poor Cathleen dropped her
                    head despairingly on her bosom. A faintness and torpor seemed to be stealing
                    like a dark cloud over her senses, when the fast approaching sound of footsteps
                    roused her attention, and turning, she saw at her side a man <pb n="214"/>whose
                    figure though singular, she recognised immediately: it was Halloran the Pedlar.</p>
                <p>Halloran had been known for thirty years past in all the towns and villages
                    between Waterford and Kerry. He was very old, he himself did not know his own
                    age; he only remembered that he was a &quot;tall slip of a boy&quot;
                    when he was one of the -- -- regiment of foot, and fought in America in 1778.
                    His dress was strange, it consisted of a woollen cap, beneath which strayed a
                    few white hairs, this was surmounted by an old military cocked hat, adorned with
                    a few fragments of tarnished gold lace: a frieze great coat with the sleeves
                    dangling behind, was fastened at his throat, and served to protect his box of
                    wares which was slung at his back; and he always carried a thick oak stick or
                        <emph>kippeen</emph> in his hand. There was nothing of the infirmity of age
                    in his appearance: his cheek though wrinkled and weather-beaten was still ruddy:
                    his step still firm, his eyes still bright; his jovial disposition made him a
                    welcome guest in every cottage, and his jokes, though not equal to my Lord
                    Norbury&apos;s, were repeated and applauded through the whole country.
                    Halloran was lreturning [sic] from the fair of Kilkenny, where apparently his
                    commercial speculations had been attended with success, as his pack was
                    considerably diminished in size. Though he did not appear to recollect Cathleen,
                    he addressed her in Irish, and asked her what <pb n="215"/>she did there: she
                    related in a few words her miserable situation.</p>
                <p>&quot;In troth, then, my heart is sorry for ye, poor woman,&quot; he
                    replied, compassionately; &quot;and what will ye do?&quot;</p>
                <p>&quot;An&apos; what can I do?&quot; replied Cathleen, disconsolately;
                    &quot;and how will I even find the ford of Ahnamoe and get across to Cork,
                    when I don&apos;t know where I am this blessed moment?&quot;</p>
                <p> &quot;Musha, then, its little ye&apos;ll get there this night,&quot;
                    said the pedlar, shaking his head.</p>
                <p>&quot;Then I&apos;ll lie down here and die,&quot; said Cathleen,
                    bursting into fresh tears.</p>
                <p>&quot;Die! ye wouldn&apos;t!&quot; he exclaimed, approaching nearer;
                    &quot;is it to me, Peter Halloran, ye spake that word; and am I the man that
                    would lave a faymale at this dark hour by the way side, let alone one that has
                    the face of a friend, though I cannot remember me of your name either, for the
                    soul of me. But what matter for that?&quot;</p>
                <p>&quot;Sure, I&apos;m Katty Reilly, of Castle Conn.&quot;</p>
                <p>&quot;Katty Reilly, sure enough! and so no more talk of dying; cheer up, and
                    see, a mile farther on, isn&apos;t there Biddy Hogan&apos;s?
                    <emph>Was</emph>, I mane, if the house and all isn&apos;t gone: and its
                    there we&apos;ll get a bite and a sup, and a bed, too, please God. So lean
                    upon my arm, ma vourneen, its strong enough yet.&quot;</p>
                <pb n="216"/>
                <p>So saying, the old man with an air of gallantry, half rustic, half military,
                    assisted her in rising; and upporting [sic] her on one arm, with the other he
                    flourished his kippeen over his head, and they trudged on together, he singing
                    Cruiskeen lawn at the top of his voice, &quot;just,&quot; as he said,
                    &quot;to put the heart into her.&quot;</p>
                <p>After about half an hour&apos;s walking, they came to two crossways,
                    diverging from the high road: down one of these the Pedlar turned, and in a few
                    minutes they came in sight of a lonely house, situated at a little distance from
                    the way-side. Above the door was a long stick projecting from the wall, at the
                    end of which dangled a truss of straw, signifying that within there was
                    entertainment (good or bad) for man and beast. By this time it was nearly dark,
                    and the pedlar going up to the door, lifted the latch, expecting it to yield to
                    his hand; but it was fastened within: he then knocked and called, but there was
                    no answer. The building which was many times larger than an ordinary cabin had
                    once been a manufactory, and afterwards a farm-house. One end of it was
                    deserted, and nearly in ruins; the other end bore signs of having been at least
                    recently inhabited. But such a dull hollow echo rung through the edifice at
                    every knock, that it seemed the whole place was now deserted.</p>
                <p>Cathleen began to be alarmed, and crossed her-<pb n="217"/>self, ejaculating,
                    &quot;O God preserve us!&quot; But the Pedlar, who appeared well
                    acquainted with the premises, led her round to the back part of the house, where
                    there were some ruined out-buildings, and another low entrance. Here, raising
                    his stout stick, he let fall such a heavy thump on the door that it cracked
                    again; and a shrill voice from the other side demanded who was there? After a
                    satisfactory answer, the door was slowly and cautiously opened, and the figure
                    of a wrinkled, half famished and half naked beldam appeared, shading a rush
                    candle with one hand. Halloran, who was of a fiery and hasty temper, began
                    angrily: &quot;Why, then, in the name of the great devil himself, didn&apos;t you
                    open to us?&quot; But he stopped suddenly, as if struck with surprise at the
                    miserable object before him.</p>
                <p>&quot;Is it Biddy Hogan herself, I see!&quot; he exclaimed, snatching the
                    candle from her hand, and throwing the light full on her face. A
                    moment&apos;s scrutiny seemed enough, and too much; for, giving it back
                    hastily, he supported Cathleen into the kitchen, the old woman leading the way,
                    and placed her on an old settle, the first seat which presented itself. When she
                    was sufficiently recovered to look about her, Cathleen could not help feeling
                    some alarm at finding herself in so gloomy and dreary a place. It had once been
                    a large kitchen, or hall: at one <pb n="218"/>end was an ample chimney, such as
                    are yet to be seen in some old country houses. The rafters were black with smoke
                    or rottenness: the walls had been wainscoted with oak, but the greatest part had
                    been torn down for firing. A table with three legs, a large stool, a bench in
                    the chimney propped up with turf sods, and the seat Cathleen occupied, formed
                    the only furniture. Every thing spoke of utter misery, filth, and famine -- the
                    very &quot;abomination of desolation.&quot;</p>
                <p>&quot;And what have ye in the house, Biddy, honey?&quot; was the
                    Pedlar&apos;s first question, as the old woman set down the light.</p>
                <p>&quot;Little enough, I&apos;m thinking.&quot;</p>
                <p>&quot;Little! Its nothing then.&quot;</p>
                <p>&quot;No, not so much as a midge would eat have I in the house this blessed
                    night, and nobody to send down to Balgowna.&quot;</p>
                <p>&quot;No need of that, as our good luck would have it,&quot; said
                    Halloran, and pulling a wallet from under his loose coat, he drew from it a bone
                    of cold meat, a piece of bacon, a lump of bread, and some cold potatoes. The old
                    woman, roused by the sight of so much good cheer, began to blow up the dying
                    embers on the hearth; put down among them the few potatoes to warm, and busied
                    herself in making some little preparations to entertain her guests. Meantime the
                    old Pedlar, casting from time to time an anxious <pb n="219"/>glance towards
                    Cathleen, and now and then an encouraging word, sat down on the low stool,
                    resting his arms on his knees.</p>
                <p>&quot;Times are sadly changed with ye, Biddy Hogan,&quot; said he at
                    length, after a long silence.</p>
                <p>&quot;Troth, ye may say so;&quot; she replied with a sort of groan.
                    &quot;Bitter bad luck have we had in this world, any how.&quot;</p>
                <p>&quot;And where&apos;s the man of the house? And where&apos;s the
                    lad, Barny?&quot;</p>
                <p>&quot;Where are they, is it? Where should they be? may be gone down to
                    Ahnamoe.&quot;</p>
                <p>&quot;But what&apos;s come of Barny? The boy was a stout workman, and a
                    good son, though a devil-may-care fellow, too. I remember teaching him the
                    soldier&apos;s exercise with this very blessed stick now in my hand; and by
                    the same token, him doubling his fist at me when he wasn&apos;t bigger than
                    the turf-kish yonder; aye, and as long as Barney Hogan could turn a sod of turf
                    on my lord&apos;s land, I thought his father and mother would never have
                    wanted the bit and sup while the life was in him.&quot;</p>
                <p>At the mention of her son, the old woman looked up a moment, but immediately hung
                    her head again.</p>
                <p>&quot;Barny doesn&apos;t work for my lord now,&quot; said she.</p>
                <p>&quot;And what for, then?&quot;</p>
                <p>The old woman seemed reluctant to answer -- she hesitated.</p>
                <pb n="220"/>
                <p>&quot;Ye didn&apos;t hear, then, how he got into trouble with my lord;
                    and how -- myself doesn&apos;t know the rights of it -- but Barny had always
                    a bit of wild blood about him; and since that day he&apos;s taken to bad
                    ways, and the ould [sic] man&apos;s ruled by him quite entirely; and the
                    one&apos;s glum and fierce like -- and t&apos;other&apos;s bothered;
                    and, oh! bitter&apos;s the time I have twixt &apos;em both!&quot;</p>
                <p>While the old woman was uttering these broken complaints, she placed the eatables
                    on the table; and Cathleen, who was yet more faint from hunger than subdued by
                    fatigue, was first helped by the good-natured Pedlar to the best of what was
                    there: but, just as she was about to taste the food set before her, she chanced
                    to see the eyes of the old woman fixed upon the morsel in her hand with such an
                    envious and famished look, that from a sudden impulse of benevolent feeling, she
                    instantly held it out to her. The woman started, drew back her extended hand,
                    and gazed at her wildly.</p>
                <p>&quot;What is it then ails ye?&quot; said Cathleen, looking at her with
                    wonder; then to herself, &quot;hunger&apos;s turned the wits of her,
                    poor soul! Take it -- take it, mother,&quot; added she aloud: &quot;eat,
                    good mother; sure there&apos;s plenty for us all, and to spare,&quot;
                    and she pressed it upon her with all the kindness of her nature. The old woman
                    eagerly seized it.</p>
                <p>&quot;God reward ye,&quot; said she, grasping Cathleen&apos;s <pb
                        n="221"/>hand, convulsively, and retiring to a corner, she devoured the food
                    with almost wolfish voracity.</p>
                <p>While they were eating, the two Hogans, father and son, came in. They had been
                    setting snares for rabbits and game on the neighbouring hills; and evidently
                    were both startled and displeased to find the house occupied; which, since Barny
                    Hogan&apos;s disgrace with &quot;my lord,&quot; had been entirely
                    shunned by the people round about. The old man gave the pedlar a sulky welcome.
                    The son, with a muttered curse, went and took his seat in the chimney, where,
                    turning his back, he set himself to chop a billet of wood. The father was a lean
                    stooping figure, &quot;bony, and gaunt, and grim:&quot; he was either
                    deaf, or affected deafness. The son was a short, brawny, thickset man, with
                    features not naturally ugly, but rendered worse than ugly by an expression of
                    louring ferocity disgustingly blended with a sort of stupid drunken leer, the
                    effect of habitual intoxication.</p>
                <p>Halloran stared at them awhile with visible astonishment and indignation, but
                    pity and sorrow for a change so lamentable, smothered the old man&apos;s wrath; and
                    as the eatables were by this time demolished, he took from his side pocket a tin
                    flask of whiskey, calling to the old woman to boil some water
                    &quot;screeching hot,&quot; that he might make what he termed
                    &quot;a jug of stiff punch -- enough to make a cat spake.&quot; He
                    offered to share it with his hosts, who did not decline drinking; <pb n="222"
                    />and the noggin went round to all but Cathleen, who, feverish with travelling,
                    and, besides, disliking spirits, would not taste it. The old Pedlar, reconciled
                    to his old acquaintances by this shew of good fellowship, began to grow merry
                    under the influence of his whiskey-punch: he boasted of his late success in
                    trade, shewed with exultation his almost empty pack, and taking out the only two
                    handkerchiefs left in it, threw one to Cathleen, and the other to the old woman
                    of the house; then slapping his pocket in which a quantity of loose money was
                    heard to jingle, he swore he would treat Cathleen to a good breakfast next
                    morning; and threw a shilling on the table, desiring the old woman would provide
                    &quot;stirabout for a dozen,&quot; and have it ready by the first light.</p>
                <p>Cathleen listened to this rhodomontade in some alarm; she fancied to detect
                    certain suspicious glances between the father and son, and began to feel an
                    indescribable dread of her company. She arose from the table, urging the Pedlar
                    good-humouredly to retire to rest, as they intended to be up and away so early
                    next morning: then concealing her apprehensions under an affectation of extreme
                    fatigue and drowsiness, she desired to be shewn where she would sleep. The old
                    woman lighted a lanthorn, and led the way up some broken steps into a sort of
                    loft, where she shewed her two beds standing close together; one of these <pb
                        n="223"/>she intimated was for the Pedlar, and the other for herself. Now
                    Cathleen had been born and bred in an Irish cabin, where the inmates are usually
                    lodged after a very promiscuous fashion; our readers, therefore, will not wonder
                    at the arrangement. Cathleen, however, required that, if possible some kind of
                    skreen [sic] should be placed between the beds. The old hag at first replied to
                    this request with the most disgusting impudence; but Cathleen insisting, the
                    beds were moved asunder, leaving a space of about two feet between them; and
                    after a long search a piece of old frieze was dragged out from among some
                    rubbish, and hung up to the low rafters, so as to form a curtain or partition
                    half way across the room. Having completed this arrangement, and wished her
                    &quot;a sweet sleep and a sound, and lucky dreams,&quot; the old woman
                    put the lanthorn on the floor, for there was neither chair nor table, and left
                    her guest to repose.</p>
                <p>Catheleen said her prayers, only partly undressed herself, and lifting up the
                    worn out coverlet, lay down upon the bed. In a quarter of an hour afterwards the
                    Pedlar staggered into the room, and as he passed the foot of her bed, bid God
                    bless her, in a low voice. He then threw himself down on his bed, and in a few
                    minutes, as she judged by his hard and equal breathing, the old man was in a
                    deep sleep.</p>
                <p>All was now still in the house, but Cathleen <pb n="224"/>could not sleep. She
                    was feverish and restless: her limbs ached, her head throbbed and burned,
                    undefinable fears beset her fancy; and whenever she tried to compose herself to
                    slumber the faces of the two men she had left below flitted and glared before
                    her eyes. A sense of heat and suffocation, accompanied by a parching thirst,
                    came over her, caused, perhaps, by the unusual closeness of the room. This
                    feeling of oppression increased till the very walls and rafters seemed to
                    approach nearer and close upon her all around. Unable any longer to endure this
                    intolerable smothering sensation, she was just about to rise and open the door
                    or window, when she heard the whispering of voices. She lay still and listened.
                    The latch was raised cautiously, -- the door opened, and the two Hogans entered:
                    they trod so softly that, though she saw them move before her, she heard no
                    foot-fall. They approached the bed of Halloran, and presently she heard a dull
                    heavy blow, and then sounds -- appalling sickening sounds -- as of subdued
                    struggles and smothered agony, which convinced her that they were murdering the
                    unfortunate Pedlar.</p>
                <p>Cathleen listened, almost congealed with horror, but she did not swoon: her turn,
                    she thought, must come next, though in the same instant she felt instinctively
                    that her only chance of preservation was to counterfeit profound sleep. The
                    murderers, <pb n="225"/>having done their work on the poor Pedlar, approached
                    her bed, and threw the gleam of their lanthorn full on her face; she lay quite
                    still, breathing calmly and regularly. They brought the light to her eye-lids,
                    but they did not wink or move; -- there was a pause, a terrible pause, and then
                    a whispering; -- and presently Cathleen thought she could distinguish a third
                    voice, as of expostulation, but all in so very low a tone that though the voices
                    were close to her she could not hear a word that was uttered. After some
                    moments, which appeared an age of agonising suspense, the wretches withdrew, and
                    Cathleen was left alone, and in darkness. Then, indeed, she felt as one ready to
                    die: to use her own affecting language, &quot;the heart within me,&quot;
                    said she, &quot;melted away like water, but I was resolute not to swoon, and
                    I <emph>did not</emph>. I knew that if I would preserve my life, I must keep the
                    sense in me, and <emph>I did</emph>.&quot;</p>
                <p>Now and then she fancied she heard the murdered man move, and creep about in his
                    bed, and this horrible conceit almost maddened her with terror: but she set
                    herself to listen fixedly, and convinced her reason that all was still -- that
                    all was over.</p>
                <p>She then turned her thoughts to the possibility of escape. The window first
                    suggested itself: the faint moon-light was just struggling through the dirty and
                    cob-webbed panes: it was very small, and Cathleen reflected, that besides the
                    difficulty, and, <pb n="226"/>perhaps, impossibility of getting through, it must
                    be some height from the ground: neither could she tell on which side of the
                    house it was situated, nor in what direction to turn, supposing she reached the
                    ground; and, above all, she was aware that the slightest noise, must cause her
                    instant destruction. She thus resolved upon remaining quiet.</p>
                <p>It was most fortunate that Cathleen came to this determination, for without the
                    slightest previous sound the door again opened, and in the faint light, to which
                    her eyes were now accustomed, she saw the head of the old woman bent forward in
                    a listening attitude: in a few minutes the door closed, and then followed a
                    whispering outside. She could not at first distinguish a word until the
                    woman&apos;s sharper tones broke out, though in a suppressed vehemence, with
                    &quot;If ye touch her life, Barny, a mother&apos;s curse go with ye!
                    enough&apos;s done.&quot;</p>
                <p>&quot;She&apos;ll live, then, to hang us all,&quot; said the
                    miscreant son.</p>
                <p>&quot;Sooner than that, I&apos;d draw this knife across her throat with
                    my own hands; and I&apos;d do it again and again, sooner than they should
                    touch your life, Barny, jewel: but no fear, the creature&apos;s asleep or
                    dead already, with the fright of it.&quot;</p>
                <p>The son then said something which Cathleen could not hear; the old woman replied,</p>
                <p>&quot;Hisht! I tell ye, no, -- no; the ship&apos;s now in the <pb n="227"
                    />Cove of Cork that&apos;s to carry her over the salt seas far enough out of
                    the way: and haven&apos;t we all she has in the world? and more,
                    didn&apos;t she take the bit out of her own mouth to put into
                    mine?&quot;</p>
                <p>The son again spoke inaudibly; and then the voices ceased, leaving Cathleen
                    uncertain as to her fate.</p>
                <p>Shortly after the door opened, and the father and son again entered, and carried
                    out the body of the wretched Pedlar. They seemed to have the art of treading
                    without noise, for though Cathleen saw them move, she could not hear a sound of
                    a footstep. The old woman was all this time standing by her bed, and every now
                    and then casting the light full upon her eyes; but as she remained quiet still,
                    and apparently in a deep calm sleep, they left her undisturbed, and she neither
                    saw nor heard any more of them that night.</p>
                <p>It ended at length -- that long, long night of horror. Cathleen lay quiet till
                    she thought the morning sufficiently advanced. She then rose, and went down into
                    the kitchen: the old woman was lifting a pot off the fire, and nearly let it
                    fall as Cathleen suddenly addressed her, and with an appearance of surprise and
                    concern, asked for her friend the Pedlar, saying she had just looked into his
                    bed, supposing he was still asleep, and to her great amazement had found it
                    empty. The old woman replied, that he had set out at <pb n="228"/>early
                    day-light for Mallow, having only just remembered that his business called him
                    that way before he went to Cork. Cathleen affected great wonder and perplexity,
                    and reminded the woman that he had promised to pay for her breakfast.</p>
                <p>&quot;An&apos; so he did, sure enough,&quot; she replied,
                    &quot;and paid for it too; and by the same token didn&apos;t I go down
                    to Balgowna myself for the milk and the <emph>male</emph> before the sun was
                    over the tree tops; and here it is for ye, ma colleen [sic]:&quot; so
                    saying, she placed a bowl of stirabout and some milk before Cathleen, and then
                    sat down on the stool opposite her, watching her intently.</p>
                <p>Poor Cathleen! she had but little inclination to eat, and felt as if every bit
                    would choke her: yet she continued to force down her breakfast, and apparently
                    with the utmost ease and appetite, even to the last morsel set before her. While
                    eating, she enquired about the husband and son, and the old woman replied, that
                    they had started at the first burst of light to cut turn in a bog, about five
                    miles distant.</p>
                <p>When Cathleen had finished her breakfast, she returned the old woman many thanks
                    for her kind treatment, and then desired to know the nearest way to Cork. The
                    woman Hogan informed her that the distance was about seven miles, and though the
                    usual road was by the high way from which they had <pb n="229"/>turned the
                    preceding evening, there was a much shorter way across some fields which she
                    pointed out: Cathleen listened attentively to her directions, and then bidding
                    farewell with many demonstrations of gratitude, she proceeded on her fearful
                    journey. The cool morning air, the cheerful song of the early birds, the dewy
                    freshness of the turf, were all unnoticed and unfelt: the sense of danger was
                    paramount, while her faculties were all alive and awake to meet it, for a
                    feverish and unnatural strength seemed to animate her limbs. She stepped on,
                    shortly debating with herself whether to follow the directions given by the old
                    woman. The high road appeared the safest; on the other hand, she was aware that
                    the slightest betrayal of mistrust would perhaps be followed by her destruction;
                    and thus rendered brave even by the excess of her fears, she determined to take
                    the cross path. Just as she had come to this resolution, she reached the gate
                    which she had been directed to pass through; and without the slightest apparent
                    hesitation, she turned in, and pursued the lonely way through the fields. Often
                    did she fancy she heard footsteps stealthily following her, and never approached
                    a hedge without expecting to see the murderers start up from behind it; yet she
                    never once turned her head, nor quickened nor slackened her pace; </p>
                <pb n="230"/>
                <lg type="stanza">
                    <l rend="indent5">Like one that on a lonesome road</l>
                    <l rend="indent5">Doth walk in fear and dread,</l>
                    <l rend="indent5">Because he knows a frightful fiend</l>
                    <l rend="indent5">Doth close behind him tread.</l>
                </lg>
                <p>She had proceeded in this manner about three quarters of a mile, and approached a
                    thick and dark grove of underwood, when she beheld seated upon the opposite
                    stile an old woman in a red cloak. The sight of a human being made her heart
                    throb more quickly for a moment; but on approaching nearer, with all her
                    faculties sharpened by the sense of danger, she perceived that it was no old
                    woman, but the younger Hogan, the murderer of Halloran, who was thus disguised.
                    His face was partly concealed by a blue handkerchief tied round his head and
                    under his chin, but she knew him by the peculiar and hideous expression of h